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DTSTART;TZID=America/Halifax:20240501T190000
DTEND;TZID=America/Halifax:20240501T203000
DTSTAMP:20260429T014847
CREATED:20240324T020113Z
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SUMMARY:Bread & Roses: Can You See Us?
DESCRIPTION:English & French bilingual performance | Performance bilingue anglais-français\n>>Register Here for FREE Childcare\nASL interpretation will be available\n\n \n“Bread and Roses: Can you see us?” is an original performance created by visual artist and labour organizer Tricia Robinson Illustration (she/her) and poet and social justice activist Laura Doyle Péan (they/them). This collaborative performance tackles topics of invisibilized labour\, union work\, collective liberation and the importance of solidarity in the face of intersecting social crises.  Building on their decade of community organizing experience within the labour\, racial\, social and climate justice movements\, the two tiohtià:ke/mooniyang (Montréal) based artists attempt to shine light on forms of labour that are too often hidden and devalued. \nLive on stage\, Tricia will create original visual artwork in several mediums as Laura Doyle Péan recites some of their moving poetry  with themes of domestic and care labour\, activism\, unions\, and freedom. The conception of Tricia’s art pieces will be projected onto a  screen\, allowing the audience to witness her creation process live and close up. The projection of her work will serve to honour the  labour and care that goes into creating illustrations\, embroideries and linocuts\, hence putting emphasis on our understanding of art as  labour\, as well as pridefully using mediums that have such a rich history within liberation and activist movements. Unapologetically feminist and pro-worker\, Tricia and Laura\, with care and devotion\, are using this performance as a way to open conversations about  the labour movement and unionism as a whole\, and the importance of recognizing forms of labour that have historically been  undervalued\, criminalized\, and disregarded. \n \n\nBios:\nTricia \nTricia Robinson is an illustrator\, photographer and labour organizer located in Montréal\, Canada. She has been working  creatively in whatever she can get her hands on since the early 2000s and has been a freelancer since 2013. Initially shying away from having personal politics and social issues merging with her work\, these themes are now what completely encompass her  creative work. Her work often adds elements of humour and hope to important topics like workers’ rights\, labour activism\, the perils  of capitalism on our well-being\, and the importance\, value\, and future liberation of the working class. She is a music college drop out  with self taught skills and a very strong determination to be her own boss. She also absorbed skills and experience from the  abundance of love\, support\, and skill sharing from her community. Her illustration career coincides with her work within labour  unions in Canada\, and her drive and desire to educate and authentically empower workers to collectively fight for their rights. She is part of the founding of Syndicat General in Montreal\, a new trade labour union that helps workers organize and build combative and  durable unions\, whether their workplace has 2-2000 employees. \nInstagram: @triciarobinsonillustration\nFacebook: www.facebook.com/triciarobinsonillustration\nWebsite: www.triciamakes.com \n  \nLaura: \nLaura Doyle Péan (they/them) is a 24-year-old queer Haitian-Quebecois multidisciplinaryartist\,  poet and activist whose  practice focuses on the role of art in social movements. Laura published their first book\, Cœur Yoyo\, in 2020. The English translation  of their book\, Yo-yo Heart\, came out in 2021 with the 87 press. Laura holds a column in the literary magazine Lettres Québécoises\,  and has published poems and short stories in many others. They are also a member of the editorial committee of the literary magazine  Moebius\, and have sat on many literary prize juries\, including\, most recently the jury for Radio-Canada’s poetry prize. Born in  Nionwentsïo (Quebec city)\, where they first got involved in intersectional feminist\, LGBTQIA2S+\, migrant justice and racial justice  organizing\, they moved to Tiohtià:ke/Mooniyang (Montreal) in 2019\, to attend university. There\, they joined the fossil fuel  divestment movement\, and made their first steps in union organizing to fight for a better collective agreement for their coworkers and  themselves. These experiences led them to gain a renewed understanding of the inextricability of the struggles for workers’ rights and the struggles for climate justice. \nInstagram: @esmeralda_dpxx \nCredit for the photo of Laura: Amélie Marcil – https://www.facebook.com/ameliemarcilgraphiste \n  \n \n 
URL:https://mayworkskjipuktukhfx.ca/event/bread-roses-can-you-see-us/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20240503T170000
DTEND;TZID=America/Halifax:20240503T190000
DTSTAMP:20260429T014847
CREATED:20240324T024113Z
LAST-MODIFIED:20240430T205311Z
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SUMMARY:Portrait of the Artist as an Essential Worker
DESCRIPTION:NEW: ASL interpretation will be available\n\n \n\nWork by Sarah Mosher and Hannah Genosko\nIn collaboration\, Mosher and Genosko use printmaking and textile processes to illustrate their experiences as essential workers during the COVID-19 pandemic. They are both professional artists who were employed in ‘casual’ day jobs in sectors that were labeled essential and became full-time during the COVID-19 pandemic: the Nova Scotia Liquor Corporation and Canada Post\, respectively. With their similar experiences they dig deeper into the ‘essential’ label where art and work don’t often intersect. They explore the repetitive nature of labour through the repetitive nature of printmaking\, and create images relevant to their experience; the images are printed on the uniforms they and their coworkers wore during their time of essential sector work. Folk quilting traditionally uses old clothes and other found materials for utility\, and the shape of the garments inform the geometry of the quilt. The uniforms are sewn into quilted banners that do not follow a traditional repeating pattern or conform to a rectangle\, but rather use patchwork and appliqué techniques to create an uncertain feeling. This method reflects the ever-changing and disjointed nature of the pandemic. \nSarah’s instagram is @realpzzazz \nTwo large quilts on display at the Bus Stop Theatre\, April 1st to June 30th \nReception and Artist Talk\, May 3rd 5:00PM – 7:00PM \n \n \n 
URL:https://mayworkskjipuktukhfx.ca/event/portrait-of-the-artist-as-an-essential-worker/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
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DTSTART;TZID=America/Halifax:20240508T173000
DTEND;TZID=America/Halifax:20240508T200000
DTSTAMP:20260429T014847
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LAST-MODIFIED:20240507T124652Z
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SUMMARY:Crafters Resistance
DESCRIPTION:*Time Change!*\nMay 8th\, 5:30pm to 8:00pm \nThink of the Worst Theatre Presents:\nLearn crafting history and the importance of quilting in community resistance. Help develop three quilts which all represent buildings in Halifax that could be housing. To be presented together at the end of the workshops over a great community meal. \nCommunity Quilting Workshops\n\nWork together to share stories and histories while learning how to quilt! All levels of quilting are welcome\, materials will be provided! Come make a square\, enjoy company\, and learn crafting history. \nQuilting will be taught by Think of the Worst members as well as other community members. The quilting squares will be assembled into three large quilts that resemble local buildings that should be affordable housing. The designs are based off of 2277 Maitland St (formerly St.Patrick’s-Alexandra school)\, 5381 Spring Garden Rd (formerly Halifax Memorial Library)\, and 2786 Agricola St (formerly The Bloomfield Centre). The quilts will be acts of protests and will be done through guided instruction as well as a place to host community conversation about craft and the labour movement. \nThese sessions are completely free of charge as we work on small pieces over a durational performance art piece to create something big together! \n\nDrop in Quilting Dates:\nFriday March 15\, 11:00-12:30\nFriday April 5\, 11:00-12:30\nSaturday April\, 13 11:00-12:00\nFriday April 19\, 11:00-12:30 \nPresentation of Quilts and Community Meal:\nTo celebrate the completion of 3 quilted art pieces you’re invited from 5:30pm-8:00pm Wednesday May 8 at EveryOne EveryDay\nThere will be a cooking session happening from 6:00pm-8:00pm. \nVegan Soup\, Snacks\, Dessert\, and Bread will be provided.  \nWe look forward to seeing you there\, celebrating a wonderful space in our community\, and sharing a meal. Feel free to bring a dish to share if you are so inclined. \n\n\n\n\n\nPoster credit: @classicgraphic.co\n\n\n\n\n 
URL:https://mayworkskjipuktukhfx.ca/event/crafters-resistance/
LOCATION:Every One Every Day\, 2169 Gottingen St\, Halifax\, Nova Scotia\, B3K 3B5\, Canada
CATEGORIES:Spoken,Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20240512T150000
DTEND;TZID=America/Halifax:20240512T153000
DTSTAMP:20260429T014847
CREATED:20240327T183841Z
LAST-MODIFIED:20240506T004003Z
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SUMMARY:The Embodied Creation Project
DESCRIPTION:Performance art by Colleen Arcturus MacIsaac about creation\, embodiment and Queer parenthood\nFollowed by a screening of Lockdown Baby by Nicole Jordan \n \nASL interpretation will be available during the performance and the later Q&A.\n>>Register Here for FREE Childcare\nIn February 2023\, a person named Colleen began an embodied creation project. Nine months later\, a human named Wren entered the world. This is a new performance exploration of how we can use our bodies to create\, what queer parenthood can feel like\, what we might want to embody in this world. Join us for a joyful\, terrified\, chaotic and introspective celebration. \nCreditS\nCreated and performed by Colleen Arcturus MacIsaac.\nDirected and co-created by Coral Maloney.\nSpecial guest appearances by Linda MacIsaac\, Dorian Arcturus Lang\, and Wren Arctutus. \nSocials\n@littlefoible\n@coral_mmmm\n@villainstheatre \n\nArtist Q&A\nThe Embodied Creation Project will be followed by a screening of Lockdown Baby by Nicole Jordan and a brief Q&A with filmmaker Nicole Jordan and artist Colleen Arcturus MacIsaac. \n \nLeft: Nicole Jordan\nRight: Colleen Arcturus MacIsaac (Photo credit: Shila Leblanc) \n 
URL:https://mayworkskjipuktukhfx.ca/event/the-embodied-creation-project/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Spoken,Visual Arts
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250501
DTEND;VALUE=DATE:20250517
DTSTAMP:20260429T014847
CREATED:20250402T154615Z
LAST-MODIFIED:20250424T110855Z
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SUMMARY:The Only Wealth Is Labour
DESCRIPTION:Sarah Mosher & Hannah Genosko\nWhat gives real value to anything in this world? The work we put into it.\nExploring a key concept in Marx’s labour theory of value\, textile artists Sarah Mosher and Hannah Genosko draw from the trade unionist tradition of parading crafted banners through city streets. \n‘The Only Wealth Is Labour’ by Sarah Mosher and Hannah Genosko is a patchwork quilt banner made out of their remaining uniforms from the ‘Portrait of the Artist as an Essential Worker’ quilts\, which were shown during Mayworks 2024. ‘The Only Wealth Is Labour’ quotes a historic union banner created by George Tutill in 1926 for the UK National Winding and General Engineers Society. Mosher and Genosko were struck by this quote and appreciated the simplicity and directness of the statement. With this new banner they moved away from speaking about their specific experiences as essential workers during the pandemic and into a more general call for solidarity and justice with all working people against the forces of inflation\, late capitalism and neoliberalism. \nMosher and Genosko’s banner will be carried alongside two of our Working Class Heritage Tours on May 3rd and 11th\, and otherwise on display at The Bus Stop Theatre throughout the festival. \nArtists\nSarah Mosher and Hannah Genosko are an artist duo collaborating in Kjipuktuk/Halifax. Hannah has a background in printmaking and bookmaking\, Sarah has a background in textiles and community arts. Both are graduates of NSCAD University. Their common ground is exploring labour\, anti-capitalism and the ongoing impact of the COVID-19 pandemic through quilting. ‘Portrait of the Artist as an Essential Worker’ was their first project reflecting on their roles as essential workers at their jobs with Canada Post and NSLC respectively during the COVID-19 pandemic.
URL:https://mayworkskjipuktukhfx.ca/event/the-only-wealth-is-labour/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251011
DTEND;VALUE=DATE:20251101
DTSTAMP:20260429T014847
CREATED:20250915T180222Z
LAST-MODIFIED:20251022T112753Z
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SUMMARY:my inner child healing my immigrant identity
DESCRIPTION:Presented in partnership with the Khyber Centre for the Arts and Nocturne\nmy inner child healing my immigrant identity by Martha Mutale explores the immigrant experience – the self split between two homes. A series of rag dolls where each figure represents a point in time in the immigrant life\, softly positioned in space\, while the whole assemblage provides a grounded picture of who she is. Presented by Mayworks Kjipuktuk/Halifax and hosted at the Khyber Centre for the Arts\, the exhibition runs October 11-31\, 2025. Events include Nocturne: Art at Night Festival from 6PM-12AM on Saturday\, October 18\, and a closing reception Tuesday\, October 28th 6PM-8PM. \n \nmy inner child healing my immigrant identity is a continuation of Martha Mutale’s exploration of the immigrant experience through the making and presentation of rag dolls fabricated from Zambian fabrics overlaid with printed words. Each of the 40 inches tall dolls represents a different part of her life as an immigrant living in the Diaspora and what it means to hold two different identities grounded in two different homes – Canada and Zambia. What does it mean to call two places home at once? What does it mean to always have a foot in both worlds\, to feel unmoored by this dual self? What are the different ways in which each of these places is home and for which reasons? \nMutale was confronted with these questions when she returned to her birth home during her adult life. Everyday\, taxi drivers (themselves migrants from neighbouring African countries) would ask her about herself and where she came from. Growing up in Nova Scotia\, one of Mutale’s most vivid and concrete connections to Zambian culture was the process through which she and her sisters would continually measure each others’ bodies in order for their mother to sew clothing for them made of African fabric. These experiences and memories\, along with her love of poetry\, have been the crucible for her ongoing series of projects using rag dolls to convey her sense of identity. \nThe process of crafting is a journey in itself and the tactile medium of textiles provide for Mutale a method of self-exploration that is both meditative and very concrete at once. For my inner child healing my immigrant identity\, the dolls (smaller than in previous explorations) will be installed as a diorama in the window gallery of the Khyber Centre for the Arts through which passersby can windowgaze into Mutale’s life. As Mutale represents different facets and waypoints in her life through each rag doll\, she presents a fragmented picture of herself. The soft sculptures each convey a lack of weight and definite attachment to the ground. And yet\, the depiction of Mutale’s life as a whole through their assemblage in space\, all together\, offers her (and the observer) a sense of groundedness provided by the material expression of her identities and the added value of a sum crystallised by the joining of its parts. \nARTIST BIO\n \nMartha Mutale is a poet and veteran of the spoken word scene in Kjipuktuk/Halifax\, Nova Scotia. She grew up in Billtown\, Nova Scotia\, a small rural community in the Annapolis valley after emigrating from Zambia with her family when she was just under two years old. Her family is based in Nova Scotia. As an adult\, she relocated to North End Halifax where she began expressing herself as a poet while also working in the non-profit sector. She has worked as a housing support worker where she witnessed first hand the vulnerability and social disposability of those who have lost their homes – especially immigrants who\, without citizenship\, are not allowed access to shelters. In December 2022\, Martha relocated to Zambia to start over\, reconnect with herself and apply to regain her Zambian citizenship. Having been raised in the Diaspora and having called Nova Scotia home since a young child\, she longs for her birth home\, Zambia\, and yearns to learn more about her roots. While in Lusaka\, waiting for her paperwork to be approved\, she volunteered her time in an art gallery and completed two residencies which constituted her first forays into visual arts. During her second residency\, she made six dolls\, five feet long\, all sewn and painted by hand using upcycled textile fabrics and African materials she found while living in Lusaka\, Zambia. Martha is healing her inner child and making room for new and exciting adventures that await her in the future. \nHOURS & EVENTS:\nExhibition on view: October 11-31\, 2025 \nGallery hours: On display in the window gallery 24/7 | Open hours: 12-5PM Tuesday-Saturday + events \nAppointments/contact: info@khyber.ca \nAccessibility notes: www.khyber.ca/access \nNocturne hours: 6PM-12AM\, Saturday\, October 18\, 2025 \nClosing reception: Tuesday\, October 28th 6PM-8PM – Click here for details \nPresented concurrently with No Domain / No Dominion
URL:https://mayworkskjipuktukhfx.ca/event/my-inner-child-healing-my-immigrant-identity/
LOCATION:The Khyber Centre for the Arts\, 1880 Hollis St\, Halifax\, Nova Scotia\, B3J 1W6\, Canada
CATEGORIES:Visual Arts
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ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251011
DTEND;VALUE=DATE:20251101
DTSTAMP:20260429T014847
CREATED:20250904T141921Z
LAST-MODIFIED:20251022T112656Z
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SUMMARY:No Dominion/No Domain
DESCRIPTION:Presented in partnership with the Khyber Centre for the Arts and Nocturne\nMayworks Kjipuktuk/Halifax presents No Dominion/No Domain\, where Eva Grant and Curtis Botham trace land\, life\, labour\, and pathways across speculative digital ancestral architectures and charcoal industrial landscapes. \n“Homeless Shelters Before Police Raid” by Curtis Botham\nNo Dominion/No Domain brings together two artists\, Eva Grant and Curtis Botham\, whose works reflect on land\, labour\, infrastructure\, and ecological movement. Presented by Mayworks Kjipuktuk/Halifax and hosted at the Khyber Centre for the Arts\, the exhibition runs October 11-31\, 2025. Events include Nocturne: Art at Night Festival from 6PM-12AM on Saturday\, October 18\, and a closing reception Tuesday\, October 28th 6PM-8PM. \nEva Grant’s WILD INTERFACE is a work of St’át’imc speculative futurism that reimagines longhouses and Salish structures as though assembled from salmon bones. These digital works depict architecture not as idealized pasts or utopian elsewheres\, but as living interfaces: porous inter-species networks where technologies and ancestral knowledge converge. Through computational geography and postnatural territories\, Grant reconsiders space and place as co-constructed with ecologies\, where memory and labours of love entwine. \nCurtis Botham’s Effluents and Urban projects confront the landscapes of extraction that underpin industrial modernity. His large-scale charcoal drawings—made in a volatile medium that mirrors the precarity of his subject matter—document the sites of resource economies on Mi’kma’ki/Nova Scotia and their cascading impacts: inequities of wealth\, the precarity of workers\, and the hidden infrastructures behind everyday consumer life. Botham traces these environments with stark fidelity\, inviting viewers to recognize their own embeddedness in these cycles of labour and consumption. \nTogether\, Grant’s and Curtis’ works stage a dialogue on dominion—over land\, life\, and labour—and on domains\, whether in digital terrains of speculative ancestral architectures or in the charcoal-rendered landscapes and machinery of industrial capitalism. \nNo Dominion/No Domain invokes the dual refusal of control and possession within colonial constructs and systems. The title\, created by Grant\, arose in response to the effectiveness of messaging between the blend of analog and virtual material. Through charcoal and digital works\, the exhibition resists the illusion of permanence that dominion or domain implies. Charcoal\, itself the residue of combustion\, unsettles the idea of industry as stable progress\, while Grant’s architectures utilize the digital realm to glitch and dissolve systemically oppressive boundaries. Both practices gesture towards knowledge\, labour\, and survival beyond grids of ownership. \nDigital piece from the WILD INTERFACE series by Eva Grant\nARTIST BIOS:\n \nEva Grant is a Queer\, St̓át̓imc-Eurasian filmmaker\, curator\, and new media artist. She studied philosophy and literature at Stanford University and is the founder of Tooth & Nail Pictures. Her world-building practice hybridizes moving image\, animation\, game engines\, interactive digital media\, data visualization\, and speculative design to prototype decolonial and capacious futures. She is a former Sundance Native Lab fellow\, a BIPOC TV & Film Episodic Writers Lab participant\, an Artengine NEW SUNS Worldbuilding Lab artist-in-residence\, a Vancouver Queer Film Festival Programming Disruptor\, a Netflix-BANFF Diversity of Voices fellow\, an Art Gallery of Ontario AGO x RBC emerging artist-in-residence\, and an alumna of the imagineNATIVE Originals Commission program and the Screenwriting Shorts Fellowship. Her work has been supported by Mayworks Kjipuktuk\, Nocturne: Art at Night\, CFC Satellites\, Debaser/Pique Festival\, the Indigenous Curatorial Collective\, Lay*Away\, Black Star Film Festival’s William and Louise Greaves Filmmaking Seminar\, and the Ottawa Animation Festival\, and her films have screened at festivals around the world. \n \nCurtis Botham is an award-winning artist based in Halifax\, Nova Scotia. He graduated from NSCAD University in 2017 with a bachelor of fine arts. His accolades include the Canada Games Young Artist of Excellence Award\, and numerous grants from Arts Nova Scotia and the Elizabeth Greenshields Foundation. Since 2017\, he has depicted the impact and labour of industries in the Maritimes\, examining the social and environmental effects of material culture on our lives. He has participated in residencies around Nova Scotia in order to create a broad portrait of the province and its relationship to its land\, people and resources.\ncurtisbotham.weebly.com \nHOURS & EVENTS:\nExhibition on view: October 11-31\, 2025 \nGallery hours: 12-5PM Tuesday-Saturday + events \nAppointments/contact: info@khyber.ca \nAccessibility notes: www.khyber.ca/access \nNocturne hours: 6PM-12AM\, Saturday\, October 18\, 2025 \nClosing reception: Tuesday\, October 28th 6PM-8PM – Click here for details \nPresented concurrently with my inner child healing my immigrant identity
URL:https://mayworkskjipuktukhfx.ca/event/no-dominion-no-domain/
LOCATION:The Khyber Centre for the Arts\, 1880 Hollis St\, Halifax\, Nova Scotia\, B3J 1W6\, Canada
CATEGORIES:Visual Arts
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ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20251028T180000
DTEND;TZID=America/Halifax:20251028T200000
DTSTAMP:20260429T014847
CREATED:20251022T112602Z
LAST-MODIFIED:20251022T112602Z
UID:10000374-1761674400-1761681600@mayworkskjipuktukhfx.ca
SUMMARY:Closing Reception with Curtis Botham\, Eva Grant and Martha Mutale
DESCRIPTION:Join us for a casual conversations with the artists behind No Dominion/No Domain and my inner child healing my immigrant identity. \nCurtis Botham and Martha Mutale will be joining us in person\, and Eva Grant will be joining us via video call. All will be available to answer questions about their works on display only until October 31st. \nA brief facilitated Q&A will take place at 7PM. \nRefreshments will be served! \nARTIST BIOS:\n \nEva Grant is a Queer\, St̓át̓imc-Eurasian filmmaker\, curator\, and new media artist. She studied philosophy and literature at Stanford University and is the founder of Tooth & Nail Pictures. Her world-building practice hybridizes moving image\, animation\, game engines\, interactive digital media\, data visualization\, and speculative design to prototype decolonial and capacious futures. She is a former Sundance Native Lab fellow\, a BIPOC TV & Film Episodic Writers Lab participant\, an Artengine NEW SUNS Worldbuilding Lab artist-in-residence\, a Vancouver Queer Film Festival Programming Disruptor\, a Netflix-BANFF Diversity of Voices fellow\, an Art Gallery of Ontario AGO x RBC emerging artist-in-residence\, and an alumna of the imagineNATIVE Originals Commission program and the Screenwriting Shorts Fellowship. Her work has been supported by Mayworks Kjipuktuk\, Nocturne: Art at Night\, CFC Satellites\, Debaser/Pique Festival\, the Indigenous Curatorial Collective\, Lay*Away\, Black Star Film Festival’s William and Louise Greaves Filmmaking Seminar\, and the Ottawa Animation Festival\, and her films have screened at festivals around the world. \n \nCurtis Botham is an award-winning artist based in Halifax\, Nova Scotia. He graduated from NSCAD University in 2017 with a bachelor of fine arts. His accolades include the Canada Games Young Artist of Excellence Award\, and numerous grants from Arts Nova Scotia and the Elizabeth Greenshields Foundation. Since 2017\, he has depicted the impact and labour of industries in the Maritimes\, examining the social and environmental effects of material culture on our lives. He has participated in residencies around Nova Scotia in order to create a broad portrait of the province and its relationship to its land\, people and resources.\ncurtisbotham.weebly.com \n \nMartha Mutale is a poet and veteran of the spoken word scene in Kjipuktuk/Halifax\, Nova Scotia. She grew up in Billtown\, Nova Scotia\, a small rural community in the Annapolis valley after emigrating from Zambia with her family when she was just under two years old. Her family is based in Nova Scotia. As an adult\, she relocated to North End Halifax where she began expressing herself as a poet while also working in the non-profit sector. She has worked as a housing support worker where she witnessed first hand the vulnerability and social disposability of those who have lost their homes – especially immigrants who\, without citizenship\, are not allowed access to shelters. In December 2022\, Martha relocated to Zambia to start over\, reconnect with herself and apply to regain her Zambian citizenship. Having been raised in the Diaspora and having called Nova Scotia home since a young child\, she longs for her birth home\, Zambia\, and yearns to learn more about her roots. While in Lusaka\, waiting for her paperwork to be approved\, she volunteered her time in an art gallery and completed two residencies which constituted her first forays into visual arts. During her second residency\, she made six dolls\, five feet long\, all sewn and painted by hand using upcycled textile fabrics and African materials she found while living in Lusaka\, Zambia. Martha is healing her inner child and making room for new and exciting adventures that await her in the future.
URL:https://mayworkskjipuktukhfx.ca/event/closing-reception-with-curtis-botham-eva-grant-and-martha-mutale/
LOCATION:The Khyber Centre for the Arts\, 1880 Hollis St\, Halifax\, Nova Scotia\, B3J 1W6\, Canada
CATEGORIES:Visual Arts
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ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260501
DTEND;VALUE=DATE:20260602
DTSTAMP:20260429T014847
CREATED:20260405T155329Z
LAST-MODIFIED:20260428T160300Z
UID:10000391-1777593600-1780358399@mayworkskjipuktukhfx.ca
SUMMARY:On the Line
DESCRIPTION:By Audrey Eastwood\nOn display May 1 to June 1\nReception on May 10\, 4:00pm-6:15pm\nArtist Q&A on May 10\, 6:15pm-7:00pm \n    \nChildcare is available for free and on site during the May 10th reception and Q&A. Please register in advance. \nASL interpretation will be available during the May 10 Reception and Q&A \n\nOn the Line is a time-lapse video and photo compilation of six months’ worth of one of domestic labor’s most repetitive and relentless tasks: laundry. By documenting every load washed\, every dryer load\, and every line of drying clothes\, the project seeks to show the cumulative weight of an everyday chore\, particularly within the context of parenting and motherhood. \n\n \nAUDREY EASTWOOD is a multi-disciplinary artist\, General Manager of the Bus Stop Theatre Co-op\, and Co-Founder and Artistic Producer of Terra Novella Theatre. She has worked as an actor\,  designer\, musician\, technician\, and fight choreographer for a number of Kjipuktuk based companies including Villain’s Theatre\, Kick at the Dark Theatre Co-op\, Halifax Summer Opera\, Halifax Fringe\, Votive Dance and Whale Song Theatre. She is the mother of two young children\, and lives on a small farm with them and her partner Nick. Her artistic practice has shifted in the last few years to try and find space in the small gaps of time between work and childcare: cutting floral designs into sourdough bread\, filling indoor and outdoor spaces with plants\, teaching her kids the names of different birds and trees and how to successfully cut paper without cutting your small fingers\, and by making this art piece out of her never ending laundry pile.
URL:https://mayworkskjipuktukhfx.ca/event/on-the-line/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260506T193000
DTEND;TZID=America/Halifax:20260506T203000
DTSTAMP:20260429T014847
CREATED:20260405T155454Z
LAST-MODIFIED:20260408T125844Z
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SUMMARY:Queers in Carhartts
DESCRIPTION:By Devin West and Shift Change Halifax\n \nFilm Screening and Exhibition//Artist & Researcher Q&A \nQueers in Carhartts is an art exhibition\, film screening\, and research launch\, documenting the unique challenges and practices of resilience by queer and trans people working in skilled trades labour. QiC is a hybrid of qualitative research investigating the lived experiences of 2SLGBTQ+ people in skilled trades in Nova Scotia\, and a collaborative\, community-building\, creative documentation of the first-person authority of some of those experiences and survival strategies. Community collaborations feature local artist Andrew Deveaux for filmography\, Winnipeg musician and sound artist\, Kitz Willman on sound\, and sculptor-researcher (carpenter)\, Devin West on research and artistic direction. Join us in launching our exhibition\, film screening and research report at Queers in Carhartts. \n    \n \nResearch and art facilitated by YWCA Halifax Shift Change Project @shiftchangehalifax\, funded by Women and Gender Equity Canada. Thank you to our supporters: WAGE Canada\, Wisdom2Action\, WiSTAN and Titiklie Workplace Safety. \n\n \nDevin West is a sculptor and art-researcher\, based in Kjipuktuk/Halifax. Working with found objects\, artifacts and other sensory ghosts of identity\, West builds and stitches sculptures into structures of feeling in suspension with queer grief and grievance. \n \nAndrew Deveaux (he/they) is a white settler media artist\, poet and filmmaker based in Kjipuktuk\, Mi’kma’ki (Halifax\, NS). His work exists in conversation with queer subjectivity; examining the limits of memory\, identity and space as they relate to—and are regulated by—systems of power. Andrew holds a Bachelor of Arts from Queen’s University and a post-baccalaureate certificate in expanded media from NSCAD. His work has screened across Canada and internationally. \n \nKitz Willman is a producer\, songwriter\, rapper\, and multi-instrumentalist based in Winnipeg\, Manitoba\, Treaty 1 whose work needles experimental sonics into a sample-based hip-hop approach to production. From prairie rap and sound collage to Ukrainian-Canadian folksongs full of saxophone squeals\, there’s dissonance\, unpredictability\, and jazz embedded in each composition.
URL:https://mayworkskjipuktukhfx.ca/event/queers-in-carhartts/
LOCATION:Glitter Bean Cafe Co-op\, 5896 Spring Garden Rd\, Halifax\, Nova Scotia\, B3H 3B8\, Canada
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260510T160000
DTEND;TZID=America/Halifax:20260510T190000
DTSTAMP:20260429T014847
CREATED:20260405T155616Z
LAST-MODIFIED:20260405T171842Z
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SUMMARY:On the Line - Artist Reception
DESCRIPTION:By Audrey Eastwood\nOn display May 1 to June 1\nReception on May 10\, 4:00pm-6:15pm\nArtist Q&A on May 10\, 6:15pm-7:00pm \n    \nChildcare is available for free and on site during the May 10th reception and Q&A. Please register in advance. \nASL interpretation will be available during the May 10 Reception and Q&A \n\nOn the Line is a time-lapse video and photo compilation of six months’ worth of one of domestic labor’s most repetitive and relentless tasks: laundry. By   documenting every load washed\, every dryer load\, and every line of drying clothes\, the project seeks to show the cumulative weight of an everyday chore\,   particularly within the context of parenting and motherhood. \n\n \nAUDREY EASTWOOD is a multi-disciplinary artist\, General Manager of the Bus Stop Theatre Co-op\, and Co-Founder and Artistic Producer of Terra Novella Theatre. She has worked as an actor\,  designer\, musician\, technician\, and fight choreographer for a number of Kjipuktuk based companies including Villain’s Theatre\, Kick at the Dark Theatre Co-op\, Halifax Summer Opera\, Halifax Fringe\, Votive Dance and Whale Song Theatre. She is the mother of two young children\, and lives on a small farm with them and her partner Nick. Her artistic practice has shifted in the last few years to try and find space in the small gaps of time between work and childcare: cutting floral designs into sourdough bread\, filling indoor and outdoor spaces with plants\, teaching her kids the names of different birds and trees and how to successfully cut paper without cutting your small fingers\, and by making this art piece out of her never ending laundry pile.
URL:https://mayworkskjipuktukhfx.ca/event/on-the-line-artist-reception/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
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ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
GEO:44.6532534;-63.5849615
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END:VCALENDAR