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DTSTART;TZID=America/Halifax:20180501T183000
DTEND;TZID=America/Halifax:20180512T233000
DTSTAMP:20260606T211632
CREATED:20180329T000902Z
LAST-MODIFIED:20180430T021624Z
UID:10000285-1525199400-1526167800@mayworkskjipuktukhfx.ca
SUMMARY:Under the Surface
DESCRIPTION:Under the Surface is a group exhibition featuring works by Kim Cain\, Tina Roberts-Jeffers and Katie Toth. \nTogether\, their works ask us to take a closer look at their subjects\, unearth the obscured and reconsider our assumptions about home. \nOpening Reception\nMay 1st at 6:30pm\nfollowing the May Day rally\n        \nFREE ice cream will be on offer at our opening reception immediately following the May Day march thanks to Dee Dee’s Ice Cream! \nSign language interpreters will be present during our opening reception. \nVisiting Hours\nThe exhibit will remain viewable for free to anyone attending festival events at the Bus Stop Theatre Co-op. \nVisiting hours will also be held on the weekend of May 5th and 6th from noon to 5pm each day. \n\nSeeds of the Seven Year Harvest\nby Kim Cain \n \nThrough her painting\, Cain pays homage to the arduous agricultural labour through which African Nova Scotian communities have survived despite obstacles set against them. Today’s generations of African Nova Scotians are the harvest of seeds planted long ago by tenacious and hard working ancestors. \n\nIn Full View\nby Tina Roberts-Jeffers \n\n\n  \n\n\n\nShe is\nPossession\nCommodity\nLife\n….I mean wife\n\n  \n  \n  \n  \nIn Full View is a photo exhibit that explores the unpaid labour of women\, and more specifically Black women\, in and around the home.  The stills and self portraits point to the work needed to sustain households. \nLabour that is often invisible is presented here in large\, oversized photos that ask viewers to think about the physical and emotional weight of people and things on women. \nIn Full View wonders aloud who and what can be set aside until tomorrow\, when the struggle demands so much of us today. \n\nFace Control\nby Katie Toth \n \n  \n  \n  \n  \n  \n  \n  \nWhat makes a refugee?\n\nCanada is held up as a bastion of multiculturalism for many Romani people in Europe\, who say that they are subject to a kind of “face control” that prevents them from finding employment and being treated as full citizens in their current nations. National and international laws try to draw borders between refugees fleeing persecution and immigrants seeking better financial futures. But for people who are prevented from participating fully in civil society because of discrimination or who are denied a chance to find meaning through their work\, those lines aren’t so easy to draw. Material concerns are also political ones.\n\nThe Artists:\nKim Cain \nKim Cain’s work explores the African Canadian existence here in Canada and how it relates to the larger global African Diaspora. Growing up in Ontario\, her concept of cultural racial identity felt watered down and irrelevant. Since relocating to Nova Scotia in 1995\, she began an exploration of using Art as a means of claiming identity. Since her studies at NSCAD\, Kim has shown her work in numerous exhibitions including In This Place (1996)\, Skin (1998)\, Sistervision II (1998)\, Far and Wide (2000)\, Beyond 2000: Art of Bob Marley (2000)\, Sistervision III: Through Others Eyes (2001)\, Africville Reunion (2010)\, Freedom Festival (2011 & 2012) and SisterReVision: Reclaiming the black female body (2014). She has had two solo exhibitions at the Anna Leonowen Gallery: The Bridge: a Visual Biography (1999) and Artmomma Resurrected (2008). \n  \nTina Roberts-Jeffers \n \nTina Roberts-Jeffers is currently a stay-at-home mom to three beautiful\, bright children. A former school counsellor\, she arrived in Nova Scotia in 2010.  Tina is committed to community and believes strongly in progress through collective action. \n  \n  \n  \n  \nKatie Toth \nKatie Toth is a multimedia journalist who has been featured in Teen Vogue\, NPR and the Village Voice. She is interested in the boundaries between journalism\, art and documentary. This is her second display for Mayworks Halifax. Photo credit: Mary-Dan Johnston. \n  \n  \n  \n  \n\nUnder the Surface is presented by the Nova Scotia Nurses’ Union
URL:https://mayworkskjipuktukhfx.ca/event/under-the-surface/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2018/03/Under-the-Surface.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
GEO:44.6532534;-63.5849615
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20170505T173000
DTEND;TZID=America/Halifax:20170505T183000
DTSTAMP:20260606T211632
CREATED:20170322T175441Z
LAST-MODIFIED:20170322T185045Z
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SUMMARY:The Decelebration of Canada 150
DESCRIPTION:Performance by Raven Davis\nSaturday\, April 29\, 10:00AM-11:00AM | Cornwallis Park\nFriday\, May 5\, 5:30 PM-6:30PM | Citadel Hill – Clock Tower\n\nThe Decelebration of Canada 150 is a body of work and a performance piece created to critique and expose the myth of the confederation of Canada and the discourse and erasure of: Indigenous people\, Indigenous sovereignty and Indigenous history in Halifax and Canada. \nNOTE: Performances are ongoing and can be joined or left at any time. \nNOTE: Performances are outdoors. Please dress accordingly. \nRaven Davis\nAn Indigenous\, mixed race\, 2-Spirit multidisciplinary artist and activist from the Anishnawbe (Ojibwa) Nation\, Treaty 4 in Manitoba. They were born and raised in Toronto and currently works in Halifax. A parent of 3 sons\, Raven’s work spans from painting\, performance\, traditional song/dance\, design\, poetry and short film. Raven cleverly blends narratives of colonization\, race and gender justice\, 2-Spirit identity and the Anishinaabemowin language and culture into traditional and contemporary art forms. \n  \nPresented in partnership with the Union of Food and Commercial Workers – Eastern Provinces Council and the Nova Scotia Public Interest Research Group \n       
URL:https://mayworkskjipuktukhfx.ca/event/decelebration-canada-150/2017-05-05/
LOCATION:NS
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2017/03/Decelebration_web.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170505
DTEND;VALUE=DATE:20170511
DTSTAMP:20260606T211632
CREATED:20170322T180633Z
LAST-MODIFIED:20170410T142750Z
UID:10000276-1493942400-1494460799@mayworkskjipuktukhfx.ca
SUMMARY:I Was There
DESCRIPTION:An Audiovisual installation by Katie Toth and Mary-Dan Johnston\nIt goes like this: the bank closes\, along with the grocery\, then the laundromat\, the club\, the pub\, the corner store where we bought popsicles and cartons of milk. The schools crumbled and were consolidated. Now\, standing on the same spot where I bought my first vodka cran\, underage\, there is thick gravel where years ago I felt linoleum\, softer\, sticking to the sole of my shoe.\nThe geography remains the same\, but the landscape changes\nI was there is an attempt to illuminate the psychogeography of a city that is often accused of being stuck in the past. This mixed-media installation combines photography\, oral history testimony and cartography to shed a light on what is lost in the process of gentrification.\n  \nLocation and Hours\nThis piece is presented in the lobby of The Bus Stop Theatre Co-op and can be experienced ahead or after any event presented at this location. I can also be experience between 10am and 4pm daily from May 8th to 10th. \nBiographies\nKatie Toth is an emerging audio artist and digital/audio journalist who has been published in VICE\, the Village Voice\, and NPR. Her first art piece\, which celebrated New York City’s public transit system\, was produced in collaboration with photographer Lara Atallah\, and displayed at The New York City Transit Museum’s community artist event Platform. \nMary-Dan Johnston is a writer\, researcher\, educator working at the intersections of the public and the private. Trained as an oral historian and qualitative researcher\, she is particularly interested in how the political economy of the Maritimes has shaped the embodied experiences of working people. Her writing has recently appeared in GUTS Canadian Feminist Magazine. Her art practice uses street photography to capture moments of tension and collaboration between individuals and the built environment. \n  \nPresented in partnership with the Bus Stop Theatre Cooperative and the StART Festival. \n  
URL:https://mayworkskjipuktukhfx.ca/event/i-was-there/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2017/03/I-Was-There_web.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
GEO:44.6532534;-63.5849615
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20170502T190000
DTEND;TZID=America/Halifax:20170502T191500
DTSTAMP:20260606T211632
CREATED:20170322T175920Z
LAST-MODIFIED:20170322T175934Z
UID:10000269-1493751600-1493752500@mayworkskjipuktukhfx.ca
SUMMARY:Untitled (Applying Joint Compound)
DESCRIPTION:Video installation / performance by Michael Di Risio\nUntitled (Applying Joint Compound) (2016) is a video-installation and performance that attempts to make visible the labour involved in maintaining public spaces. Though often unseen and undervalued\, maintenance work is a fundamental component of the production of social space\, in turn supporting other forms of collective work and cultural production. Through a reflection on the nuances of this work\, the viewer is invited to consider what is involved in the production of the spaces that they typically inhabit. \nNOTE: While the performance will take place on May 2nd at 7pm\, the video installation will remain in the Bus Stop Theatre lobby from May 2nd to May 4th. \nMichael Di Risio\nAn artist and writer currently based in Kingston\, ON. His writing has appeared in Art Papers\, Afterimage\, Fuse Magazine\, C Magazine and PUBLIC Journal\, among others\, where he reflects on art as a social force. He has participated in recent exhibitions at the Workers Arts and Heritage Centre\, Artcite and Museum London\, with forthcoming exhibitions at the Thames Art Gallery and the Agnes Etherington Art Centre. He holds an MFA from the University of Windsor and is currently the Artistic Director of Modern Fuel Artist-Run Centre. \n  \nPresented in partnership with the Bus Stop Theatre Co-op
URL:https://mayworkskjipuktukhfx.ca/event/untitled-applying-joint-compound/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2017/03/Ririsio_web.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
GEO:44.6532534;-63.5849615
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20170429T100000
DTEND;TZID=America/Halifax:20170429T110000
DTSTAMP:20260606T211632
CREATED:20170322T175441Z
LAST-MODIFIED:20170322T185045Z
UID:10000266-1493460000-1493463600@mayworkskjipuktukhfx.ca
SUMMARY:The Decelebration of Canada 150
DESCRIPTION:Performance by Raven Davis\nSaturday\, April 29\, 10:00AM-11:00AM | Cornwallis Park\nFriday\, May 5\, 5:30 PM-6:30PM | Citadel Hill – Clock Tower\n\nThe Decelebration of Canada 150 is a body of work and a performance piece created to critique and expose the myth of the confederation of Canada and the discourse and erasure of: Indigenous people\, Indigenous sovereignty and Indigenous history in Halifax and Canada. \nNOTE: Performances are ongoing and can be joined or left at any time. \nNOTE: Performances are outdoors. Please dress accordingly. \nRaven Davis\nAn Indigenous\, mixed race\, 2-Spirit multidisciplinary artist and activist from the Anishnawbe (Ojibwa) Nation\, Treaty 4 in Manitoba. They were born and raised in Toronto and currently works in Halifax. A parent of 3 sons\, Raven’s work spans from painting\, performance\, traditional song/dance\, design\, poetry and short film. Raven cleverly blends narratives of colonization\, race and gender justice\, 2-Spirit identity and the Anishinaabemowin language and culture into traditional and contemporary art forms. \n  \nPresented in partnership with the Union of Food and Commercial Workers – Eastern Provinces Council and the Nova Scotia Public Interest Research Group \n       
URL:https://mayworkskjipuktukhfx.ca/event/decelebration-canada-150/2017-04-29/
LOCATION:NS
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2017/03/Decelebration_web.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20170329T100000
DTEND;TZID=America/Halifax:20170329T110000
DTSTAMP:20260606T211632
CREATED:20170322T175441Z
LAST-MODIFIED:20170322T185045Z
UID:10000265-1490781600-1490785200@mayworkskjipuktukhfx.ca
SUMMARY:The Decelebration of Canada 150
DESCRIPTION:Performance by Raven Davis\nSaturday\, April 29\, 10:00AM-11:00AM | Cornwallis Park\nFriday\, May 5\, 5:30 PM-6:30PM | Citadel Hill – Clock Tower\n\nThe Decelebration of Canada 150 is a body of work and a performance piece created to critique and expose the myth of the confederation of Canada and the discourse and erasure of: Indigenous people\, Indigenous sovereignty and Indigenous history in Halifax and Canada. \nNOTE: Performances are ongoing and can be joined or left at any time. \nNOTE: Performances are outdoors. Please dress accordingly. \nRaven Davis\nAn Indigenous\, mixed race\, 2-Spirit multidisciplinary artist and activist from the Anishnawbe (Ojibwa) Nation\, Treaty 4 in Manitoba. They were born and raised in Toronto and currently works in Halifax. A parent of 3 sons\, Raven’s work spans from painting\, performance\, traditional song/dance\, design\, poetry and short film. Raven cleverly blends narratives of colonization\, race and gender justice\, 2-Spirit identity and the Anishinaabemowin language and culture into traditional and contemporary art forms. \n  \nPresented in partnership with the Union of Food and Commercial Workers – Eastern Provinces Council and the Nova Scotia Public Interest Research Group \n       
URL:https://mayworkskjipuktukhfx.ca/event/decelebration-canada-150/2017-03-29/
LOCATION:NS
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2017/03/Decelebration_web.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20160428T110000
DTEND;TZID=America/Halifax:20160512T160000
DTSTAMP:20260606T211632
CREATED:20160317T140108Z
LAST-MODIFIED:20160412T013940Z
UID:10000250-1461841200-1463068800@mayworkskjipuktukhfx.ca
SUMMARY:Performing Arts Workers
DESCRIPTION:A series of portraits by Zach Faye\nThe first presentation of an ongoing photo series. The project documents the local arts community\, celebrates the individual artists\, and acknowledges the continuing contributions of invaluable arts workers. \nVisiting Hours: Tuesdays and Thursdays 11am to 4pm\, or during evenings before and after showtime.\nPresented in the lobby gallery of the Bus Stop Theatre Coop.\nSend us a message if you would like to arrange a visit with the artist! mayworkshalifax@gmail.com \n 
URL:https://mayworkskjipuktukhfx.ca/event/in-their-dotage/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2016/03/InTheirDotagePromoImage-web.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
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