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DTSTART;TZID=America/Halifax:20260425T130000
DTEND;TZID=America/Halifax:20260425T160000
DTSTAMP:20260407T113217
CREATED:20260405T155245Z
LAST-MODIFIED:20260406T164755Z
UID:4159-1777122000-1777132800@mayworkskjipuktukhfx.ca
SUMMARY:Raising Big Questions
DESCRIPTION:YOU FRGOT SOMETHING\, Collaboration with Luke Hathaway. Photo by John Haney. \nBy Andrew Maize in collaboration with El Jones\, Seán Kennedy and Sue Goyette\nApril 25th 1-4pm – Dr. El Jones @ Halifax Common\nMay 2nd 1-4pm – Seán Kennedy @ Citadel Hill\nMay 3rd 1-4pm – Sue Goyette @ Point Pleasant Park \n**Please note that exact time and location are subject to change according to weather and wind conditions. Rain-Wind Dates will be scheduled according to forecast/availability. Please refer to our website and social media accounts @mayworkskjipuktukhfx for the latest information. \nWe live in punishing and brutal times. Language plays a crucial role in how we make sense of the world. In language\, we can bear witness\, negotiate meaning\, and call-out the people and systems of power to hold them accountable. Language has long been a creative and powerful tool in labour and social justice movements\, with the ability to encapsulate and embody a movement or a moment. \nThe arrival of May is the arrival of kite season. For Mayworks\, Maize has invited 3 word-workers; El Jones\, Seán Kennedy and Sue Goyette\, to compose aerial text banners to be flown across the city. The Mayworks audience is invited to help fly these kite banners. By working collectively to lift language up into the sky – we embody a public discourse of sorts\, fielding critical challenges and raising big questions. \nRAISING BIG QUESTIONS is an ongoing project by Andrew Maize\, that uses a home-made\, modular kite-letter to compose aerial text banners in the sky. Kite-flying is a joyful\, analogue and collective activity – one that must be responsive to both the weather and site. Location of the events will be dependent on environmental factors\, including wind direction. \nStay tuned closer to the date on the Mayworks Website and social media @mayworkskjipuktukhfx for announcements. \nNOTE: Andrew is offering a kite-flying workshop on April 25th. Find details at GO FLY A KITE.\n\n \nANDREW MAIZE is an artist. His playful\, collaborative and improvisational approach to making art is contingent on the relationships of environmental\,  social\, and material situations. Recent collaborative explorations include mobile instruments for improvised performances\, wind-powered kinetic sculptures\, and experimental drawing practices (using local sourced inks and candle smoke). He seeks collaborations across disciplines to expand improvisational practices as tools for embodying more responsive and adaptable ways of being\, by welcoming the fundamental agency of uncertainty. As an arts educator and organizer\, he has been involved in collaborative projects that engage communities with art\, in both traditional and non-traditional spaces. Maize graduated with a BFA from NSCAD University in Halifax NS in 2012\, and a MFA from the University of Guelph in 2021. He is the recipient of multiple grants and awards\, including SSHRCC\, Canada Council for the Arts\, Arts Nova Scotia. \n \nDR. EL JONES. Author\, poet\, journalist\, educator\, and advocate. Dr. El Jones is all these things and more\, an outspoken activist\, thinker and writer whose strengths converge in her spoken word performances. A respected poet\, Dr. Jones was two-time National Slam champion in 2007 and 2008\, Poet Laureate of Halifax in 2013-2015\, resident of the International Writing Program at University of Iowa in 2015\, and poet in residence at University of Toronto Scarborough in 2021. What defines her achievements is a commitment to activism and community advocacy to highlight inequities and redress injustices. The recognition of her performances\, teaching and political commitment testifies to the exceptional influence she has exercised during the Black Lives Matter movement and the expansion of Black scholarship in Canadian academia. \n \nSUE GOYETTE lives in Kjipuktuk (Halifax) and has published ten books of poems and a novel. Her latest collection is Future Howl\, (Gaspereau Press\, 2025). She is the editor of Resistance: Righteous Rage in the Age of #MeToo (University of Regina Press\, 2021)\, The 2017 Griffin Poetry Prize Anthology (Anansi\, 2017) and The Best Canadian Poetry in English 2013 (Tightrope Books\, 2013). Her work has been translated into French\, Spanish and German and has been featured in films\, subways\, buses\, spray painted on a sidewalk and tattooed. Her work has been nominated for the 2014 Griffin Poetry Prize and the Governor General’s Award and has won several awards including the Dalhousie University Teaching Award\, 2021; the Governor General’s Literary Award for Translation (Océan translated by Georgette Leblanc)\, 2020; J.M. Abraham Poetry Award 2016\, 2012; ReLit Award 2016; 2014 Atlantic Independent Booksellers Choice Award; 2013 National Magazine Award\, Silver; 2012 Pat Lowther Award for Poetry; Bliss Carman Poetry Award\, 2011; The Established Artist Recognition Award\, NS\, 2011; 2010 Earle Birney Award; 2008 CBC Literary Award for Poetry; as well as the 2015 Lieutenant Governor of Nova Scotia Masterworks Arts Award for her collection\, Ocean. Sue teaches in the Creative Writing Program at Dalhousie University. \n \nSEÁN KENNEDY is Professor of English and Coordinator of Irish Studies. Their research interests include Samuel Beckett\, Queer Ireland\, Ireland in Psychoanalysis\, Zionism\, and the “Erotics of Irish Austerity” (the ways in which austerity economics is troped in terms of the kinky language of discipline\, control and humiliation). Publications include Beckett and Ireland (Cambridge UP\, 2010)\, Send In the Clowns! (OR Books\, 2025) and Beckett beyond the normal (in progress). Kennedy is the coordinator for Unsettling Irish Studies. \n\nEvent photo by John Haney
URL:https://mayworkskjipuktukhfx.ca/event/raising-big-questions/
LOCATION:NS
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ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260425T100000
DTEND;TZID=America/Halifax:20260425T130000
DTSTAMP:20260407T113217
CREATED:20260405T155218Z
LAST-MODIFIED:20260405T162419Z
UID:4197-1777111200-1777122000@mayworkskjipuktukhfx.ca
SUMMARY:Go Fly a Kite
DESCRIPTION:Kite Flying 101 or How to launch a kite and kite-banner!\nWith Andrew Maize\nApril 25\n10am-11am – Wonder’neath Studio\n11am-1pm – Halifax Common \nJoin artist and kite-flier Andrew Maize for a hands-on workshop that will introduce the basics of successfully launching\, landing\, and flying large kites\, kite cameras and kite-laundry (ie. kite banners). We will discuss knot-tying\, launching/landing techniques\, environmental factors\, safety\, equipment\, and kite banner designs. The workshop will begin at Wonder’neath from 10am-11am\, and then will move to the Common\, where we will practice launching\, flying and landing big kites (and kite banners)! \nParticipants are encouraged to dress for the elements (hat\, sunscreen\, sunglasses) and bring a  pair of work gloves (thin leather gloves or similar are ideal – the kite string can burn hands when under a lot of tension!) \nParticipants are also invited to help fly kite banners at future sessions of RAISING BIG QUESTIONS for Mayworks 2026. \nAdmission by donation. Please RSVP here:\n \n\n \nANDREW MAIZE is an artist. His playful\, collaborative and improvisational approach to making art is contingent on the relationships of environmental\, social\, and material situations. Recent collaborative explorations include mobile instruments for improvised performances\, wind-powered kinetic sculptures\, and experimental drawing practices (using local sourced inks and candle smoke). He seeks collaborations across disciplines to expand improvisational practices as tools for embodying more responsive and adaptable ways of being\, by welcoming the fundamental agency of uncertainty. As an arts educator and organizer\, he has been involved in collaborative projects that engage communities with art\, in both traditional and non-traditional spaces. Maize graduated with a BFA from NSCAD University in Halifax NS in 2012\, and a MFA from the University of Guelph in 2021. He is the recipient of multiple grants and awards\, including SSHRCC\, Canada Council for the Arts\, Arts Nova Scotia. \n\nEvent photo by Corey Isenor
URL:https://mayworkskjipuktukhfx.ca/event/go-fly-a-kite/
LOCATION:Wonder’neath\, 2482 Maynard St\, Halifax\, Nova Scotia\, B3K 3V4\, Canada
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ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T183000
DTEND;TZID=America/Halifax:20260403T210000
DTSTAMP:20260407T113217
CREATED:20260307T202030Z
LAST-MODIFIED:20260317T171347Z
UID:4121-1775241000-1775250000@mayworkskjipuktukhfx.ca
SUMMARY:"Seeds For Liberation" at Carbon Arc Cinema
DESCRIPTION:Matthew Solomon | USA | 2026 | 92m – followed by a post-film conversation with director Matthew Solomon\, Yara Jamal and Waseem Hijazi \nThe film will be captioned and an ASL interpreter will be present for the Q&A segment. \n \n \n \n\n\nSeeds for Liberation was born out of a deep urgency — not just to document\, but to connect. The events of October 7\, 2023\, became a global flashpoint\, but for many\, they marked a continuation of a struggle nearly eight decades in the making. As a filmmaker\, Director Matthew Solomon wanted to center Palestinian voices while also situating their liberation within a broader legacy of anti-imperialist and decolonial movements — from Black resistance in the U.S. to Chicano activism and beyond. In a world saturated with filtered narratives and state-sponsored erasure\, social media has cracked open a window — giving us raw\, direct access to the truths on the ground. This film asks: What does solidarity truly look like? And how do our struggles for justice — across geography\, race\, and history — grow from the same seed? \nSeeds for Liberation explores Palestinian resistance through emotional and impactful interviews with historians\, activists\, legal scholars\, and experts. The documentary demonstrates how social media has exposed daily life in Gaza and the West Bank\, challenging dominant Western narratives and bringing the Free Palestine movement into global consciousness. Featuring some of the biggest names in the movement\, including human rights attorney Dr. Noura Erakat\, investigative journalist Abby Martin\, justice journalist Chuck Modiano\, emergency medicine physician Dr. Mimi Syed\, and members of the Black Liberation Army\, La Raza Unida\, and Stop Cop City – the film spans decades of solidarity and shows how the fight for collective liberation is interconnected. Seeds for Liberation is a call to action\, encouraging audiences to mobilize and join the fight for humanity. \n\n\n\n\n\n\n\n\nIn Attendance for Q&A following the screening\n\n\n\n\n\n\n\n\n\n\nMatthew Solomon is an innovative and award-winning director whose interview and storytelling styles elicit deep\, emotional responses while educating and inspiring audiences. \nHis first documentary\, Reimagining Safety\, built an enormous grassroots following\, having been screened at more than 100 community events across the US. His new documentary\, Seeds for Liberation\, has been premiering to sold-out audiences while just beginning its national and international tour. Utilizing iPhone cameras to achieve a great sense of immediacy\, Matthew not only combines art and activism in his personal work but also mentors up-and-comers in doing the same. \nIn addition to filmmaking\, Matthew is a conflict resolution facilitator\, adjunct professor\, and is working towards a PhD in Transformative Social Change. \n\n\n\n\n\n\n\n\n\n(Attending virtually)\n\n\n\n\n\n\n\n\nYara Jamal is an award-winning Palestinian journalist and writer. She is the founder of Free Palestine Kjipuktuk (Halifax)\, the largest grassroots organization in Atlantic Canada\, advocating for Palestinian self-determination\, sovereignty\, and the right of return. \nHer reporting on the Eskasoni Fish and Wildlife Commission and Indigenous Protected and Conserved Areas (IPCAs) earned her a Gold award from the Canadian Online Publishing Awards. \nJamal’s work focuses on Middle Eastern politics\, structural racism\, with a focus on amplifying the voices of marginalized communities \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWaseem Hijazi is a Palestinian vegan content creator and recipe developer (@plantbasedarab) with a background in finance studies. His work focuses on  preserving food heritage from the Arab cuisine\, while highlighting the cultural significance to the land. He educates the vegan and animal rights community about the oppression of Palestinians\, exposes israel’s veganwashing propaganda\, and emphasizes the importance of boycotting plant-based food-tech companies that are complicit in the occupation and genocide\, in order to better advocate for the liberation of Palestine. \n\n\n\n\n\n\n\n\n\n\n\nTickets $12.65 ($12 at the door if available)\nPWYC available! To reserve\, please email info@mayworkskjipuktukhfx.ca  \n \n \n 
URL:https://mayworkskjipuktukhfx.ca/event/seeds-for-liberation-at-carbon-arc-cinema/
LOCATION:Carbon Arc Cinema\, 1747 Summer Street\, Halifax\, Nova Scotia\, B3H 3A6\, Canada
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2026/03/Seeds-for-Liberation-Landscape-Poster_1920x1005.jpg
ORGANIZER;CN="Carbon Arc Cinema":MAILTO:movies@carbonarc.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260402T183000
DTEND;TZID=America/Halifax:20260402T210000
DTSTAMP:20260407T113217
CREATED:20260307T201614Z
LAST-MODIFIED:20260317T171852Z
UID:4112-1775154600-1775163600@mayworkskjipuktukhfx.ca
SUMMARY:"Reimagining Safety" at Carbon Arc Cinema
DESCRIPTION:Matthew Solomon | Canada | 2023 | 83m – followed by a post-film conversation with director Matthew Solomon and El Jones \nThe film will be captioned and an ASL interpreter will be present for the Q&A segment. \n \n \n \n\n\nWorldwide protests following the 2020 murder of George Floyd included calls to defund or abolish the police until a sharp rise in crime gave politicians and police supporters the fuel they needed to suppress the movement. Unfortunately\, a detailed conversation about transforming public safety was never had. In this film (shot on iPhone)\, 10 experts discuss how policing and incarceration create more harm than good\, why the system persists\, and what changes can be made to make everyone safe. \nIn the early months of the COVID-19 pandemic\, director Matthew Solomon returned to school to earn a master’s degree in Public Administration in order to better position himself to use his privilege and access to help work towards positive social change. In his MPA program\, Matthew began applying the coursework regarding sustainability and workable societies to the issues with policing and incarceration. He thought this would be a step away from filmmaking\, however\, his academic advisors suggested he create a documentary film for his thesis project. Reimagining Safety is that film. \nThe film was named Best Film by Evident Change’s Media for a Just Society Award\, Best Documentary Feature at the Los Angeles Independent Film Festival\, Best Cinematography at The People’s Film Festival in Harlem\, and has received a powerful endorsement by The Black Panther Party WA who has added it to their political education curriculum. \nIn Reimagining Safety\, ten experts (including LA County District Attorney George Gascón\, USC Law Professor Dr. Jody Armour\, Law Enforcement Expert Alex S Vitale\, and Halifax Professor Dr. El Jones) discuss the false premise that more police and prisons make us safer while providing practical and actionable solutions toward achieving systems of safety that work for everyone. \n\n\n\n\n\n\n\n\n\n\nIn Attendance for Q&A following the screening\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMatthew Solomon is an innovative and award-winning director whose interview and storytelling styles elicit deep\, emotional responses while educating and inspiring audiences. \nHis first documentary\, Reimagining Safety\, built an enormous grassroots following\, having been screened at more than 100 community events across the US. His new documentary\, Seeds for Liberation\, has been premiering to sold-out audiences while just beginning its national and international tour. Utilizing iPhone cameras to achieve a great sense of immediacy\, Matthew not only combines art and activism in his personal work but also mentors up-and-comers in doing the same. \nIn addition to filmmaking\, Matthew is a conflict resolution facilitator\, adjunct professor\, and is working towards a PhD in Transformative Social Change. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAuthor\, poet\, journalist\, educator\, and advocate. Dr. El Jones is all these things and more\, an outspoken activist\, thinker and writer whose strengths converge in her spoken word performances. \nA respected poet\, Dr. Jones was two-time National Slam champion in 2007 and 2008\, Poet Laureate of Halifax in 2013-2015\, resident of the International Writing Program at University of Iowa in 2015\, and poet in residence at University of Toronto Scarborough in 2021. \nWhat defines her achievements is a commitment to activism and community advocacy to highlight inequities and redress injustices. The recognition of her performances\, teaching and political commitment testifies to the exceptional influence she has exercised during the Black Lives Matter movement and the expansion of Black scholarship in Canadian academia. \nCurrently an Assistant Professor in the Department of Political and Canadian Studies at Mount Saint Vincent University\, Dr. Jones has taught at Dalhousie University\, Nova Scotia Community College\, and Saint Mary’s University. \n\n\n\n\n\n\n\n\n\n\n\nTickets $12.65 ($12 at the door if available)\nPWYC available! To reserve\, please email info@mayworkskjipuktukhfx.ca
URL:https://mayworkskjipuktukhfx.ca/event/reimagining-safety-at-carbon-arc-cinema/
LOCATION:Carbon Arc Cinema\, 1747 Summer Street\, Halifax\, Nova Scotia\, B3H 3A6\, Canada
CATEGORIES:Film
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ORGANIZER;CN="Carbon Arc Cinema":MAILTO:movies@carbonarc.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20251127T190000
DTEND;TZID=America/Halifax:20251127T203000
DTSTAMP:20260407T113217
CREATED:20251022T120209Z
LAST-MODIFIED:20251121T123048Z
UID:4082-1764270000-1764275400@mayworkskjipuktukhfx.ca
SUMMARY:Canadian Labour International Film Festival
DESCRIPTION:Mayworks Momentum presents selections from the Canadian Labour International Film Festival.\nThe Canadian Labour International Film Festival (CLIFF) is in its 17th edition and Mayworks will again present a local satellite screening of short films chosen from this year’s CLIFF selections. \nCLIFF selects films from across the globe that give voice to workers and their struggles for better lives. \nTotal program runtime: 91 minutes \n \n\nFilm Program:\n\nNola\nby Natalie Remplakowski & Aisha Evelyna (Canada: English) – 10 min \n \nA Black woman working as a sous-chef navigates toxic restaurant culture and her wavering mental health\, until a chance encounter changes her. \n\nYour Own Boss\nby Álvaro Guzmán Bastida (Spain: Spanish) – 18 min \n \nA food delivery worker struggles to juggle his responsibilities as a young father with the impossible demands of an algorithm that pushes him to the limit. \n\nWorking For Freedom \nby Conor Devries (Canada: English) – 11 min \n \nWorking for Freedom is a short documentary that follows an Ottawa-based woman through her experiences of prison labour at the Ottawa-Carleton Detention Centre. Author of Solidarity behind bars\, Jordan House\, provides us with an overview of the frameworks that allow these exploitative practices to continue today. \n\nShadow Work\nby Gillian McKercher (Canada: English) – 3 min \n \n\n\nThis short documentary looks at “shadow work”: tasks that are not part of an employee’s official job description\, but are necessary for the organization to function\, and may be unpaid and unseen. \nUnpaid labour\, shadow work\, glue work\, organizational citizenship. Whatever you name it\, organizations benefit from it. \n\n\n\nLimerent Pittsburgh\nby Anne Ciecko (USA: English) – 3 min \n \nA videopoem revisiting the rust belt city is a site of rekindling of memories and mythologies of labour and family. \n\nMotown South\nby Samuel George (USA: English) – 20 min \n \n\n\nThe electric vehicle industry is booming in the American South\, so much so that the region has earned the nickname the “Battery Belt”. \nBut why are producers setting up shop in states such as Georgia\, Alabama and Tennessee? In part\, the trend stems from a historic lack of union representation there. But workers – and labor organizers – have noticed. And they are starting to push back. How this emerging dynamic plays out could transform the future of American industry. \n\n\n\nGhost Workers\nby Lisette Olsthoorn (Netherlands: English) – 26 min \n \n\n\nIn a film set in which their home offices have been recreated\, six European microworkers share experiences with the filmmaker and with each other\, offering an affecting critique on changing labour conditions. \nGhost Workers is a cinematic research project into the people conducting the often hidden labor necessary to make artificial intelligence work. Working from home\, not being recognized as a worker by the platforms that they work for and being misunderstood by family and friends all together creates strong feelings of isolation. Therefore\, the filmmaker invited six workers from across Europe to share their work experiences with her and with each other. Focusing on the theme of isolation and recognition as a ‘real worker\,’ the film engages in a collective conversation about this type of work. \n\n\n 
URL:https://mayworkskjipuktukhfx.ca/event/canadian-labour-international-film-festival-8/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Film
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20251114T193000
DTEND;TZID=America/Halifax:20251114T204500
DTSTAMP:20260407T113217
CREATED:20250903T185211Z
LAST-MODIFIED:20251104T155607Z
UID:3997-1763148600-1763153100@mayworkskjipuktukhfx.ca
SUMMARY:MAYDAY: Confession Publique
DESCRIPTION:Confession Publique\n\n\n\n\n“ A sensually complex work\, Confession Publique leaves us enthralled before Angélique Willkie’s breadth of talent and her fruitful encounter with Demers’ world.” –  Alexie Legendre\, Revue JEU  \n \n\n\n\n\n\n\nMAYDAY\nTiohtià:ke/Montreal – Kanien’kehá:Ka Territory\n\n\n\n\nNovember 14th & 15th\, 2025. 7:30PM  \nAlderney Landing Theatre\nGeneral Seating – $65.00 Dance Advocate; $45.00 Adults; $35.00 Seniors; $20.00 Students / Arts Worker; Group Discounts Available \nRun Time – 75 Minutes \nContent Warning: Nudity\, 18+ suggested. An Active Listener will be available on site if needed.\nThis show tackles experiences of racism\, sexual violation\, and living in an aging body\, as well as the power of transformation. It contains nudity and mature content. \nTraffic Note: The Parade of Lights is taking place on Nov 15th at 5pm. Please allow time for potential traffic on your way to the show. \n\n\n\n\nIts title serving as a promise\, Confession Publique explores ambiguity and paradox\, probes the noble and the vulgar\, oscillates between grace and brutality. Choreographer Mélanie Demers turns her trusted collaborator Angélique Willkie into her muse. Together\, these two kindred spirits explore the act of telling others about yourself without reserve. The result is a hard-hitting solo show\, where anecdotes become painful secrets and the body reveals as much as words\, if not more. \nIn this work\, the protagonist concentrates on the margins as she takes a deep dive into herself and ourselves. The connection is intimate\, intimidating. The performance becomes the setting for questions asked a thousand times over: our relationship to the world\, how the environment holds our destinies in its hands\, and the power others have to dictate and dominate our life-choices. \n \nMAYDAY \nSince its foundation in 2007\, an array of charismatic and eclectic artists working with Mélanie Demers has been drawn to MAYDAY as a hub for creative exchange and reflection. Each MAYDAY work is thus the fruit of a collective effort. And not only between the artists: the public enters into the creative process as well\, since the physicality\, imagery\, and sense of rhythm characteristic of MAYDAY’s unique approach only come together as a coherent whole before an audience. Drawing on creative energies from around the world\, MAYDAY’s unique works testify to both a spirit of artistic freedom and a deep-seated concern for contemporary issues. Demers’ fascination and the relationship between words and gestures crystallizes in WOULD\, a work which won the Prix du CALQ for Best Choreography at the Prix de la danse de Montréal in 2015. WOULD will be followed by the choreographic relay Danse Mutante in 2019\, then in 2021 by La Goddam Voie Lactée\, MAMA and Confession Publique\, and finally in 2022 by Cabaret Noir. Mélanie Demers won the GRAND PRIX de la danse de Montréal\, which recognizes her unique mark on her era. MAYDAY tours frequently and has collaborated with many international partners. It is proud to be one of the few Canadian companies to have performed in both North America\, Europe\, Asia\, and Africa. \nMAYDAY tours frequently and has collaborated with many international partners. It is proud to be one of the few Canadian companies to have performed in both North America\, Europe\, Asia\, and Africa. \n \n\nCredits\n\n\n\nIdeation\, Direction and Choreography\nMélanie Demers \n\n\n\n\n\nPerformers\nAngélique Willkie with the participation of Anne-Marie Jourdenais \n\n\n\n\n\nDirection of Rehearsals\nAnne-Marie Jourdenais \n\n\n\n\n\nDramaturgy\nAngélique Willkie \n\n\n\n\n\nSet Design\nOdile Gamache \n\n\n\n\n\nSound Composition\nFrannie Holder \n\n\n\n\n\nAdditional Music\nExcerpt from The Fairy Queen\, composed by Henry Purcell and sung by Angelique Willkie \n\n\n\n\n\nLighting Design\nClaire Seyller \n\n\n\n\n\nTechnical Director\nEmmanuel Bossé-Messier \n\n\n\n\n\nCostume Design\nElen Ewing \n\n\n\n\n\nProduction Management\nAlec Arsenault \n\n\n\n\n\nSpecial Notes of Thanks\nÉléonore Loiselle \n\n\n\n\n\nTeaser Production\nStefan Verna \n\n\n\n\n\nCo Presented By
URL:https://mayworkskjipuktukhfx.ca/event/mayday-confession-publique/
LOCATION:Alderney Landing Theatre\, 2 Ochterloney St\, Dartmouth\, Nova Scotia\, B2Y 4W1\, Canada
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/09/ConfessionPubliqueSlide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20251114T193000
DTEND;TZID=America/Halifax:20251114T204500
DTSTAMP:20260407T113217
CREATED:20250903T185211Z
LAST-MODIFIED:20251104T155607Z
UID:3997-1763148600-1763153100@mayworkskjipuktukhfx.ca
SUMMARY:MAYDAY: Confession Publique
DESCRIPTION:Confession Publique\n\n\n\n\n“ A sensually complex work\, Confession Publique leaves us enthralled before Angélique Willkie’s breadth of talent and her fruitful encounter with Demers’ world.” –  Alexie Legendre\, Revue JEU  \n \n\n\n\n\n\n\nMAYDAY\nTiohtià:ke/Montreal – Kanien’kehá:Ka Territory\n\n\n\n\nNovember 14th & 15th\, 2025. 7:30PM  \nAlderney Landing Theatre\nGeneral Seating – $65.00 Dance Advocate; $45.00 Adults; $35.00 Seniors; $20.00 Students / Arts Worker; Group Discounts Available \nRun Time – 75 Minutes \nContent Warning: Nudity\, 18+ suggested. An Active Listener will be available on site if needed.\nThis show tackles experiences of racism\, sexual violation\, and living in an aging body\, as well as the power of transformation. It contains nudity and mature content. \nTraffic Note: The Parade of Lights is taking place on Nov 15th at 5pm. Please allow time for potential traffic on your way to the show. \n\n\n\n\nIts title serving as a promise\, Confession Publique explores ambiguity and paradox\, probes the noble and the vulgar\, oscillates between grace and brutality. Choreographer Mélanie Demers turns her trusted collaborator Angélique Willkie into her muse. Together\, these two kindred spirits explore the act of telling others about yourself without reserve. The result is a hard-hitting solo show\, where anecdotes become painful secrets and the body reveals as much as words\, if not more. \nIn this work\, the protagonist concentrates on the margins as she takes a deep dive into herself and ourselves. The connection is intimate\, intimidating. The performance becomes the setting for questions asked a thousand times over: our relationship to the world\, how the environment holds our destinies in its hands\, and the power others have to dictate and dominate our life-choices. \n \nMAYDAY \nSince its foundation in 2007\, an array of charismatic and eclectic artists working with Mélanie Demers has been drawn to MAYDAY as a hub for creative exchange and reflection. Each MAYDAY work is thus the fruit of a collective effort. And not only between the artists: the public enters into the creative process as well\, since the physicality\, imagery\, and sense of rhythm characteristic of MAYDAY’s unique approach only come together as a coherent whole before an audience. Drawing on creative energies from around the world\, MAYDAY’s unique works testify to both a spirit of artistic freedom and a deep-seated concern for contemporary issues. Demers’ fascination and the relationship between words and gestures crystallizes in WOULD\, a work which won the Prix du CALQ for Best Choreography at the Prix de la danse de Montréal in 2015. WOULD will be followed by the choreographic relay Danse Mutante in 2019\, then in 2021 by La Goddam Voie Lactée\, MAMA and Confession Publique\, and finally in 2022 by Cabaret Noir. Mélanie Demers won the GRAND PRIX de la danse de Montréal\, which recognizes her unique mark on her era. MAYDAY tours frequently and has collaborated with many international partners. It is proud to be one of the few Canadian companies to have performed in both North America\, Europe\, Asia\, and Africa. \nMAYDAY tours frequently and has collaborated with many international partners. It is proud to be one of the few Canadian companies to have performed in both North America\, Europe\, Asia\, and Africa. \n \n\nCredits\n\n\n\nIdeation\, Direction and Choreography\nMélanie Demers \n\n\n\n\n\nPerformers\nAngélique Willkie with the participation of Anne-Marie Jourdenais \n\n\n\n\n\nDirection of Rehearsals\nAnne-Marie Jourdenais \n\n\n\n\n\nDramaturgy\nAngélique Willkie \n\n\n\n\n\nSet Design\nOdile Gamache \n\n\n\n\n\nSound Composition\nFrannie Holder \n\n\n\n\n\nAdditional Music\nExcerpt from The Fairy Queen\, composed by Henry Purcell and sung by Angelique Willkie \n\n\n\n\n\nLighting Design\nClaire Seyller \n\n\n\n\n\nTechnical Director\nEmmanuel Bossé-Messier \n\n\n\n\n\nCostume Design\nElen Ewing \n\n\n\n\n\nProduction Management\nAlec Arsenault \n\n\n\n\n\nSpecial Notes of Thanks\nÉléonore Loiselle \n\n\n\n\n\nTeaser Production\nStefan Verna \n\n\n\n\n\nCo Presented By
URL:https://mayworkskjipuktukhfx.ca/event/mayday-confession-publique/
LOCATION:Alderney Landing Theatre\, 2 Ochterloney St\, Dartmouth\, Nova Scotia\, B2Y 4W1\, Canada
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/09/ConfessionPubliqueSlide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20251028T180000
DTEND;TZID=America/Halifax:20251028T200000
DTSTAMP:20260407T113217
CREATED:20251022T112602Z
LAST-MODIFIED:20251022T112602Z
UID:4066-1761674400-1761681600@mayworkskjipuktukhfx.ca
SUMMARY:Closing Reception with Curtis Botham\, Eva Grant and Martha Mutale
DESCRIPTION:Join us for a casual conversations with the artists behind No Dominion/No Domain and my inner child healing my immigrant identity. \nCurtis Botham and Martha Mutale will be joining us in person\, and Eva Grant will be joining us via video call. All will be available to answer questions about their works on display only until October 31st. \nA brief facilitated Q&A will take place at 7PM. \nRefreshments will be served! \nARTIST BIOS:\n \nEva Grant is a Queer\, St̓át̓imc-Eurasian filmmaker\, curator\, and new media artist. She studied philosophy and literature at Stanford University and is the founder of Tooth & Nail Pictures. Her world-building practice hybridizes moving image\, animation\, game engines\, interactive digital media\, data visualization\, and speculative design to prototype decolonial and capacious futures. She is a former Sundance Native Lab fellow\, a BIPOC TV & Film Episodic Writers Lab participant\, an Artengine NEW SUNS Worldbuilding Lab artist-in-residence\, a Vancouver Queer Film Festival Programming Disruptor\, a Netflix-BANFF Diversity of Voices fellow\, an Art Gallery of Ontario AGO x RBC emerging artist-in-residence\, and an alumna of the imagineNATIVE Originals Commission program and the Screenwriting Shorts Fellowship. Her work has been supported by Mayworks Kjipuktuk\, Nocturne: Art at Night\, CFC Satellites\, Debaser/Pique Festival\, the Indigenous Curatorial Collective\, Lay*Away\, Black Star Film Festival’s William and Louise Greaves Filmmaking Seminar\, and the Ottawa Animation Festival\, and her films have screened at festivals around the world. \n \nCurtis Botham is an award-winning artist based in Halifax\, Nova Scotia. He graduated from NSCAD University in 2017 with a bachelor of fine arts. His accolades include the Canada Games Young Artist of Excellence Award\, and numerous grants from Arts Nova Scotia and the Elizabeth Greenshields Foundation. Since 2017\, he has depicted the impact and labour of industries in the Maritimes\, examining the social and environmental effects of material culture on our lives. He has participated in residencies around Nova Scotia in order to create a broad portrait of the province and its relationship to its land\, people and resources.\ncurtisbotham.weebly.com \n \nMartha Mutale is a poet and veteran of the spoken word scene in Kjipuktuk/Halifax\, Nova Scotia. She grew up in Billtown\, Nova Scotia\, a small rural community in the Annapolis valley after emigrating from Zambia with her family when she was just under two years old. Her family is based in Nova Scotia. As an adult\, she relocated to North End Halifax where she began expressing herself as a poet while also working in the non-profit sector. She has worked as a housing support worker where she witnessed first hand the vulnerability and social disposability of those who have lost their homes – especially immigrants who\, without citizenship\, are not allowed access to shelters. In December 2022\, Martha relocated to Zambia to start over\, reconnect with herself and apply to regain her Zambian citizenship. Having been raised in the Diaspora and having called Nova Scotia home since a young child\, she longs for her birth home\, Zambia\, and yearns to learn more about her roots. While in Lusaka\, waiting for her paperwork to be approved\, she volunteered her time in an art gallery and completed two residencies which constituted her first forays into visual arts. During her second residency\, she made six dolls\, five feet long\, all sewn and painted by hand using upcycled textile fabrics and African materials she found while living in Lusaka\, Zambia. Martha is healing her inner child and making room for new and exciting adventures that await her in the future.
URL:https://mayworkskjipuktukhfx.ca/event/closing-reception-with-curtis-botham-eva-grant-and-martha-mutale/
LOCATION:The Khyber Centre for the Arts\, 1880 Hollis St\, Halifax\, Nova Scotia\, B3J 1W6\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/10/Reception-Slide.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251011
DTEND;VALUE=DATE:20251101
DTSTAMP:20260407T113217
CREATED:20250904T141921Z
LAST-MODIFIED:20251022T112656Z
UID:4012-1760140800-1761955199@mayworkskjipuktukhfx.ca
SUMMARY:No Dominion/No Domain
DESCRIPTION:Presented in partnership with the Khyber Centre for the Arts and Nocturne\nMayworks Kjipuktuk/Halifax presents No Dominion/No Domain\, where Eva Grant and Curtis Botham trace land\, life\, labour\, and pathways across speculative digital ancestral architectures and charcoal industrial landscapes. \n“Homeless Shelters Before Police Raid” by Curtis Botham\nNo Dominion/No Domain brings together two artists\, Eva Grant and Curtis Botham\, whose works reflect on land\, labour\, infrastructure\, and ecological movement. Presented by Mayworks Kjipuktuk/Halifax and hosted at the Khyber Centre for the Arts\, the exhibition runs October 11-31\, 2025. Events include Nocturne: Art at Night Festival from 6PM-12AM on Saturday\, October 18\, and a closing reception Tuesday\, October 28th 6PM-8PM. \nEva Grant’s WILD INTERFACE is a work of St’át’imc speculative futurism that reimagines longhouses and Salish structures as though assembled from salmon bones. These digital works depict architecture not as idealized pasts or utopian elsewheres\, but as living interfaces: porous inter-species networks where technologies and ancestral knowledge converge. Through computational geography and postnatural territories\, Grant reconsiders space and place as co-constructed with ecologies\, where memory and labours of love entwine. \nCurtis Botham’s Effluents and Urban projects confront the landscapes of extraction that underpin industrial modernity. His large-scale charcoal drawings—made in a volatile medium that mirrors the precarity of his subject matter—document the sites of resource economies on Mi’kma’ki/Nova Scotia and their cascading impacts: inequities of wealth\, the precarity of workers\, and the hidden infrastructures behind everyday consumer life. Botham traces these environments with stark fidelity\, inviting viewers to recognize their own embeddedness in these cycles of labour and consumption. \nTogether\, Grant’s and Curtis’ works stage a dialogue on dominion—over land\, life\, and labour—and on domains\, whether in digital terrains of speculative ancestral architectures or in the charcoal-rendered landscapes and machinery of industrial capitalism. \nNo Dominion/No Domain invokes the dual refusal of control and possession within colonial constructs and systems. The title\, created by Grant\, arose in response to the effectiveness of messaging between the blend of analog and virtual material. Through charcoal and digital works\, the exhibition resists the illusion of permanence that dominion or domain implies. Charcoal\, itself the residue of combustion\, unsettles the idea of industry as stable progress\, while Grant’s architectures utilize the digital realm to glitch and dissolve systemically oppressive boundaries. Both practices gesture towards knowledge\, labour\, and survival beyond grids of ownership. \nDigital piece from the WILD INTERFACE series by Eva Grant\nARTIST BIOS:\n \nEva Grant is a Queer\, St̓át̓imc-Eurasian filmmaker\, curator\, and new media artist. She studied philosophy and literature at Stanford University and is the founder of Tooth & Nail Pictures. Her world-building practice hybridizes moving image\, animation\, game engines\, interactive digital media\, data visualization\, and speculative design to prototype decolonial and capacious futures. She is a former Sundance Native Lab fellow\, a BIPOC TV & Film Episodic Writers Lab participant\, an Artengine NEW SUNS Worldbuilding Lab artist-in-residence\, a Vancouver Queer Film Festival Programming Disruptor\, a Netflix-BANFF Diversity of Voices fellow\, an Art Gallery of Ontario AGO x RBC emerging artist-in-residence\, and an alumna of the imagineNATIVE Originals Commission program and the Screenwriting Shorts Fellowship. Her work has been supported by Mayworks Kjipuktuk\, Nocturne: Art at Night\, CFC Satellites\, Debaser/Pique Festival\, the Indigenous Curatorial Collective\, Lay*Away\, Black Star Film Festival’s William and Louise Greaves Filmmaking Seminar\, and the Ottawa Animation Festival\, and her films have screened at festivals around the world. \n \nCurtis Botham is an award-winning artist based in Halifax\, Nova Scotia. He graduated from NSCAD University in 2017 with a bachelor of fine arts. His accolades include the Canada Games Young Artist of Excellence Award\, and numerous grants from Arts Nova Scotia and the Elizabeth Greenshields Foundation. Since 2017\, he has depicted the impact and labour of industries in the Maritimes\, examining the social and environmental effects of material culture on our lives. He has participated in residencies around Nova Scotia in order to create a broad portrait of the province and its relationship to its land\, people and resources.\ncurtisbotham.weebly.com \nHOURS & EVENTS:\nExhibition on view: October 11-31\, 2025 \nGallery hours: 12-5PM Tuesday-Saturday + events \nAppointments/contact: info@khyber.ca \nAccessibility notes: www.khyber.ca/access \nNocturne hours: 6PM-12AM\, Saturday\, October 18\, 2025 \nClosing reception: Tuesday\, October 28th 6PM-8PM – Click here for details \nPresented concurrently with my inner child healing my immigrant identity
URL:https://mayworkskjipuktukhfx.ca/event/no-dominion-no-domain/
LOCATION:The Khyber Centre for the Arts\, 1880 Hollis St\, Halifax\, Nova Scotia\, B3J 1W6\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/09/No-Dominion-No-Domain-Slide.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251011
DTEND;VALUE=DATE:20251101
DTSTAMP:20260407T113217
CREATED:20250915T180222Z
LAST-MODIFIED:20251022T112753Z
UID:4037-1760140800-1761955199@mayworkskjipuktukhfx.ca
SUMMARY:my inner child healing my immigrant identity
DESCRIPTION:Presented in partnership with the Khyber Centre for the Arts and Nocturne\nmy inner child healing my immigrant identity by Martha Mutale explores the immigrant experience – the self split between two homes. A series of rag dolls where each figure represents a point in time in the immigrant life\, softly positioned in space\, while the whole assemblage provides a grounded picture of who she is. Presented by Mayworks Kjipuktuk/Halifax and hosted at the Khyber Centre for the Arts\, the exhibition runs October 11-31\, 2025. Events include Nocturne: Art at Night Festival from 6PM-12AM on Saturday\, October 18\, and a closing reception Tuesday\, October 28th 6PM-8PM. \n \nmy inner child healing my immigrant identity is a continuation of Martha Mutale’s exploration of the immigrant experience through the making and presentation of rag dolls fabricated from Zambian fabrics overlaid with printed words. Each of the 40 inches tall dolls represents a different part of her life as an immigrant living in the Diaspora and what it means to hold two different identities grounded in two different homes – Canada and Zambia. What does it mean to call two places home at once? What does it mean to always have a foot in both worlds\, to feel unmoored by this dual self? What are the different ways in which each of these places is home and for which reasons? \nMutale was confronted with these questions when she returned to her birth home during her adult life. Everyday\, taxi drivers (themselves migrants from neighbouring African countries) would ask her about herself and where she came from. Growing up in Nova Scotia\, one of Mutale’s most vivid and concrete connections to Zambian culture was the process through which she and her sisters would continually measure each others’ bodies in order for their mother to sew clothing for them made of African fabric. These experiences and memories\, along with her love of poetry\, have been the crucible for her ongoing series of projects using rag dolls to convey her sense of identity. \nThe process of crafting is a journey in itself and the tactile medium of textiles provide for Mutale a method of self-exploration that is both meditative and very concrete at once. For my inner child healing my immigrant identity\, the dolls (smaller than in previous explorations) will be installed as a diorama in the window gallery of the Khyber Centre for the Arts through which passersby can windowgaze into Mutale’s life. As Mutale represents different facets and waypoints in her life through each rag doll\, she presents a fragmented picture of herself. The soft sculptures each convey a lack of weight and definite attachment to the ground. And yet\, the depiction of Mutale’s life as a whole through their assemblage in space\, all together\, offers her (and the observer) a sense of groundedness provided by the material expression of her identities and the added value of a sum crystallised by the joining of its parts. \nARTIST BIO\n \nMartha Mutale is a poet and veteran of the spoken word scene in Kjipuktuk/Halifax\, Nova Scotia. She grew up in Billtown\, Nova Scotia\, a small rural community in the Annapolis valley after emigrating from Zambia with her family when she was just under two years old. Her family is based in Nova Scotia. As an adult\, she relocated to North End Halifax where she began expressing herself as a poet while also working in the non-profit sector. She has worked as a housing support worker where she witnessed first hand the vulnerability and social disposability of those who have lost their homes – especially immigrants who\, without citizenship\, are not allowed access to shelters. In December 2022\, Martha relocated to Zambia to start over\, reconnect with herself and apply to regain her Zambian citizenship. Having been raised in the Diaspora and having called Nova Scotia home since a young child\, she longs for her birth home\, Zambia\, and yearns to learn more about her roots. While in Lusaka\, waiting for her paperwork to be approved\, she volunteered her time in an art gallery and completed two residencies which constituted her first forays into visual arts. During her second residency\, she made six dolls\, five feet long\, all sewn and painted by hand using upcycled textile fabrics and African materials she found while living in Lusaka\, Zambia. Martha is healing her inner child and making room for new and exciting adventures that await her in the future. \nHOURS & EVENTS:\nExhibition on view: October 11-31\, 2025 \nGallery hours: On display in the window gallery 24/7 | Open hours: 12-5PM Tuesday-Saturday + events \nAppointments/contact: info@khyber.ca \nAccessibility notes: www.khyber.ca/access \nNocturne hours: 6PM-12AM\, Saturday\, October 18\, 2025 \nClosing reception: Tuesday\, October 28th 6PM-8PM – Click here for details \nPresented concurrently with No Domain / No Dominion
URL:https://mayworkskjipuktukhfx.ca/event/my-inner-child-healing-my-immigrant-identity/
LOCATION:The Khyber Centre for the Arts\, 1880 Hollis St\, Halifax\, Nova Scotia\, B3J 1W6\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/09/Doll-Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251003
DTEND;VALUE=DATE:20251004
DTSTAMP:20260407T113217
CREATED:20250707T185757Z
LAST-MODIFIED:20250707T190213Z
UID:3949-1759449600-1759535999@mayworkskjipuktukhfx.ca
SUMMARY:Call For Submissions - Mayworks 2026
DESCRIPTION:DEADLINE: OCTOBER 3RD 2025\nSubmit via this FORM \nMayworks Kjipuktuk/Halifax celebrates workers\, justice and solidarity through art. \nOur festival presents works of art of any discipline which explore the connection between the labour movement and art\, art-making as labour\, and struggles against racial injustice\, environmental injustice\, and other forms of injustice. \nWe encourage applications from underrepresented or marginalized artists\, including Indigenous\, Black\, Disabled\, Two-Spirit and trans artists\, as well as artists from communities of colour and language minority communities. \nSubmissions need not be directly focused on work\, labour or unions. In making our curatorial decisions\, we look for works that are at the forefront of creative exploration\, while also highlighting the political nature of artistic work. We look to include stories from Queer\, Disabled\, Black and Indigenous communities\, in addition to content that speaks to working class and feminist struggles. \n🌟 Mayworks programming is chosen by a jury of our staff members.\n🌟 Mayworks Kjipuktuk/Halifax uses the Bus Stop Theatre as its main venue w/additional venues as needed.\n🌟 Mayworks Kjipuktuk/Halifax provides presentation fees only\, not fees for development and creation (but feel free to ask for a letter of support). \nApplicants will be notified of their result by the end of November. \nLearn more using the FORM link. \nPhoto by Keandre Johnson
URL:https://mayworkskjipuktukhfx.ca/event/call-for-submissions-mayworks-2026/
LOCATION:NS
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/07/3-Mayworks-Final-2026-Call-Website.png.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250826
DTEND;VALUE=DATE:20250908
DTSTAMP:20260407T113217
CREATED:20250725T173805Z
LAST-MODIFIED:20250903T185618Z
UID:3951-1756166400-1757289599@mayworkskjipuktukhfx.ca
SUMMARY:The Huns by Matchstick Theatre
DESCRIPTION:Matchstick Theatre presents Michael Ross Albert’s play The Huns in Neptune Theatre’s Craig Boardroom. A cutting office comedy and nuanced exploration of today’s working world\, The Huns is the first piece of Mayworks Kjipuktuk/Halifax’s new MOMENTUM programming. From August 26th to September 7th\, experience the Atlantic Canadian premiere of one of the country’s most exciting new playwrights. \nThree employees of a tech company—Shelley (Katerina Bakolias)\, Pete (Liam Fair)\, and Iris (Gil Anderson)—meet for an emergency conference call. Their office has been robbed and essential equipment is missing\, with Gen-Seven set to launch ON MONDAY! The three co-workers have their bosses and colleagues on the line—WHAT COULD GO WRONG?!  \nThe Huns is directed by Jake Planinc and designed by Jordan Palmer\, with Chelsea Dickie (Stage Manager) and Alex Mills (House Manager). Matchstick’s 70-minute production has fully accessible\, but extremely limited capacity. Tickets are $20 (with one PWYC preview on August 26th). \nPerformances are at 7:30PM Tuesday through Saturday and 2:00PM on Saturdays and Sundays. Please contact us in advance for accommodation at matchsticktheatre@gmail.com
URL:https://mayworkskjipuktukhfx.ca/event/the-huns/
LOCATION:Neptune Theatre – Craig Boardroom\, 1593 Argyle St\, Halifax\, Nova Scotia\, B3J 2B2\, Canada
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/07/HUNS_SQUARE_SOCIAL.jpg
ORGANIZER;CN="Matchstick Theatre":MAILTO:matchsticktheatre@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250503T130000
DTEND;TZID=America/Halifax:20250503T143000
DTSTAMP:20260407T113217
CREATED:20250402T154658Z
LAST-MODIFIED:20250521T231429Z
UID:3640-1746277200-1746282600@mayworkskjipuktukhfx.ca
SUMMARY:Working Class Heritage Tours
DESCRIPTION:You’ll never see downtown the same way again!\nJoin us for interactive walking tours that share the complex working class history of downtown Halifax. Each tour takes a different path through the city core and discusses different aspects of working class history and culture. The tours are designed to be stand alone but also work as a series\, with each tour covering different topics and following a different path. \n \nGeneral Tour Notes:\n\nEach tour is approximately 90 minutes in duration with regular stops for discussion along the way.\nWashrooms and parking are available near the beginning and end of each tour.\nPlaces to sit or perch are present at most tour stops\nThe tours run over and downhill only\nThe tours follow paths that only include intersections with curb cuts and follow sidewalks that are in good shape.\nThe tour has been designed with accessibility in mind. If you would like more information on the tour’s accessibility please email: info@mayworkskjipuktukhfx.ca\n\n \n ASL interpretation will be provided for all three tours. \n\nTour 1: Where We Stand\n \nDate: Saturday\, May 3rd\nTime: 1:00 PM\nDeparture: Old Spring Garden Library (corner of Brunswick St and Spring Garden Rd) \nMoving through downtown we will talk about the impact of people\, land\, and power on the evolution of the colonial urban centre over the last 300 years while experiencing the city around us. From the paupers grounds of the 18th century\, integrated neighbourhoods of the 19th century\, strikes of the 20th century and movements for social justice today. This tour begins at the old Memorial Library and ends at the waterfront. \nThe Only Wealth Is Labour: Artists Sarah Mosher & Hanah Genosko will be carrying their crafted banner along for the tour! \nClick Here For Detailed Tour Notes\nPictured: 19th century market site in downtown Halifax. NS Archives. \n\nTour 2: Scratch the Surface ***RESCHEDULED***\n \nNEW DATE: Saturday\, May 24th\nTime: 1:00 PM\nDeparture: Old Spring Garden Library (corner of Brunswick St and Spring Garden Rd)\n \nWalking along the streets of today we’ll explore the many types of work that used to take place where we now see offices\, shops and restaurants. We’ll pull back the curtain on what it was like to work in the laundries\, factories\, and food manufacturing plants of Halifax and what we can still see of this industrial past. This tour begins at the old Memorial Library and ends near Granville Mall. \nClick Here For Detailed Tour Notes\nPictured: Early 20th century women sewing in a Halifax factory. NS Archives.\n \n\nTour 3: By Choice or By Force\n \nDate: Sunday\, May 11th\nTime: 1:00 PM\nDeparture: Peace & Friendship Park (1170 Hollis St)  \nLooking at a part of downtown now dominated by railroad tracks\, hotels and modern apartment buildings we’ll remember the story of immigrants and  migrants to Halifax\, both those who came by choice\, force or a lack of other options. This tour will discuss the complex history of racial and cultural  interactions in Nova Scotia and shed light on how Halifax has always had a diverse population. This tour will begin at Peace and Friendship Park and end  near the Seaport Market (formerly Cunard Centre) \nThe Only Wealth Is Labour: Artists Sarah Mosher & Hanah Genosko will be carrying their crafted banner along for the tour! \nClick Here For Detailed Tour Notes\nPictured: Charlie Wah laundry back room. Photo: J.J. Lee\n \n\nEmma Lang\n \nEmma Lang is a public heritage professional\, folklorist and tour guide. She’s been sharing her research and excitement in labour history to anyone interested for more than 20 years. \nPhoto above and Banner image: Photos by Tee Porter. \n 
URL:https://mayworkskjipuktukhfx.ca/event/working-class-heritage-tours/
LOCATION:NS
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Tour_Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250516T180000
DTEND;TZID=America/Halifax:20250516T193000
DTSTAMP:20260407T113217
CREATED:20250402T155307Z
LAST-MODIFIED:20250403T125807Z
UID:3786-1747418400-1747423800@mayworkskjipuktukhfx.ca
SUMMARY:Union
DESCRIPTION:A film by Stephen Maing and Brett Story\nUp against one of the most powerful companies on the planet\, a group of Amazon workers embark on an unprecedented campaign to unionize their warehouse in Staten Island\, New York. \n“Astounding\, rebellious\,… brilliant.” – The New York Times \nWINNER: U.S. Documentary Special Jury Award for the Art of Change – Sundance Film Festival \n \nThrough intimate cinema vérité\, UNION chronicles the extraordinary efforts of an unlikely group of warehouse workers as they launch a grassroots union campaign at an Amazon fulfillment center in Staten Island\, New York. Led by the charismatic by underestimated Chris Smalls\, the diverse band of workers start the Amazon Labor Union (ALU) and embark on a journey against one of the largest and most powerful companies in the world. The odds are stacked against them\, as the groups finds itself up against a tech industry giant with unlimited resources\, without major support from national unions or politicians\, and while navigating internal divisions within their own ranks. Filmmakers Brett Story and Stephen Maing document the struggle from day one\, offering a gripping human drama about the fight for power and dignity in today’s globalized economic landscape. \n \n\n \n  \nPresented in partnership with
URL:https://mayworkskjipuktukhfx.ca/event/union/
LOCATION:Park Lane Cineplex\, 5657 Spring Garden Rd\, Halifax\, Nova Scotia\, B3J 3R4\, Canada
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Union-Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250515T180000
DTEND;TZID=America/Halifax:20250515T190000
DTSTAMP:20260407T113217
CREATED:20250402T155256Z
LAST-MODIFIED:20250403T125648Z
UID:3783-1747332000-1747335600@mayworkskjipuktukhfx.ca
SUMMARY:Nakba Day Banner Making
DESCRIPTION:So-so-so-Solidarity!\nLearn to make fabric banners perfect for balconies and windows using applique\, patchwork quilting and basic painting techniques. It’s Nakba Day and a good occasion to show solidarity for Palestinians\, but participants are welcome to make their banner about any topic of their choice. Sarah and Hannah will facilitate\, talk about their approach to their banner-making and teach techniques to those who are interested. Materials are provided. \nArtists\nSarah Mosher and Hannah Genosko are an artist duo collaborating in Kjipuktuk/Halifax. Hannah has a background in printmaking and bookmaking\, Sarah has a background in textiles and community arts. Both are graduates of NSCAD University. Their common ground is exploring labour\, anti-capitalism and the ongoing impact of the COVID-19 pandemic through quilting. Portrait of the Artist as an Essential Worker was their first project reflecting on their roles as essential workers at their jobs with Canada Post and NSLC respectively during the COVID-19 pandemic. \nNakba Day\nNakba Day commemorates the great catastrophe – the expulsion of Palestinians from their homeland in 1948. Participants are invited to create banners for their homes and neighbourhoods in celebration of Palestinian solidarity but are free to also choose any message of solidarity they want to display.
URL:https://mayworkskjipuktukhfx.ca/event/nakba-day-banner-making/
LOCATION:Wonder’neath\, 2482 Maynard St\, Halifax\, Nova Scotia\, B3K 3V4\, Canada
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Banner-Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250503T130000
DTEND;TZID=America/Halifax:20250503T143000
DTSTAMP:20260407T113217
CREATED:20250402T154658Z
LAST-MODIFIED:20250521T231429Z
UID:3640-1746277200-1746282600@mayworkskjipuktukhfx.ca
SUMMARY:Working Class Heritage Tours
DESCRIPTION:You’ll never see downtown the same way again!\nJoin us for interactive walking tours that share the complex working class history of downtown Halifax. Each tour takes a different path through the city core and discusses different aspects of working class history and culture. The tours are designed to be stand alone but also work as a series\, with each tour covering different topics and following a different path. \n \nGeneral Tour Notes:\n\nEach tour is approximately 90 minutes in duration with regular stops for discussion along the way.\nWashrooms and parking are available near the beginning and end of each tour.\nPlaces to sit or perch are present at most tour stops\nThe tours run over and downhill only\nThe tours follow paths that only include intersections with curb cuts and follow sidewalks that are in good shape.\nThe tour has been designed with accessibility in mind. If you would like more information on the tour’s accessibility please email: info@mayworkskjipuktukhfx.ca\n\n \n ASL interpretation will be provided for all three tours. \n\nTour 1: Where We Stand\n \nDate: Saturday\, May 3rd\nTime: 1:00 PM\nDeparture: Old Spring Garden Library (corner of Brunswick St and Spring Garden Rd) \nMoving through downtown we will talk about the impact of people\, land\, and power on the evolution of the colonial urban centre over the last 300 years while experiencing the city around us. From the paupers grounds of the 18th century\, integrated neighbourhoods of the 19th century\, strikes of the 20th century and movements for social justice today. This tour begins at the old Memorial Library and ends at the waterfront. \nThe Only Wealth Is Labour: Artists Sarah Mosher & Hanah Genosko will be carrying their crafted banner along for the tour! \nClick Here For Detailed Tour Notes\nPictured: 19th century market site in downtown Halifax. NS Archives. \n\nTour 2: Scratch the Surface ***RESCHEDULED***\n \nNEW DATE: Saturday\, May 24th\nTime: 1:00 PM\nDeparture: Old Spring Garden Library (corner of Brunswick St and Spring Garden Rd)\n \nWalking along the streets of today we’ll explore the many types of work that used to take place where we now see offices\, shops and restaurants. We’ll pull back the curtain on what it was like to work in the laundries\, factories\, and food manufacturing plants of Halifax and what we can still see of this industrial past. This tour begins at the old Memorial Library and ends near Granville Mall. \nClick Here For Detailed Tour Notes\nPictured: Early 20th century women sewing in a Halifax factory. NS Archives.\n \n\nTour 3: By Choice or By Force\n \nDate: Sunday\, May 11th\nTime: 1:00 PM\nDeparture: Peace & Friendship Park (1170 Hollis St)  \nLooking at a part of downtown now dominated by railroad tracks\, hotels and modern apartment buildings we’ll remember the story of immigrants and  migrants to Halifax\, both those who came by choice\, force or a lack of other options. This tour will discuss the complex history of racial and cultural  interactions in Nova Scotia and shed light on how Halifax has always had a diverse population. This tour will begin at Peace and Friendship Park and end  near the Seaport Market (formerly Cunard Centre) \nThe Only Wealth Is Labour: Artists Sarah Mosher & Hanah Genosko will be carrying their crafted banner along for the tour! \nClick Here For Detailed Tour Notes\nPictured: Charlie Wah laundry back room. Photo: J.J. Lee\n \n\nEmma Lang\n \nEmma Lang is a public heritage professional\, folklorist and tour guide. She’s been sharing her research and excitement in labour history to anyone interested for more than 20 years. \nPhoto above and Banner image: Photos by Tee Porter. \n 
URL:https://mayworkskjipuktukhfx.ca/event/working-class-heritage-tours/
LOCATION:NS
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Tour_Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250509T203000
DTEND;TZID=America/Halifax:20250509T210000
DTSTAMP:20260407T113217
CREATED:20250402T155246Z
LAST-MODIFIED:20250422T122656Z
UID:3759-1746822600-1746824400@mayworkskjipuktukhfx.ca
SUMMARY:Archive of Loneliness
DESCRIPTION:Archive of Loneliness brings light to the isolation of seniors and how the end of life deserves our attention just as much as the beginning. Drawing from first person audio recordings of a family member living isolated in long-term care\, Archive of Loneliness embodies the spatial and corporeal tones of loneliness. \nThe sound score and audio story arranged by Jackson Fairfax-Perry dances throughout the space alongside two performers to create a deep thoughtful swim into the waiting and in-between spaces of loneliness\, amplifying the sub-linguistic states of despair and the desire to connect. \nDiscounted tickets are sold as a Double Bill with Flower Bed\n \n \n\nCreative Team\nCreative Direction/Choreography Sara Coffin\nComposer and Sound Design Jackson Fairfax-Perry\nPerformers and Movement Contributions Darryl Tracy and Matthew Lumley\nAudio Stories the late John Paterson \nThe creation of this work was supported by Eastern Front Theatre/Early Stages Festival\, Arts Nova Scotia\, studio hours through Mocean Dance and Olga Milosevich. Thank you to Brian Riley for the initial voicemail sound extraction and a deep gratitude to the Paterson family for their support and blessing to carry Uncle John’s voice forward into this new artistic expression. \n ASL interpretation will be provided for the May 10th performance. \n         Childcare will be provided for this event. Please use this REGISTRATION FORM. \n\nBiographies\nSara Coffin\, Dance Artist\, Choreographer\nSara Coffin is an award winning dance artist\, choreographer\, dance educator and Co-Artistic Director of Mocean Dance. Coffin has been teaching and creating interdisciplinary contemporary dance work for over twenty years. She received the NS Established Artist Award in 2018\, her MFA in Choreography (Smith College)\, BFA in Dance (Simon Fraser) University and BSc Kinesiology Science (Dalhousie). Coffin has created over 30 dance works\, her choreographic work has been presented in many prominent Canadian dance festivals and in the United States. Her research interests include interdisciplinary collaboration\, technology as an extension of the body\, contact improvisation and emergent frameworks for composition/ performance\, and the poetic junction between vulnerability\, resiliency\, and courage. www.saracoffin.ca \nDarryl Tracy\, Dance Artist\nDarryl Tracy is a Toronto-based artist who loves human movement and expression. He is involved in dance\, choreography\, movement facilitation\, conditioning and teaching. He has performed with many Canadian and European choreographers over the last 25 years and has also created 42 works through commissions and self-productions. He was on faculty at School of Toronto Dance Theatre (now the Dance Arts Institute) for over 18 years under the artistic direction of Pat Fraser. Currently\, Darryl teaches Anatomy at the National Ballet School Teachers Training Program. He is a neurological rehabilitation physiotherapist in Toronto in the private and public sector. Most recently Tracy co-created a new solo alongside Marie-Josee Chartier entitled “six ways to peel an orange” (premiere date pending). \nMatthew Lumley\, Actor\, Movement\nMatthew Lumley is a Kjipuktuk/Halifax-based actor\, grateful to work with this wonderful group of artists! Recent theatre work includes Becca (Théâtre populaire d’Acadie)\, Wood Buffalo (Theatre New Brunswick) Schoolhouse\, Macbeth\, Elapultiek\, Frankenstein\, In This Light\, Animal Farm\, North Mountain Vanya (Two Planks)\, The Realistic Jones\, Heaven Above/Heaven Below (KAZAN Theatre)\, Hamlet (Below the Salt/Neptune Theatre)\, The Little Years (Matchstick Theatre)\, This Is Nowhere (Zuppa Theatre). TV/film work includes Aversion (Emotion Pictures) Sullivan’s Crossing (CTV; upcoming) Normal Scotia (Bell TV1)\, Extant (HDM)\, Look At Me (Afro Viking Pictures)\, Hopeless Romantic (Northeast Films)\, Polaroid (Dimension Films)\, Weirdos (Shadow Shows)\, Mr. D (CBC). Matthew wrote and performed in First Weekend and Surf Gods (airing on CBC). Matthew studied at the Neighborhood Playhouse (NYC) and York University (Toronto). Many thanks to Sara Coffin for inviting me to dance\, and to the amazing Mayworks Festival! \nJackson Fairfax-Perry\, composer / sound design\nJackson Fairfax-Perry (he/him) is an award winning African Nova Scotian composer\, sound designer\, musician and musical director living in Kjipuktuk\, Mi’kma’ki (Halifax\, Nova Scotia). For years\, Jackson has honed his skills as an in demand saxophonist and keyboardist both on the road and locally with artists such as Hillsburn and David Myles\, among others. He collaborates frequently with local hip hop and r&b artist Aquakultre\, co-writing songs and working as the musical director for his live band. A prominent collaborator with local theatre and dance artists\, Jackson has composed and created sound designs for companies such as 2b theatre company\, Eastern Front Theatre\, Ship’s Company Theatre\, and Mocean Dance among numerous others. Recent credits include Matriarchs (Aquakultre\, Nocturne)\, Dance Nation (Keep Good (Theatre) Company\, Heist)\, Sea Unseen (Mocean Dance\, The Sable Island Institute)\, Deepwater (The Villains Theatre) and Downed Hearts (Ship’s Company Theatre\, Eastern Front Theatre\, Matchstick Theatre). \n\nBanner photo: Daniel Wittnebel
URL:https://mayworkskjipuktukhfx.ca/event/archive-of-loneliness/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Dance
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Archive-Slide-1.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250509T193000
DTEND;TZID=America/Halifax:20250509T200000
DTSTAMP:20260407T113217
CREATED:20250402T155230Z
LAST-MODIFIED:20250416T005050Z
UID:3733-1746819000-1746820800@mayworkskjipuktukhfx.ca
SUMMARY:Flower Bed
DESCRIPTION:Written and performed by Noella Murphy\nFlower Bed is an accessible chronicle of chronic illness. Using puppets\, humour\, and visual art\, it creatively explores what life is like when your full-time job is Living With Pain. Noella Murphy is a clown\, a visual artist\, a theatre maker\, and a medical mystery. From a misogynistic healthcare system that ignores women’s pain to the struggles of being confined to your bed for months on end\, Noella reflects on the absurdity\, grief\, and transformation that comes with chronic illness\, creating a place to share her story and allow others to see their experiences reflected onstage. With two complementary components (an onstage performance and an interactive gallery show)\, this multidisciplinary piece is a visual spectacle\, a place for conversation\, and a pathway towards empathy for those who have dealt with any form of illness in their lives. \nDiscounted tickets are sold as a Double Bill with Archive of Loneliness\n \n\nFlower Bed Team\nNoella Murphy – Creator/Performer\nLou Campbell – Director/Dramaturg\nLaura Stinson – Puppet Designer/Puppeteer\nGinevra Syperek – Costume Co-designer\nAshley MacDonald and Susie Murphy – Costume Co-designers\nColleen Arcturus MacIsaac – Producer \nThank you to Arts Nova Scotia for their support of this project. \n ASL interpretation will be provided for the May 10th performance. \n         Childcare will be provided for this event. Please use this REGISTRATION FORM. \n\nBios\nNoella Murphy – Creator/Performer\nNoella Murphy (she/they) is a mad and disabled actor\, costume designer\, visual artist\, and all-around clown. She holds a BFA from NSCAD University\, and is an alum of Kinsale’s Wooden O Drama Program (Ireland). Despite an active visual arts practice of her own\, Noella is deeply interested in sharing art as a therapeutic tool\, and much of Noella’s professional career has been dedicated to working with folks with varying backgrounds\, disabilities\, young\, and old. Noella uses these various expertises\, as well as her background in clowning and visual art\, to explore deeper\, more challenging subject matter\, while simultaneously infusing these discoveries with light\, care\, and play. Visually\, Noella concentrates has been fascinated by the flora that surrounds her. Exploring realism with permission to choose unnatural size\, colours\, or different materials\, Noella never tires of botanical art and using her work to show the viewer a different perspective. Her pieces range from lino cuts\, etchings\, to watercolour on wood canvases with pen on top and more recently paint marker. Drawn to line and stippling\, the style ranges from realism to a more graphic approach.\n@noella_murphy \nLou Campbell – Director/Dramaturg\nLou Campbell (they/them) is a multidisciplinary artist based in Kjipuktuk/Halifax\, NS. Their practice traverses many mediums including performance\, clown\, stand-up\, drag\, poetry and sound. They create work that unpacks the inner workings of their own experiences\, usually manifesting in the open sharing of mortifying past mistakes. Their award winning solo show PRUDE premiered at EFT at the Stages festival. It has since toured across the country to festivals such as rEVolver\, High Performance Rodeo\, Outfest\, and Next Stage Festival. Lou also co-runs a cross-province collective based in Toronto and Halifax called Probably Theatre. This collective creates performance work devised from poetry\, and runs events and exhibitions that facilitate the creation of new work by other artists.⁠ Lou is thrilled to be working on Flower Bed. \nLaura Stinson – Puppet Designer/Puppeteer\nLaura Stinson (she/they) – Laura crafts images from both found and traditional materials. These creations become narratives\, characters and atmospheres in a variety of theatrical spectacles. She began her career in puppetry with Bread and Puppet Theater in 2016. After four years working as a touring member and subsequent resident puppeteer with the company\, Laura moved back to Mi’kma’ki and co-founded North Barn Theatre with Ian McFarlane in 2020. Alongside making work with North Barn she continues to collaborate with other artists as a performer\, designer and builder. She also shares her specialized knowledge by leading community workshops in both puppet construction and performance across the Atlantic region. She currently lives and works in Mi’kma’ki. \n \n\nFallow\nCome see Noella Murphy’s Fallow currently on exhibit in the lobby of the Bus Stop Theatre in conjunction with Flower Bed.
URL:https://mayworkskjipuktukhfx.ca/event/flower-bed/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/flower-bed-Slide.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250509T203000
DTEND;TZID=America/Halifax:20250509T210000
DTSTAMP:20260407T113217
CREATED:20250402T155246Z
LAST-MODIFIED:20250422T122656Z
UID:3759-1746822600-1746824400@mayworkskjipuktukhfx.ca
SUMMARY:Archive of Loneliness
DESCRIPTION:Archive of Loneliness brings light to the isolation of seniors and how the end of life deserves our attention just as much as the beginning. Drawing from first person audio recordings of a family member living isolated in long-term care\, Archive of Loneliness embodies the spatial and corporeal tones of loneliness. \nThe sound score and audio story arranged by Jackson Fairfax-Perry dances throughout the space alongside two performers to create a deep thoughtful swim into the waiting and in-between spaces of loneliness\, amplifying the sub-linguistic states of despair and the desire to connect. \nDiscounted tickets are sold as a Double Bill with Flower Bed\n \n \n\nCreative Team\nCreative Direction/Choreography Sara Coffin\nComposer and Sound Design Jackson Fairfax-Perry\nPerformers and Movement Contributions Darryl Tracy and Matthew Lumley\nAudio Stories the late John Paterson \nThe creation of this work was supported by Eastern Front Theatre/Early Stages Festival\, Arts Nova Scotia\, studio hours through Mocean Dance and Olga Milosevich. Thank you to Brian Riley for the initial voicemail sound extraction and a deep gratitude to the Paterson family for their support and blessing to carry Uncle John’s voice forward into this new artistic expression. \n ASL interpretation will be provided for the May 10th performance. \n         Childcare will be provided for this event. Please use this REGISTRATION FORM. \n\nBiographies\nSara Coffin\, Dance Artist\, Choreographer\nSara Coffin is an award winning dance artist\, choreographer\, dance educator and Co-Artistic Director of Mocean Dance. Coffin has been teaching and creating interdisciplinary contemporary dance work for over twenty years. She received the NS Established Artist Award in 2018\, her MFA in Choreography (Smith College)\, BFA in Dance (Simon Fraser) University and BSc Kinesiology Science (Dalhousie). Coffin has created over 30 dance works\, her choreographic work has been presented in many prominent Canadian dance festivals and in the United States. Her research interests include interdisciplinary collaboration\, technology as an extension of the body\, contact improvisation and emergent frameworks for composition/ performance\, and the poetic junction between vulnerability\, resiliency\, and courage. www.saracoffin.ca \nDarryl Tracy\, Dance Artist\nDarryl Tracy is a Toronto-based artist who loves human movement and expression. He is involved in dance\, choreography\, movement facilitation\, conditioning and teaching. He has performed with many Canadian and European choreographers over the last 25 years and has also created 42 works through commissions and self-productions. He was on faculty at School of Toronto Dance Theatre (now the Dance Arts Institute) for over 18 years under the artistic direction of Pat Fraser. Currently\, Darryl teaches Anatomy at the National Ballet School Teachers Training Program. He is a neurological rehabilitation physiotherapist in Toronto in the private and public sector. Most recently Tracy co-created a new solo alongside Marie-Josee Chartier entitled “six ways to peel an orange” (premiere date pending). \nMatthew Lumley\, Actor\, Movement\nMatthew Lumley is a Kjipuktuk/Halifax-based actor\, grateful to work with this wonderful group of artists! Recent theatre work includes Becca (Théâtre populaire d’Acadie)\, Wood Buffalo (Theatre New Brunswick) Schoolhouse\, Macbeth\, Elapultiek\, Frankenstein\, In This Light\, Animal Farm\, North Mountain Vanya (Two Planks)\, The Realistic Jones\, Heaven Above/Heaven Below (KAZAN Theatre)\, Hamlet (Below the Salt/Neptune Theatre)\, The Little Years (Matchstick Theatre)\, This Is Nowhere (Zuppa Theatre). TV/film work includes Aversion (Emotion Pictures) Sullivan’s Crossing (CTV; upcoming) Normal Scotia (Bell TV1)\, Extant (HDM)\, Look At Me (Afro Viking Pictures)\, Hopeless Romantic (Northeast Films)\, Polaroid (Dimension Films)\, Weirdos (Shadow Shows)\, Mr. D (CBC). Matthew wrote and performed in First Weekend and Surf Gods (airing on CBC). Matthew studied at the Neighborhood Playhouse (NYC) and York University (Toronto). Many thanks to Sara Coffin for inviting me to dance\, and to the amazing Mayworks Festival! \nJackson Fairfax-Perry\, composer / sound design\nJackson Fairfax-Perry (he/him) is an award winning African Nova Scotian composer\, sound designer\, musician and musical director living in Kjipuktuk\, Mi’kma’ki (Halifax\, Nova Scotia). For years\, Jackson has honed his skills as an in demand saxophonist and keyboardist both on the road and locally with artists such as Hillsburn and David Myles\, among others. He collaborates frequently with local hip hop and r&b artist Aquakultre\, co-writing songs and working as the musical director for his live band. A prominent collaborator with local theatre and dance artists\, Jackson has composed and created sound designs for companies such as 2b theatre company\, Eastern Front Theatre\, Ship’s Company Theatre\, and Mocean Dance among numerous others. Recent credits include Matriarchs (Aquakultre\, Nocturne)\, Dance Nation (Keep Good (Theatre) Company\, Heist)\, Sea Unseen (Mocean Dance\, The Sable Island Institute)\, Deepwater (The Villains Theatre) and Downed Hearts (Ship’s Company Theatre\, Eastern Front Theatre\, Matchstick Theatre). \n\nBanner photo: Daniel Wittnebel
URL:https://mayworkskjipuktukhfx.ca/event/archive-of-loneliness/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Dance
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Archive-Slide-1.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250509T193000
DTEND;TZID=America/Halifax:20250509T200000
DTSTAMP:20260407T113217
CREATED:20250402T155230Z
LAST-MODIFIED:20250416T005050Z
UID:3733-1746819000-1746820800@mayworkskjipuktukhfx.ca
SUMMARY:Flower Bed
DESCRIPTION:Written and performed by Noella Murphy\nFlower Bed is an accessible chronicle of chronic illness. Using puppets\, humour\, and visual art\, it creatively explores what life is like when your full-time job is Living With Pain. Noella Murphy is a clown\, a visual artist\, a theatre maker\, and a medical mystery. From a misogynistic healthcare system that ignores women’s pain to the struggles of being confined to your bed for months on end\, Noella reflects on the absurdity\, grief\, and transformation that comes with chronic illness\, creating a place to share her story and allow others to see their experiences reflected onstage. With two complementary components (an onstage performance and an interactive gallery show)\, this multidisciplinary piece is a visual spectacle\, a place for conversation\, and a pathway towards empathy for those who have dealt with any form of illness in their lives. \nDiscounted tickets are sold as a Double Bill with Archive of Loneliness\n \n\nFlower Bed Team\nNoella Murphy – Creator/Performer\nLou Campbell – Director/Dramaturg\nLaura Stinson – Puppet Designer/Puppeteer\nGinevra Syperek – Costume Co-designer\nAshley MacDonald and Susie Murphy – Costume Co-designers\nColleen Arcturus MacIsaac – Producer \nThank you to Arts Nova Scotia for their support of this project. \n ASL interpretation will be provided for the May 10th performance. \n         Childcare will be provided for this event. Please use this REGISTRATION FORM. \n\nBios\nNoella Murphy – Creator/Performer\nNoella Murphy (she/they) is a mad and disabled actor\, costume designer\, visual artist\, and all-around clown. She holds a BFA from NSCAD University\, and is an alum of Kinsale’s Wooden O Drama Program (Ireland). Despite an active visual arts practice of her own\, Noella is deeply interested in sharing art as a therapeutic tool\, and much of Noella’s professional career has been dedicated to working with folks with varying backgrounds\, disabilities\, young\, and old. Noella uses these various expertises\, as well as her background in clowning and visual art\, to explore deeper\, more challenging subject matter\, while simultaneously infusing these discoveries with light\, care\, and play. Visually\, Noella concentrates has been fascinated by the flora that surrounds her. Exploring realism with permission to choose unnatural size\, colours\, or different materials\, Noella never tires of botanical art and using her work to show the viewer a different perspective. Her pieces range from lino cuts\, etchings\, to watercolour on wood canvases with pen on top and more recently paint marker. Drawn to line and stippling\, the style ranges from realism to a more graphic approach.\n@noella_murphy \nLou Campbell – Director/Dramaturg\nLou Campbell (they/them) is a multidisciplinary artist based in Kjipuktuk/Halifax\, NS. Their practice traverses many mediums including performance\, clown\, stand-up\, drag\, poetry and sound. They create work that unpacks the inner workings of their own experiences\, usually manifesting in the open sharing of mortifying past mistakes. Their award winning solo show PRUDE premiered at EFT at the Stages festival. It has since toured across the country to festivals such as rEVolver\, High Performance Rodeo\, Outfest\, and Next Stage Festival. Lou also co-runs a cross-province collective based in Toronto and Halifax called Probably Theatre. This collective creates performance work devised from poetry\, and runs events and exhibitions that facilitate the creation of new work by other artists.⁠ Lou is thrilled to be working on Flower Bed. \nLaura Stinson – Puppet Designer/Puppeteer\nLaura Stinson (she/they) – Laura crafts images from both found and traditional materials. These creations become narratives\, characters and atmospheres in a variety of theatrical spectacles. She began her career in puppetry with Bread and Puppet Theater in 2016. After four years working as a touring member and subsequent resident puppeteer with the company\, Laura moved back to Mi’kma’ki and co-founded North Barn Theatre with Ian McFarlane in 2020. Alongside making work with North Barn she continues to collaborate with other artists as a performer\, designer and builder. She also shares her specialized knowledge by leading community workshops in both puppet construction and performance across the Atlantic region. She currently lives and works in Mi’kma’ki. \n \n\nFallow\nCome see Noella Murphy’s Fallow currently on exhibit in the lobby of the Bus Stop Theatre in conjunction with Flower Bed.
URL:https://mayworkskjipuktukhfx.ca/event/flower-bed/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/flower-bed-Slide.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250508T190000
DTEND;TZID=America/Halifax:20250508T210000
DTSTAMP:20260407T113217
CREATED:20250402T155213Z
LAST-MODIFIED:20250427T123819Z
UID:3677-1746730800-1746738000@mayworkskjipuktukhfx.ca
SUMMARY:In True Colour: A Celebration of Black Canadian Animators
DESCRIPTION:Presented in partnership with the Animation Festival of Halifax\nThis 50-minute collection of short films by Black animators imagines new worlds and reflects creatively on this one. These artists bring us a richness of approaches and voices. \nIn classics and in new work by emerging artists\, we see handmade and computer-generated images\, Afrofuturistic visions and animations deeply grounded in archival research\, abstract meditations and trenchant critiques. \nThe screening will be followed by a Q&A with ASL interpretation. \nSpecial Guests attending post-screening panel discussion via video-link: Sydnie Baynes (African American Express\, City Shock\, Unity in the Early Morning)\, Magalie Boutin (Head of Media Relations\, National Film Board)\, and Tara Taylor (Penny Candy). \nArtist Biographies\nSydnie Baynes\nSydnie Baynes is a visual artist and animator with a Film Animation degree from Concordia University\, blending traditional and digital mediums to explore Black history and femininity. Through her animated films\, she celebrates identity and heritage\, inspiring viewers to embrace their narratives and the richness of Black culture. More info: sydniebaynes.com \nTara Taylor\nTara Lynn Taylor is a playwright\, filmmaker\, multimedia artist\, singer\, and actress. She supports other artists through organizations\, including the Charles Taylor Theatre & Media Arts Association (of which she is Founder and Chair)\, which presents the Emerging Lens Cultural Film Festival and the Breaking Through the Screens and Black Above the Line film training program for African Canadians. She is also the owner/partner of A Cultural Explosion Television streaming network hosted on ROKU and APPLE TV\, the Inaugural Artist in Residence for the Halifax Public Libraries\, the 2021 Winner of the African Nova Scotian Music Awards Industry Development Award for presenting music for theatre and film\, and recipient of the 2024 Black Artist Recognition award. \nThis event is co-presented by Mayworks Kjipuktuk/Halifax and the Animation Festival of Halifax. With thanks to the Prismatic Arts Festival. \n \n\nFILMS\n \nT.V. Tango (1992\, dir. Martine Chartrand) – 4 min\nFour children who have picked up all sorts of annoying behaviour from watching television decide instead to create their own games. This animated film for five- to eight-year-olds is intended to awaken children’s critical sense regarding the media messages aimed at them. \n\n \nBlack Soul (Âme noire) (2000\, dir. Martine Chartrand) – 9 min\nMartine Chartrand’s animated short dives into the heart of Black culture with an exhilarating trip though history. Watch as a young boy traces his roots through the stories his grandmother shares with him about the events that shaped their cultural heritage. \n\n \nMacPherson (2013\, dir. Martine Chartrand) – 11 min\nThis animated film by Martine Chartrand (Black Soul) recounts the friendship between a young Félix Leclerc and Frank Randolph Macpherson\, a Jamaican chemical engineer and university graduate who worked for a pulp and paper company. An inveterate jazz fan\, Macpherson inspired Leclerc\, who wrote a song about the log drives and entitled it “MacPherson” in honour of his friend. Paint-on-glass animation shot with a 35mm camera. \n\n \nBy Winds and Tides (2022\, dir. Bogdan Anifrani Fedach) – 3 min\nExploring the conscious\, the unconscious and the self\, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape\, how it is released. An allegorical quest\, the film combines images and words into a singular sigh. \n\n \nBreakthrough ( 2024\, dir. Mide Kadiri) – 4 min\nA 2D hand drawn short leading us on an abstract journey through spacetime. \n\n \n100 Ghosts (2022\, dir. Noncedo Khumalo) – 1 min\nA woman awakes to mysterious sounds—and confronts an astonishing surreal world summoned forth by her innermost fears. \n\n \nCity Shock (2024\, dir. Sydnie Baynes) – 1 min\nInspired by the energetic German film\, Run Lola Run\, City Shocks delves into the chaos of urban life through a series of interconnected vignettes\, while following a character navigating the bustling streets of a sprawling metropolis. \n\n \nAfrican American Express (2024\, dir. Sydnie Baynes) – 3 min\nAfrican American Express is an abstract animation exploring the impact of consumerism in the Black community. Told in the style of Soviet Propaganda\, this animated short dissects the pattern of excessive materialism and consumption prevalent within the Black population. \n\n \nGovernance (2020\, dir. Ho Che Anderson) – 3 min\nCriminologist and community activist Munira Abukar believes justice and equity begin in your own home and heart. Embracing the uncomfortable awakening that 2020 has brought about\, she debunks the cozy narrative of social equality and puts her finger on the key issues needing change. \n\n \nHome (2022\, dir. Bria Miller) – 6 min \nThis tribute to Bria Miller’s beloved Nan\, Marion Miller\, explores childhood\, comfort\, responsibility\, nostalgia\, and climate concerns. It was made with mentorship from animator Becka Marker and inspired by the late animator Helen Hill for the 2022 Halifax Animation Festival. \n\n \nUnity In the Early Morning (2017\, dir. Sydnie Baynes) – 2 min\nThe interaction between two individuals is often forgotten. With the displays of soothing cultural sounds\, one can easily be reminded of the original state and meaning within a conversation based on likeness and emotion. This piece is a stop-motion cut-out animation made for the Distorted Storytelling exhibition project for S.P.A.C.E. (Sciences Participating with Arts and Culture in Education)\, presented at Dawson College in Montréal. \n\n \nPenny Candy (2025\, dir. Tara Taylor) – 3 min \nThis musical from Afromations Media Productions captures the delights of penny candy – the excitement of the expedition to the shop\, the dazzling colours\, and the joy of sharing with loved ones. \n\n Closed captions will be provided for each film. \n ASL interpretation will be provided for this event. \n         Childcare will be provided for this event. Please use this REGISTRATION FORM. \n\n \nBanner image: Still image from African American Express (Sydnie Baynes\, 2024)
URL:https://mayworkskjipuktukhfx.ca/event/in-true-colour-a-celebration-of-black-canadian-animators/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/True-Colour-Slide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250505T190000
DTEND;TZID=America/Halifax:20250505T210000
DTSTAMP:20260407T113217
CREATED:20250402T155122Z
LAST-MODIFIED:20250417T113132Z
UID:3669-1746471600-1746478800@mayworkskjipuktukhfx.ca
SUMMARY:Reel Justice - L'nui'skw Spotlight
DESCRIPTION:Curated by Lara Lewis\nThis year’s Reel Justice offerings are snapshots of the lives of different Mi’kmaw women’s lives from the past to the present. From traditional stories to  modern women\, the creators and subjects of these women’s narratives place a strong emphasis on relationality\, family\, and cultural engagement. \n \nFilms\n \nWaseteg (2010\, dir. Phyllis Grant) – 6 min\nWaseteg is the story of a young Mi’kmaq girl whose name means “the light from the Dawn.” A short story about dreams\, courage\, identity\, creation and  embracing our Elders\, Waseteg showcases Phyllis Grant’s signature style of bold lines\, bright colours and simple movements. The film is beautifully  narrated by legendary filmmaker Alanis Obomsawin. \n\n \nMi’kmaw Family (dir. Catherine Martin\, 1995) – 32 min\nThis documentary takes you on a reflective journey into the extended family of Nova Scotia’s Mi’kmaq community. Revisiting her own roots\, Mi’kmaq  filmmaker and mother Catherine Anne Martin explores how the community is recovering its First Nations values\, particularly through the teachings of  elders and a collective approach to children-rearing. Mi’kmaq Family is an inspiring resource for both Indigenous and non-Indigenous audiences who are  looking for ways to strengthen and explore their own families and traditions. \n\n \nKlusuaqnn Ajknu’kl (dir. Stephanie Joline\, 2021) – 22 min\nMi’kmaw poet and published author Rebecca Thomas uses words for a living\, but she can’t speak the language stolen from her father at residential school.  Words Matter follows her journey to reclaim the language while exploring the complicated past that’s kept it from her. This version is narrated in Mi’kmaw  and with spoken English subtitled in Mi’kmaw. \n\n \nDarlene Bernard: Women of this Land (dir. Stephanie Joline\, 2023) – 22 min\nPart of a 4-part documentary series about Indigenous women in Atlantic Canada and how they connect to land and culture. In this episode – Chief Darlene  Bernard. Bernard reflects on her position as Chief\, relationships with her community\, and ageing. \n\n \nWelima’q (dir. shalan joudry\, 2024) – 5min\nA gently mesmerizing piece exploring the profound meaning of sweetgrass picking through multidisciplinary artist shalan joudry’s lens. An immersive celebration of nature’s gifts and Indigenous traditions. \n\n         Childcare will be provided for this event. Please use this REGISTRATION FORM. \n 
URL:https://mayworkskjipuktukhfx.ca/event/reel-justice-lnuiskw-spotlight/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/04/Reel-Justice-Slide-2.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250504T171500
DTEND;TZID=America/Halifax:20250504T181500
DTSTAMP:20260407T113217
CREATED:20250326T235312Z
LAST-MODIFIED:20250403T124609Z
UID:3743-1746378900-1746382500@mayworkskjipuktukhfx.ca
SUMMARY:African Rhythms and Melodies in Action – A Bodily Experience
DESCRIPTION:Come dance with us after the final showing of Altération! Join Aly for his workshop at Breaking Circus\nThis rhythm awakening workshop emphasizes the bodily experience of rhythm through movement\, singing\, melody\, and physical coordination.\n\nLed by multidisciplinary artist Aly Keita\, this workshop invites participants to explore the fundamental relationship between body and rhythm using a selection of recorded soundscapes and musical tracks. It offers an immersive experience in West African cultural elements\, helping participants develop rhythmic awareness through voice\, movement\, and guided exercises. \nThrough singing\, dancing\, and coordination exercises\, participants will sharpen their ability to feel and express rhythm physically. They will explore the dialogue between movement and music\, focusing on rhythmic precision\, play\, body posture\, and expression. The workshop encourages a deep connection to rhythm through improvisation and group dynamics. \nParticipants will also experiment with creating rhythmic patterns in groups\, responding to recorded African rhythms\, and engaging with the music through dance. The workshop will conclude with a collective expression circle and a question-and-answer session. \nDrop in registration at the door.\n  \n Offert en français et anglais! Offered in French and English! \n\n \n  \n \nBanner photo by Tee Porter. \n 
URL:https://mayworkskjipuktukhfx.ca/event/african-rhythms-and-melodies-in-action-a-bodily-experience/
LOCATION:Breaking Circus\, 2164 Amalamek Wy\, Halifax\, Nova Scotia\, B3K 2WB3K 2W4\, Canada
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/African-Dance-Slide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250503T200000
DTEND;TZID=America/Halifax:20250503T210000
DTSTAMP:20260407T113217
CREATED:20250313T015348Z
LAST-MODIFIED:20250408T204541Z
UID:3590-1746302400-1746306000@mayworkskjipuktukhfx.ca
SUMMARY:Altération
DESCRIPTION:Kira Arts / Aly Keita\nCo-presented with Live Art Dance\nHow do our lives intertwine? How do we manage to form prosperous balances? What happens when they break down? \nALTÉRATION addresses the transformations that punctuate our lives and our ability\, as human beings\, to influence both our own destiny and that of others. Aly Keita depicts a humanity that oscillates\, on an intimate and societal level\, between stability and uncertainty\, anchoring and uprooting\, change and resistance\, renewal and repetition. The relationship with the other and the complexity of ties lead to the need to hear and rebuild our relationship with ourselves and with our environment. Exploring the meaning of relationships in our society in a wide-ranging way\, both interpersonal relationships and those with other-than-human beings\, this work opens the way to the construction of possible new links that are formed through ecological and spiritual dimensions. Here\, life takes the form of a cycle of transformations. Memories of past experiences and scars – in other words\, alteration – are transmuted into a vital breath through reactivating movements\, both individual and collective\, that revitalize our bodies and rekindle our inner power. \n“Aly Keita’s artistic proposal finds its strength in the originality of its non-temporality\, its immediacy\, its treatment of identity\, which is defined by the idea of encounter\, of encounters\, breaking down the realistic and formal framework linked to a single art form. In this sense\, this multi-arts work is as much a choreographic piece as a circus piece; a musical work as well as a work of visual art in movement.” – Martin Bellemare – Note d’intention \n \nKira Arts\nKira is a word in Sousou\, the language of Guinea\, meaning “path“. It evokes the idea of life as a path we walk\, where we gather and unite. Founded in 2023\, Kira Arts creates stage works that bring together different artistic practices on an equal footing and promote intercultural dialogue between artists. In this way\, we cultivate an inclusive and diverse practice environment based on knowledge sharing and collaboration. Our artistic approach focuses on mediation as a field for research and creation. We select our collaborators based on their affinity with our shared interests and their artistic vision. For us\, it is essential that artists possess a deep understanding of the body\, rhythm and movement. We believe in the uniqueness of each body and the value of each individual\, elements that can mutually enrich a shared creation. We encourage artists’ autonomy\, advocate their freedom of expression and value their authenticity in interpretation. Our approach is not to reproduce exactly what the choreographer experiences; we invite artists to embody the multiple possible interpretations of a single event. \n \n\nWorkshop!\nCome dance with us after the show! Join Aly for his workshop on May 4th: \n>  African Rhythms and Melodies in Action – A Bodily Experience\n\n\n\nCredits\nChoreography: Aly Keita \nComposer: Aly Keita \nMusic: Karine Bouchard & Ricardo Angel Soriano \nSound: Aly Keita \nDancers:\nNicolás Áravena Miller\nRameez Karim\nAly Keita\nEvelyne Laforest\nAnna Protsiou \nProduction Manager: Raffaela Siniscalchi \nTechnical Director & Lighting Designer: Manon Pocq-Saint-Joan \nVisual & Dramaturgical Consultant: Monia Abdallah \nDramaturgical Consultant & Advisor: Martin Bellemare \nOutside Eye: Mistaya Hemingway \nProducers: Kira Arts | Aly Keita \n \nCo-Presented With \n \nWith support from \n \n 
URL:https://mayworkskjipuktukhfx.ca/event/alteration/
LOCATION:Breaking Circus\, 2164 Amalamek Wy\, Halifax\, Nova Scotia\, B3K 2WB3K 2W4\, Canada
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Alteration_Slide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250504T130000
DTEND;TZID=America/Halifax:20250504T170000
DTSTAMP:20260407T113217
CREATED:20250402T154740Z
LAST-MODIFIED:20250430T175009Z
UID:3660-1746363600-1746378000@mayworkskjipuktukhfx.ca
SUMMARY:Awake and Still Drowning
DESCRIPTION:XOSECRET\nImmerse yourself into a vision of the future…\nTake part in a 30 minute shared experience combining VR and an unsuspecting performance. It is a cautionary fable about the day Nova Scotia becomes an island\, told through a combination of virtual reality and group choreography in which watching and performing signify the high cost of human migration when the exploited ocean takes back what is hers. \nThe experience splits the audience into two groups. The first group transforms into the protagonists\, a flock of little white seabirds\, performing a guided walk along a narrow landscape as directed by the VR headset\, which depicts the rising ocean and disappearing shoreline. The second group waits in line\, witnessing the flock without fully grasping the crisis unfolding inside the headset. Then\, they join the dance\, becoming part of the flock. The cycle continues until no one is left or we must leave the venue. \nParticipation:\nThe experience launches every 20 minutes\, starting at 1pm. Audience members are invited into The Bus Stop Theatre\, where they will be greeted by and given instructions. Once ready\, a group of 5 participants will enter the playing space to learn how to use the VR headsets. The VR experience is approximately 15 minutes. Groups waiting to participate are invited to witness the group ahead of them travel through the experience as a flock. Afterward\, participants are also invited to stay in the theatre as audience members for as long as they would like to witness the experience from the outside\, sitting in the theatre’s audience seating. Individuals can stay as long as they want\, watching multiple performance cycles. \nRegistration in person at the door! Please arrive early and don’t wait till the last shift!\n\nArtists:\nDustin Harvey: Creative Director\nDana Dansereau: Producer\n1UP (formerly Arcade XR): Digital Production\nSue Goyette: Poetry\nRich Aucoin: Music\nGraeme Campbell: Audio Engineering\nMillefiore Clarkes: Film Production\nAidan Searle: Graphic Design\nColleen Arcturus MacIsaac: Illustration + Animation\nGus and Lia Harvey: Narration\nZach Faye: Art Department \nIn Development:\nAWAKE & STILL DROWNING is currently in its final stages of development. Your participation helps shape its final form! There may still be occasional bugs. As such\, we thank you in advance for your patience. You may be asked for some feedback if you feel comfortable offering it. Thank you! \n         Childcare will be provided for this event. Please use this REGISTRATION FORM.\n \n  \n\nClick here for CONTENT AND SENSORY ADVISORIES for Awake and Still Drowning \n\nAWAKE AND STILL DROWNING is supported by Arts Nova Scotia\, Province of Nova Scotia\, Canada Council For The Arts\, The National Arts Centre\, and The National Film Board of Canada
URL:https://mayworkskjipuktukhfx.ca/event/awake-and-still-drowning/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/AASD-Slide.jpg
ORGANIZER;CN="XOSECRET":MAILTO:secrettheatre@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250503T200000
DTEND;TZID=America/Halifax:20250503T210000
DTSTAMP:20260407T113217
CREATED:20250313T015348Z
LAST-MODIFIED:20250408T204541Z
UID:3590-1746302400-1746306000@mayworkskjipuktukhfx.ca
SUMMARY:Altération
DESCRIPTION:Kira Arts / Aly Keita\nCo-presented with Live Art Dance\nHow do our lives intertwine? How do we manage to form prosperous balances? What happens when they break down? \nALTÉRATION addresses the transformations that punctuate our lives and our ability\, as human beings\, to influence both our own destiny and that of others. Aly Keita depicts a humanity that oscillates\, on an intimate and societal level\, between stability and uncertainty\, anchoring and uprooting\, change and resistance\, renewal and repetition. The relationship with the other and the complexity of ties lead to the need to hear and rebuild our relationship with ourselves and with our environment. Exploring the meaning of relationships in our society in a wide-ranging way\, both interpersonal relationships and those with other-than-human beings\, this work opens the way to the construction of possible new links that are formed through ecological and spiritual dimensions. Here\, life takes the form of a cycle of transformations. Memories of past experiences and scars – in other words\, alteration – are transmuted into a vital breath through reactivating movements\, both individual and collective\, that revitalize our bodies and rekindle our inner power. \n“Aly Keita’s artistic proposal finds its strength in the originality of its non-temporality\, its immediacy\, its treatment of identity\, which is defined by the idea of encounter\, of encounters\, breaking down the realistic and formal framework linked to a single art form. In this sense\, this multi-arts work is as much a choreographic piece as a circus piece; a musical work as well as a work of visual art in movement.” – Martin Bellemare – Note d’intention \n \nKira Arts\nKira is a word in Sousou\, the language of Guinea\, meaning “path“. It evokes the idea of life as a path we walk\, where we gather and unite. Founded in 2023\, Kira Arts creates stage works that bring together different artistic practices on an equal footing and promote intercultural dialogue between artists. In this way\, we cultivate an inclusive and diverse practice environment based on knowledge sharing and collaboration. Our artistic approach focuses on mediation as a field for research and creation. We select our collaborators based on their affinity with our shared interests and their artistic vision. For us\, it is essential that artists possess a deep understanding of the body\, rhythm and movement. We believe in the uniqueness of each body and the value of each individual\, elements that can mutually enrich a shared creation. We encourage artists’ autonomy\, advocate their freedom of expression and value their authenticity in interpretation. Our approach is not to reproduce exactly what the choreographer experiences; we invite artists to embody the multiple possible interpretations of a single event. \n \n\nWorkshop!\nCome dance with us after the show! Join Aly for his workshop on May 4th: \n>  African Rhythms and Melodies in Action – A Bodily Experience\n\n\n\nCredits\nChoreography: Aly Keita \nComposer: Aly Keita \nMusic: Karine Bouchard & Ricardo Angel Soriano \nSound: Aly Keita \nDancers:\nNicolás Áravena Miller\nRameez Karim\nAly Keita\nEvelyne Laforest\nAnna Protsiou \nProduction Manager: Raffaela Siniscalchi \nTechnical Director & Lighting Designer: Manon Pocq-Saint-Joan \nVisual & Dramaturgical Consultant: Monia Abdallah \nDramaturgical Consultant & Advisor: Martin Bellemare \nOutside Eye: Mistaya Hemingway \nProducers: Kira Arts | Aly Keita \n \nCo-Presented With \n \nWith support from \n \n 
URL:https://mayworkskjipuktukhfx.ca/event/alteration/
LOCATION:Breaking Circus\, 2164 Amalamek Wy\, Halifax\, Nova Scotia\, B3K 2WB3K 2W4\, Canada
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Alteration_Slide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250503T130000
DTEND;TZID=America/Halifax:20250503T143000
DTSTAMP:20260407T113217
CREATED:20250402T154658Z
LAST-MODIFIED:20250521T231429Z
UID:3640-1746277200-1746282600@mayworkskjipuktukhfx.ca
SUMMARY:Working Class Heritage Tours
DESCRIPTION:You’ll never see downtown the same way again!\nJoin us for interactive walking tours that share the complex working class history of downtown Halifax. Each tour takes a different path through the city core and discusses different aspects of working class history and culture. The tours are designed to be stand alone but also work as a series\, with each tour covering different topics and following a different path. \n \nGeneral Tour Notes:\n\nEach tour is approximately 90 minutes in duration with regular stops for discussion along the way.\nWashrooms and parking are available near the beginning and end of each tour.\nPlaces to sit or perch are present at most tour stops\nThe tours run over and downhill only\nThe tours follow paths that only include intersections with curb cuts and follow sidewalks that are in good shape.\nThe tour has been designed with accessibility in mind. If you would like more information on the tour’s accessibility please email: info@mayworkskjipuktukhfx.ca\n\n \n ASL interpretation will be provided for all three tours. \n\nTour 1: Where We Stand\n \nDate: Saturday\, May 3rd\nTime: 1:00 PM\nDeparture: Old Spring Garden Library (corner of Brunswick St and Spring Garden Rd) \nMoving through downtown we will talk about the impact of people\, land\, and power on the evolution of the colonial urban centre over the last 300 years while experiencing the city around us. From the paupers grounds of the 18th century\, integrated neighbourhoods of the 19th century\, strikes of the 20th century and movements for social justice today. This tour begins at the old Memorial Library and ends at the waterfront. \nThe Only Wealth Is Labour: Artists Sarah Mosher & Hanah Genosko will be carrying their crafted banner along for the tour! \nClick Here For Detailed Tour Notes\nPictured: 19th century market site in downtown Halifax. NS Archives. \n\nTour 2: Scratch the Surface ***RESCHEDULED***\n \nNEW DATE: Saturday\, May 24th\nTime: 1:00 PM\nDeparture: Old Spring Garden Library (corner of Brunswick St and Spring Garden Rd)\n \nWalking along the streets of today we’ll explore the many types of work that used to take place where we now see offices\, shops and restaurants. We’ll pull back the curtain on what it was like to work in the laundries\, factories\, and food manufacturing plants of Halifax and what we can still see of this industrial past. This tour begins at the old Memorial Library and ends near Granville Mall. \nClick Here For Detailed Tour Notes\nPictured: Early 20th century women sewing in a Halifax factory. NS Archives.\n \n\nTour 3: By Choice or By Force\n \nDate: Sunday\, May 11th\nTime: 1:00 PM\nDeparture: Peace & Friendship Park (1170 Hollis St)  \nLooking at a part of downtown now dominated by railroad tracks\, hotels and modern apartment buildings we’ll remember the story of immigrants and  migrants to Halifax\, both those who came by choice\, force or a lack of other options. This tour will discuss the complex history of racial and cultural  interactions in Nova Scotia and shed light on how Halifax has always had a diverse population. This tour will begin at Peace and Friendship Park and end  near the Seaport Market (formerly Cunard Centre) \nThe Only Wealth Is Labour: Artists Sarah Mosher & Hanah Genosko will be carrying their crafted banner along for the tour! \nClick Here For Detailed Tour Notes\nPictured: Charlie Wah laundry back room. Photo: J.J. Lee\n \n\nEmma Lang\n \nEmma Lang is a public heritage professional\, folklorist and tour guide. She’s been sharing her research and excitement in labour history to anyone interested for more than 20 years. \nPhoto above and Banner image: Photos by Tee Porter. \n 
URL:https://mayworkskjipuktukhfx.ca/event/working-class-heritage-tours/
LOCATION:NS
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Tour_Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250502T210000
DTEND;TZID=America/Halifax:20250502T235900
DTSTAMP:20260407T113217
CREATED:20250313T013933Z
LAST-MODIFIED:20250324T220751Z
UID:3574-1746219600-1746230340@mayworkskjipuktukhfx.ca
SUMMARY:WIKI w/Lord Unknown + DJ Uncle Fester • Tachichi • BASYL• Hatfield
DESCRIPTION:Come hear the beats and bars of some of the best hip hop artists on the East Coast – from both sides of the border!\nNew York hip hop fixture Wiki is coming to light up the Marquee Ballroom with Lord Unknown. They’ll be joined by local legends DJ Uncle Fester and Tachichi\, as well as rising stars BASYL and Hatfield. \n \n\nWiki\nWiki (Patrick Morales) is a critically acclaimed\, independent rapper from New York City. He has released many celebrated projects\, including albums produced by Tony Seltzer (14K Figaro in 2023)\, The Alchemist (Faith is a Rock with MIKE in 2023)\, Subjxct5 (Cold Cuts in 2022)\, Navy Blue (Half God in 2021) and NAH (Telephonebooth in 2021)\, as well as tracks with Ghostface Killah\, Earl Sweatshirt\, Princess Nokia\, Skepta\, and Madlib. Wiki is a staple of the New York underground\, where he rose to prominence as the frontman of Ratking. The trio’s groundbreaking 2014 LP So It Goes remains a landmark in experimental hip hop. One of this generation’s best lyricists and storytellers\, Wiki brings his talents to Atlantic Canada for the first time when he performs with Lord Unknown at the Marquee Ballroom in Halifax on May 2nd\, 2025. \nPraise for Wiki’s 2023 album Faith is a Rock with MIKE and The Alchemist\n“Faith Is a Rock is one of the most flat-out beautiful rap albums I’ve heard” – Alex Hudson (Exclaim!)\n“Blending emotional transparency with nuance and a knack for descriptive writing\, the LP finds profound human truths in mundanities . . . It’s as frank as it is poetic\, with everyone involved being able to find delicate beauty amid existential fear” – Peter A. Berry (Stereogum)\n“MIKE and Wiki have a lot to say. Their knack for lucid self-awareness and radical honesty is only matched by their sharp social commentary . . . Here\, two worthy champions sit on a throne crafted from their own excellence” – Matthew Ritchie (Pitchfork) \nPraise for Wiki’s 2021 album Half God with Navy Blue\n“The New York rapper’s latest is one of his greatest. A wise and angry Wiki reveals what it’s like to come of age in the city: the way it shapes\, hardens\, prematurely ages you . . . Wiki has always wielded his considerable talent to paint cityscapes with words\, but with Elsesser’s production\, they become transportive” – Matthew Ismael Ruiz (Best New Music – Pitchfork)\n“Half God is just a beautiful record . . . Wiki and Navy Blue’s New York sounds like the most glorious place on earth. I hope both of them stay in that place\, literal or metaphorical\, and I hope they make more music like this\, together or apart” – Tom Breihan (Stereogum) \nLord Unknown\n \nHailing from Brooklyn\, NY\, producer Lord Unknown has built a reputation for his eclectic and innovative sound. His impressive catalog boasts collaborations with prominent artists such as Rich the Kid\, Jay Critch\, Wiki\, and DJ Lucas\, papo2oo4 x Subjxct 5\, Starker x Yl\, and Lunchbox among many others. In 2018\, Lord Unknown launched his acclaimed “Lord Knows” series\, which has since grown to include four installments. This collection showcases his versatility\, featuring remixes\, beats\, and unreleased tracks that blend different eras and styles into something fresh and exciting. Lord Unknown’s approach to collaboration is characterized by a deep sense of creative synergy\, as he pushes boundaries with fellow rappers and producers. His unique sound has captivated audiences and established him as a hidden force in the music scene. \n  \nDJ Uncle Fester\nA veteran and OG of the Canadian hip hop scene\, DJ Uncle Fester is always creating. A founding member of the Backburner Crew\, Fes has worked on many award winning albums and with artists from all across North America. Recording\, engineering\, producing\, beat making\, touring and DJing for various MCs in Canada (Ghostface and Raekwon)\, as well as various bands\, are all ways in which Fes has spread his sound across the map. From working with Ali Shaheed Muhammad (ATCQ) on the award winning Extremities (w Fresh Kils) project\, which blended live band recordings and musicians with a traditional hip hop approach\, all the way to arranging and mixing tracks on Chan Hays album “Here” featuring Conway\, Roc Marciano\, Benny The Butcher\, El Camino\, Pharoah Monch\, etc. With underground heavyweights AP The Overlord\, John Creasy\, Roshin\, Justo the MC and more\, Fes continues to push his craft forward. With all this work already put in and no signs of slowing down\, look for many projects to come. \nTachichi\n \nTachichi is a Halifax hiphop legend whose resume is as superb and as big as his talent\, with his fingers in everything from writing to production to video directing. Tachichi has released around 15 albums to date and played hundreds of live shows across Canada and the U.S. While much of his previous catalogue over the last 20 years has been alongside Canadian producer and DJ Moves\, Tachichi has multiple solo LPs and has released music with just about every influential and celebrated hip hop artist from the land of the maple leaf\, including Buck 65\, Classified\, Quake Matthews\, Ghettosocks\, Skratch Bastid\, Snak the Rapper\, and countless others. He is a ferocious emcee who puts the art and bars above all else with a flow like lava. \n\nBASYL\n \nFor BASYL\, music is more than just a career; it serves as a profound avenue for self-expression. Hailing from the heart of the Middle East\, BASYL\, a Palestinian rapper\, crafts a unique style that blends the melodic vibes of R&B with meticulously crafted lyrics and an infectious\, rhythmic flow. BASYL delves into themes such as freedom of speech\, oppression\, personal growth\, and love through his music. \n\nHatfield\n \nHatfield\, formerly known as “Khaki Ka$h” and “Just Q” is a Canadian rapper/singer-songwriter from Weymouth\, Nova Scotia. Influenced by artists like Earl Sweatshirt\, LUCKI\, Sufjan Stevens\, Ruby Waters\, Aldean Alliston\, Nirvana and so many more\, Hatfield started rapping and playing instruments in his prepubescents\, honing his skills for decades and dedicating himself to his craft. From early golden era boom bap hip hop records\, to modern day auto tuned vibes and everything in between. Hatfield’s versatility knows no bounds\, a true artist led by his passion and determination to express himself at all costs. \n  \n 
URL:https://mayworkskjipuktukhfx.ca/event/wiki-w-lord-unknown-dj-uncle-fester-tachichi-basyl-hatfield/
LOCATION:The Marquee Ballroom\, 2037 Gottingen Street\, Halifax\, Nova Scotia\, B3K 3B1\, Canada
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Wiki-Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250501T190000
DTEND;TZID=America/Halifax:20250501T210000
DTSTAMP:20260407T113217
CREATED:20250402T154632Z
LAST-MODIFIED:20250403T124115Z
UID:3634-1746126000-1746133200@mayworkskjipuktukhfx.ca
SUMMARY:Sandy & Nora Talk Politics LIVE w/ John Kameel Farah
DESCRIPTION:What do two of Canada’s best known political podcasters have to say about the state of the world today?\nCome find out by attending a LIVE podcast recording of Sandy and Nora Talk Politics. Through a mix of playful banter and incisive political analysis\, Sandy and Nora take apart current events and shine a light on avenues for a better future. What’s more: the event will also feature live performances by internationally-renowned pianist John Kameel Farah! \nConfused about the state of the world? Unsure where you should put your energy to make the change you yearn for? Come\, spend the night\, be inspired and leave with a renewed mission to fight for social change. \n \n ASL interpretation will be provided for this event. \n         Childcare will be provided for this event. Please use this REGISTRATION FORM. \n  \n  \nSandy & Nora\nSandy and Nora Talk Politics is one of Canada’s premier news analysis podcasts. With more than 8000 listeners per weekly episode\, Sandy and Nora have helped to influence how Canadians look at politics\, society\, the economy and social movements. \nSandy Hudson is co-editor of the bestselling anthology Until We Are Free: Reflections on Black Lives Matter in Canada (2020). Her writing can be found in The Washington Post\, The Toronto Star\, Maclean’s Magazine\, The Huffington Post\, Now Magazine\, and FLARE Magazine. \nNora Loreto is the author of Take Back the Fight: Organizing Feminism for the Digital Age (2020)\, and From Demonized to Organized\, Building the New Union Movement (2013) and is the editor of the Canadian Association of Labour Media. \nJohn Kameel Farah\n \nJohn Kameel Farah is a Palestinian-Canadian composer and pianist whose work embraces aspects of Baroque and Early music\, Improvisation\, Middle-Eastern music and forms of Electronic music. He studied composition and piano at the University of Toronto\, where he received the Glenn Gould Composition Award twice during his studies. In 2010\, he became a member of the Canadian Electronic Ensemble\, the oldest continuously active live-electronic performing group in the world. In Berlin\, he frequently works with the Oriel String Quartet and the early vocal ensemble Vox Nostra. In 2016\, he received a Dora Mavor Moore Award for sound design/composition for his work with Peggy Baker Dance Projects. In 2023\, he was invited as guest artist to perform with the iconic electronic band Tangerine Dream in Toronto.
URL:https://mayworkskjipuktukhfx.ca/event/sandy-nora-talk-politics-live-w-john-kameel-farah/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Spoken
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/SandyNoraSlide.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250501
DTEND;VALUE=DATE:20250517
DTSTAMP:20260407T113217
CREATED:20250402T154615Z
LAST-MODIFIED:20250424T110855Z
UID:3654-1746057600-1747439999@mayworkskjipuktukhfx.ca
SUMMARY:The Only Wealth Is Labour
DESCRIPTION:Sarah Mosher & Hannah Genosko\nWhat gives real value to anything in this world? The work we put into it.\nExploring a key concept in Marx’s labour theory of value\, textile artists Sarah Mosher and Hannah Genosko draw from the trade unionist tradition of parading crafted banners through city streets. \n‘The Only Wealth Is Labour’ by Sarah Mosher and Hannah Genosko is a patchwork quilt banner made out of their remaining uniforms from the ‘Portrait of the Artist as an Essential Worker’ quilts\, which were shown during Mayworks 2024. ‘The Only Wealth Is Labour’ quotes a historic union banner created by George Tutill in 1926 for the UK National Winding and General Engineers Society. Mosher and Genosko were struck by this quote and appreciated the simplicity and directness of the statement. With this new banner they moved away from speaking about their specific experiences as essential workers during the pandemic and into a more general call for solidarity and justice with all working people against the forces of inflation\, late capitalism and neoliberalism. \nMosher and Genosko’s banner will be carried alongside two of our Working Class Heritage Tours on May 3rd and 11th\, and otherwise on display at The Bus Stop Theatre throughout the festival. \nArtists\nSarah Mosher and Hannah Genosko are an artist duo collaborating in Kjipuktuk/Halifax. Hannah has a background in printmaking and bookmaking\, Sarah has a background in textiles and community arts. Both are graduates of NSCAD University. Their common ground is exploring labour\, anti-capitalism and the ongoing impact of the COVID-19 pandemic through quilting. ‘Portrait of the Artist as an Essential Worker’ was their first project reflecting on their roles as essential workers at their jobs with Canada Post and NSLC respectively during the COVID-19 pandemic.
URL:https://mayworkskjipuktukhfx.ca/event/the-only-wealth-is-labour/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Labour_Slide2.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
END:VCALENDAR