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DTSTART;TZID=America/Halifax:20250516T180000
DTEND;TZID=America/Halifax:20250516T193000
DTSTAMP:20260422T213151
CREATED:20250402T155307Z
LAST-MODIFIED:20250403T125807Z
UID:10000361-1747418400-1747423800@mayworkskjipuktukhfx.ca
SUMMARY:Union
DESCRIPTION:A film by Stephen Maing and Brett Story\nUp against one of the most powerful companies on the planet\, a group of Amazon workers embark on an unprecedented campaign to unionize their warehouse in Staten Island\, New York. \n“Astounding\, rebellious\,… brilliant.” – The New York Times \nWINNER: U.S. Documentary Special Jury Award for the Art of Change – Sundance Film Festival \n \nThrough intimate cinema vérité\, UNION chronicles the extraordinary efforts of an unlikely group of warehouse workers as they launch a grassroots union campaign at an Amazon fulfillment center in Staten Island\, New York. Led by the charismatic by underestimated Chris Smalls\, the diverse band of workers start the Amazon Labor Union (ALU) and embark on a journey against one of the largest and most powerful companies in the world. The odds are stacked against them\, as the groups finds itself up against a tech industry giant with unlimited resources\, without major support from national unions or politicians\, and while navigating internal divisions within their own ranks. Filmmakers Brett Story and Stephen Maing document the struggle from day one\, offering a gripping human drama about the fight for power and dignity in today’s globalized economic landscape. \n \n\n \n  \nPresented in partnership with
URL:https://mayworkskjipuktukhfx.ca/event/union/
LOCATION:Park Lane Cineplex\, 5657 Spring Garden Rd\, Halifax\, Nova Scotia\, B3J 3R4\, Canada
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Union-Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20250524T130000
DTEND;TZID=America/Halifax:20250524T143000
DTSTAMP:20260422T213151
CREATED:20250402T154658Z
LAST-MODIFIED:20250521T231429Z
UID:10000366-1748091600-1748097000@mayworkskjipuktukhfx.ca
SUMMARY:Working Class Heritage Tours
DESCRIPTION:You’ll never see downtown the same way again!\nJoin us for interactive walking tours that share the complex working class history of downtown Halifax. Each tour takes a different path through the city core and discusses different aspects of working class history and culture. The tours are designed to be stand alone but also work as a series\, with each tour covering different topics and following a different path. \n \nGeneral Tour Notes:\n\nEach tour is approximately 90 minutes in duration with regular stops for discussion along the way.\nWashrooms and parking are available near the beginning and end of each tour.\nPlaces to sit or perch are present at most tour stops\nThe tours run over and downhill only\nThe tours follow paths that only include intersections with curb cuts and follow sidewalks that are in good shape.\nThe tour has been designed with accessibility in mind. If you would like more information on the tour’s accessibility please email: info@mayworkskjipuktukhfx.ca\n\n \n ASL interpretation will be provided for all three tours. \n\nTour 1: Where We Stand\n \nDate: Saturday\, May 3rd\nTime: 1:00 PM\nDeparture: Old Spring Garden Library (corner of Brunswick St and Spring Garden Rd) \nMoving through downtown we will talk about the impact of people\, land\, and power on the evolution of the colonial urban centre over the last 300 years while experiencing the city around us. From the paupers grounds of the 18th century\, integrated neighbourhoods of the 19th century\, strikes of the 20th century and movements for social justice today. This tour begins at the old Memorial Library and ends at the waterfront. \nThe Only Wealth Is Labour: Artists Sarah Mosher & Hanah Genosko will be carrying their crafted banner along for the tour! \nClick Here For Detailed Tour Notes\nPictured: 19th century market site in downtown Halifax. NS Archives. \n\nTour 2: Scratch the Surface ***RESCHEDULED***\n \nNEW DATE: Saturday\, May 24th\nTime: 1:00 PM\nDeparture: Old Spring Garden Library (corner of Brunswick St and Spring Garden Rd)\n \nWalking along the streets of today we’ll explore the many types of work that used to take place where we now see offices\, shops and restaurants. We’ll pull back the curtain on what it was like to work in the laundries\, factories\, and food manufacturing plants of Halifax and what we can still see of this industrial past. This tour begins at the old Memorial Library and ends near Granville Mall. \nClick Here For Detailed Tour Notes\nPictured: Early 20th century women sewing in a Halifax factory. NS Archives.\n \n\nTour 3: By Choice or By Force\n \nDate: Sunday\, May 11th\nTime: 1:00 PM\nDeparture: Peace & Friendship Park (1170 Hollis St)  \nLooking at a part of downtown now dominated by railroad tracks\, hotels and modern apartment buildings we’ll remember the story of immigrants and  migrants to Halifax\, both those who came by choice\, force or a lack of other options. This tour will discuss the complex history of racial and cultural  interactions in Nova Scotia and shed light on how Halifax has always had a diverse population. This tour will begin at Peace and Friendship Park and end  near the Seaport Market (formerly Cunard Centre) \nThe Only Wealth Is Labour: Artists Sarah Mosher & Hanah Genosko will be carrying their crafted banner along for the tour! \nClick Here For Detailed Tour Notes\nPictured: Charlie Wah laundry back room. Photo: J.J. Lee\n \n\nEmma Lang\n \nEmma Lang is a public heritage professional\, folklorist and tour guide. She’s been sharing her research and excitement in labour history to anyone interested for more than 20 years. \nPhoto above and Banner image: Photos by Tee Porter. \n 
URL:https://mayworkskjipuktukhfx.ca/event/working-class-heritage-tours/2025-05-24/
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/03/Tour_Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250826
DTEND;VALUE=DATE:20250908
DTSTAMP:20260422T213151
CREATED:20250725T173805Z
LAST-MODIFIED:20250903T185618Z
UID:10000368-1756166400-1757289599@mayworkskjipuktukhfx.ca
SUMMARY:The Huns by Matchstick Theatre
DESCRIPTION:Matchstick Theatre presents Michael Ross Albert’s play The Huns in Neptune Theatre’s Craig Boardroom. A cutting office comedy and nuanced exploration of today’s working world\, The Huns is the first piece of Mayworks Kjipuktuk/Halifax’s new MOMENTUM programming. From August 26th to September 7th\, experience the Atlantic Canadian premiere of one of the country’s most exciting new playwrights. \nThree employees of a tech company—Shelley (Katerina Bakolias)\, Pete (Liam Fair)\, and Iris (Gil Anderson)—meet for an emergency conference call. Their office has been robbed and essential equipment is missing\, with Gen-Seven set to launch ON MONDAY! The three co-workers have their bosses and colleagues on the line—WHAT COULD GO WRONG?!  \nThe Huns is directed by Jake Planinc and designed by Jordan Palmer\, with Chelsea Dickie (Stage Manager) and Alex Mills (House Manager). Matchstick’s 70-minute production has fully accessible\, but extremely limited capacity. Tickets are $20 (with one PWYC preview on August 26th). \nPerformances are at 7:30PM Tuesday through Saturday and 2:00PM on Saturdays and Sundays. Please contact us in advance for accommodation at matchsticktheatre@gmail.com
URL:https://mayworkskjipuktukhfx.ca/event/the-huns/
LOCATION:Neptune Theatre – Craig Boardroom\, 1593 Argyle St\, Halifax\, Nova Scotia\, B3J 2B2\, Canada
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/07/HUNS_SQUARE_SOCIAL.jpg
ORGANIZER;CN="Matchstick Theatre":MAILTO:matchsticktheatre@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251003
DTEND;VALUE=DATE:20251004
DTSTAMP:20260422T213152
CREATED:20250707T185757Z
LAST-MODIFIED:20250707T190213Z
UID:10000367-1759449600-1759535999@mayworkskjipuktukhfx.ca
SUMMARY:Call For Submissions - Mayworks 2026
DESCRIPTION:DEADLINE: OCTOBER 3RD 2025\nSubmit via this FORM \nMayworks Kjipuktuk/Halifax celebrates workers\, justice and solidarity through art. \nOur festival presents works of art of any discipline which explore the connection between the labour movement and art\, art-making as labour\, and struggles against racial injustice\, environmental injustice\, and other forms of injustice. \nWe encourage applications from underrepresented or marginalized artists\, including Indigenous\, Black\, Disabled\, Two-Spirit and trans artists\, as well as artists from communities of colour and language minority communities. \nSubmissions need not be directly focused on work\, labour or unions. In making our curatorial decisions\, we look for works that are at the forefront of creative exploration\, while also highlighting the political nature of artistic work. We look to include stories from Queer\, Disabled\, Black and Indigenous communities\, in addition to content that speaks to working class and feminist struggles. \n🌟 Mayworks programming is chosen by a jury of our staff members.\n🌟 Mayworks Kjipuktuk/Halifax uses the Bus Stop Theatre as its main venue w/additional venues as needed.\n🌟 Mayworks Kjipuktuk/Halifax provides presentation fees only\, not fees for development and creation (but feel free to ask for a letter of support). \nApplicants will be notified of their result by the end of November. \nLearn more using the FORM link. \nPhoto by Keandre Johnson
URL:https://mayworkskjipuktukhfx.ca/event/call-for-submissions-mayworks-2026/
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/07/3-Mayworks-Final-2026-Call-Website.png.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251011
DTEND;VALUE=DATE:20251101
DTSTAMP:20260422T213152
CREATED:20250915T180222Z
LAST-MODIFIED:20251022T112753Z
UID:10000373-1760140800-1761955199@mayworkskjipuktukhfx.ca
SUMMARY:my inner child healing my immigrant identity
DESCRIPTION:Presented in partnership with the Khyber Centre for the Arts and Nocturne\nmy inner child healing my immigrant identity by Martha Mutale explores the immigrant experience – the self split between two homes. A series of rag dolls where each figure represents a point in time in the immigrant life\, softly positioned in space\, while the whole assemblage provides a grounded picture of who she is. Presented by Mayworks Kjipuktuk/Halifax and hosted at the Khyber Centre for the Arts\, the exhibition runs October 11-31\, 2025. Events include Nocturne: Art at Night Festival from 6PM-12AM on Saturday\, October 18\, and a closing reception Tuesday\, October 28th 6PM-8PM. \n \nmy inner child healing my immigrant identity is a continuation of Martha Mutale’s exploration of the immigrant experience through the making and presentation of rag dolls fabricated from Zambian fabrics overlaid with printed words. Each of the 40 inches tall dolls represents a different part of her life as an immigrant living in the Diaspora and what it means to hold two different identities grounded in two different homes – Canada and Zambia. What does it mean to call two places home at once? What does it mean to always have a foot in both worlds\, to feel unmoored by this dual self? What are the different ways in which each of these places is home and for which reasons? \nMutale was confronted with these questions when she returned to her birth home during her adult life. Everyday\, taxi drivers (themselves migrants from neighbouring African countries) would ask her about herself and where she came from. Growing up in Nova Scotia\, one of Mutale’s most vivid and concrete connections to Zambian culture was the process through which she and her sisters would continually measure each others’ bodies in order for their mother to sew clothing for them made of African fabric. These experiences and memories\, along with her love of poetry\, have been the crucible for her ongoing series of projects using rag dolls to convey her sense of identity. \nThe process of crafting is a journey in itself and the tactile medium of textiles provide for Mutale a method of self-exploration that is both meditative and very concrete at once. For my inner child healing my immigrant identity\, the dolls (smaller than in previous explorations) will be installed as a diorama in the window gallery of the Khyber Centre for the Arts through which passersby can windowgaze into Mutale’s life. As Mutale represents different facets and waypoints in her life through each rag doll\, she presents a fragmented picture of herself. The soft sculptures each convey a lack of weight and definite attachment to the ground. And yet\, the depiction of Mutale’s life as a whole through their assemblage in space\, all together\, offers her (and the observer) a sense of groundedness provided by the material expression of her identities and the added value of a sum crystallised by the joining of its parts. \nARTIST BIO\n \nMartha Mutale is a poet and veteran of the spoken word scene in Kjipuktuk/Halifax\, Nova Scotia. She grew up in Billtown\, Nova Scotia\, a small rural community in the Annapolis valley after emigrating from Zambia with her family when she was just under two years old. Her family is based in Nova Scotia. As an adult\, she relocated to North End Halifax where she began expressing herself as a poet while also working in the non-profit sector. She has worked as a housing support worker where she witnessed first hand the vulnerability and social disposability of those who have lost their homes – especially immigrants who\, without citizenship\, are not allowed access to shelters. In December 2022\, Martha relocated to Zambia to start over\, reconnect with herself and apply to regain her Zambian citizenship. Having been raised in the Diaspora and having called Nova Scotia home since a young child\, she longs for her birth home\, Zambia\, and yearns to learn more about her roots. While in Lusaka\, waiting for her paperwork to be approved\, she volunteered her time in an art gallery and completed two residencies which constituted her first forays into visual arts. During her second residency\, she made six dolls\, five feet long\, all sewn and painted by hand using upcycled textile fabrics and African materials she found while living in Lusaka\, Zambia. Martha is healing her inner child and making room for new and exciting adventures that await her in the future. \nHOURS & EVENTS:\nExhibition on view: October 11-31\, 2025 \nGallery hours: On display in the window gallery 24/7 | Open hours: 12-5PM Tuesday-Saturday + events \nAppointments/contact: info@khyber.ca \nAccessibility notes: www.khyber.ca/access \nNocturne hours: 6PM-12AM\, Saturday\, October 18\, 2025 \nClosing reception: Tuesday\, October 28th 6PM-8PM – Click here for details \nPresented concurrently with No Domain / No Dominion
URL:https://mayworkskjipuktukhfx.ca/event/my-inner-child-healing-my-immigrant-identity/
LOCATION:The Khyber Centre for the Arts\, 1880 Hollis St\, Halifax\, Nova Scotia\, B3J 1W6\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/09/Doll-Slide.jpg
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251011
DTEND;VALUE=DATE:20251101
DTSTAMP:20260422T213152
CREATED:20250904T141921Z
LAST-MODIFIED:20251022T112656Z
UID:10000372-1760140800-1761955199@mayworkskjipuktukhfx.ca
SUMMARY:No Dominion/No Domain
DESCRIPTION:Presented in partnership with the Khyber Centre for the Arts and Nocturne\nMayworks Kjipuktuk/Halifax presents No Dominion/No Domain\, where Eva Grant and Curtis Botham trace land\, life\, labour\, and pathways across speculative digital ancestral architectures and charcoal industrial landscapes. \n“Homeless Shelters Before Police Raid” by Curtis Botham\nNo Dominion/No Domain brings together two artists\, Eva Grant and Curtis Botham\, whose works reflect on land\, labour\, infrastructure\, and ecological movement. Presented by Mayworks Kjipuktuk/Halifax and hosted at the Khyber Centre for the Arts\, the exhibition runs October 11-31\, 2025. Events include Nocturne: Art at Night Festival from 6PM-12AM on Saturday\, October 18\, and a closing reception Tuesday\, October 28th 6PM-8PM. \nEva Grant’s WILD INTERFACE is a work of St’át’imc speculative futurism that reimagines longhouses and Salish structures as though assembled from salmon bones. These digital works depict architecture not as idealized pasts or utopian elsewheres\, but as living interfaces: porous inter-species networks where technologies and ancestral knowledge converge. Through computational geography and postnatural territories\, Grant reconsiders space and place as co-constructed with ecologies\, where memory and labours of love entwine. \nCurtis Botham’s Effluents and Urban projects confront the landscapes of extraction that underpin industrial modernity. His large-scale charcoal drawings—made in a volatile medium that mirrors the precarity of his subject matter—document the sites of resource economies on Mi’kma’ki/Nova Scotia and their cascading impacts: inequities of wealth\, the precarity of workers\, and the hidden infrastructures behind everyday consumer life. Botham traces these environments with stark fidelity\, inviting viewers to recognize their own embeddedness in these cycles of labour and consumption. \nTogether\, Grant’s and Curtis’ works stage a dialogue on dominion—over land\, life\, and labour—and on domains\, whether in digital terrains of speculative ancestral architectures or in the charcoal-rendered landscapes and machinery of industrial capitalism. \nNo Dominion/No Domain invokes the dual refusal of control and possession within colonial constructs and systems. The title\, created by Grant\, arose in response to the effectiveness of messaging between the blend of analog and virtual material. Through charcoal and digital works\, the exhibition resists the illusion of permanence that dominion or domain implies. Charcoal\, itself the residue of combustion\, unsettles the idea of industry as stable progress\, while Grant’s architectures utilize the digital realm to glitch and dissolve systemically oppressive boundaries. Both practices gesture towards knowledge\, labour\, and survival beyond grids of ownership. \nDigital piece from the WILD INTERFACE series by Eva Grant\nARTIST BIOS:\n \nEva Grant is a Queer\, St̓át̓imc-Eurasian filmmaker\, curator\, and new media artist. She studied philosophy and literature at Stanford University and is the founder of Tooth & Nail Pictures. Her world-building practice hybridizes moving image\, animation\, game engines\, interactive digital media\, data visualization\, and speculative design to prototype decolonial and capacious futures. She is a former Sundance Native Lab fellow\, a BIPOC TV & Film Episodic Writers Lab participant\, an Artengine NEW SUNS Worldbuilding Lab artist-in-residence\, a Vancouver Queer Film Festival Programming Disruptor\, a Netflix-BANFF Diversity of Voices fellow\, an Art Gallery of Ontario AGO x RBC emerging artist-in-residence\, and an alumna of the imagineNATIVE Originals Commission program and the Screenwriting Shorts Fellowship. Her work has been supported by Mayworks Kjipuktuk\, Nocturne: Art at Night\, CFC Satellites\, Debaser/Pique Festival\, the Indigenous Curatorial Collective\, Lay*Away\, Black Star Film Festival’s William and Louise Greaves Filmmaking Seminar\, and the Ottawa Animation Festival\, and her films have screened at festivals around the world. \n \nCurtis Botham is an award-winning artist based in Halifax\, Nova Scotia. He graduated from NSCAD University in 2017 with a bachelor of fine arts. His accolades include the Canada Games Young Artist of Excellence Award\, and numerous grants from Arts Nova Scotia and the Elizabeth Greenshields Foundation. Since 2017\, he has depicted the impact and labour of industries in the Maritimes\, examining the social and environmental effects of material culture on our lives. He has participated in residencies around Nova Scotia in order to create a broad portrait of the province and its relationship to its land\, people and resources.\ncurtisbotham.weebly.com \nHOURS & EVENTS:\nExhibition on view: October 11-31\, 2025 \nGallery hours: 12-5PM Tuesday-Saturday + events \nAppointments/contact: info@khyber.ca \nAccessibility notes: www.khyber.ca/access \nNocturne hours: 6PM-12AM\, Saturday\, October 18\, 2025 \nClosing reception: Tuesday\, October 28th 6PM-8PM – Click here for details \nPresented concurrently with my inner child healing my immigrant identity
URL:https://mayworkskjipuktukhfx.ca/event/no-dominion-no-domain/
LOCATION:The Khyber Centre for the Arts\, 1880 Hollis St\, Halifax\, Nova Scotia\, B3J 1W6\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/09/No-Dominion-No-Domain-Slide.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20251028T180000
DTEND;TZID=America/Halifax:20251028T200000
DTSTAMP:20260422T213152
CREATED:20251022T112602Z
LAST-MODIFIED:20251022T112602Z
UID:10000374-1761674400-1761681600@mayworkskjipuktukhfx.ca
SUMMARY:Closing Reception with Curtis Botham\, Eva Grant and Martha Mutale
DESCRIPTION:Join us for a casual conversations with the artists behind No Dominion/No Domain and my inner child healing my immigrant identity. \nCurtis Botham and Martha Mutale will be joining us in person\, and Eva Grant will be joining us via video call. All will be available to answer questions about their works on display only until October 31st. \nA brief facilitated Q&A will take place at 7PM. \nRefreshments will be served! \nARTIST BIOS:\n \nEva Grant is a Queer\, St̓át̓imc-Eurasian filmmaker\, curator\, and new media artist. She studied philosophy and literature at Stanford University and is the founder of Tooth & Nail Pictures. Her world-building practice hybridizes moving image\, animation\, game engines\, interactive digital media\, data visualization\, and speculative design to prototype decolonial and capacious futures. She is a former Sundance Native Lab fellow\, a BIPOC TV & Film Episodic Writers Lab participant\, an Artengine NEW SUNS Worldbuilding Lab artist-in-residence\, a Vancouver Queer Film Festival Programming Disruptor\, a Netflix-BANFF Diversity of Voices fellow\, an Art Gallery of Ontario AGO x RBC emerging artist-in-residence\, and an alumna of the imagineNATIVE Originals Commission program and the Screenwriting Shorts Fellowship. Her work has been supported by Mayworks Kjipuktuk\, Nocturne: Art at Night\, CFC Satellites\, Debaser/Pique Festival\, the Indigenous Curatorial Collective\, Lay*Away\, Black Star Film Festival’s William and Louise Greaves Filmmaking Seminar\, and the Ottawa Animation Festival\, and her films have screened at festivals around the world. \n \nCurtis Botham is an award-winning artist based in Halifax\, Nova Scotia. He graduated from NSCAD University in 2017 with a bachelor of fine arts. His accolades include the Canada Games Young Artist of Excellence Award\, and numerous grants from Arts Nova Scotia and the Elizabeth Greenshields Foundation. Since 2017\, he has depicted the impact and labour of industries in the Maritimes\, examining the social and environmental effects of material culture on our lives. He has participated in residencies around Nova Scotia in order to create a broad portrait of the province and its relationship to its land\, people and resources.\ncurtisbotham.weebly.com \n \nMartha Mutale is a poet and veteran of the spoken word scene in Kjipuktuk/Halifax\, Nova Scotia. She grew up in Billtown\, Nova Scotia\, a small rural community in the Annapolis valley after emigrating from Zambia with her family when she was just under two years old. Her family is based in Nova Scotia. As an adult\, she relocated to North End Halifax where she began expressing herself as a poet while also working in the non-profit sector. She has worked as a housing support worker where she witnessed first hand the vulnerability and social disposability of those who have lost their homes – especially immigrants who\, without citizenship\, are not allowed access to shelters. In December 2022\, Martha relocated to Zambia to start over\, reconnect with herself and apply to regain her Zambian citizenship. Having been raised in the Diaspora and having called Nova Scotia home since a young child\, she longs for her birth home\, Zambia\, and yearns to learn more about her roots. While in Lusaka\, waiting for her paperwork to be approved\, she volunteered her time in an art gallery and completed two residencies which constituted her first forays into visual arts. During her second residency\, she made six dolls\, five feet long\, all sewn and painted by hand using upcycled textile fabrics and African materials she found while living in Lusaka\, Zambia. Martha is healing her inner child and making room for new and exciting adventures that await her in the future.
URL:https://mayworkskjipuktukhfx.ca/event/closing-reception-with-curtis-botham-eva-grant-and-martha-mutale/
LOCATION:The Khyber Centre for the Arts\, 1880 Hollis St\, Halifax\, Nova Scotia\, B3J 1W6\, Canada
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/10/Reception-Slide.png
ORGANIZER;CN="Mayworks Kjipuktuk/Halifax":MAILTO:info@mayworkskjipuktukhfx.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20251114T193000
DTEND;TZID=America/Halifax:20251114T204500
DTSTAMP:20260422T213152
CREATED:20250903T185211Z
LAST-MODIFIED:20251104T155607Z
UID:10000370-1763148600-1763153100@mayworkskjipuktukhfx.ca
SUMMARY:MAYDAY: Confession Publique
DESCRIPTION:Confession Publique\n\n\n\n\n“ A sensually complex work\, Confession Publique leaves us enthralled before Angélique Willkie’s breadth of talent and her fruitful encounter with Demers’ world.” –  Alexie Legendre\, Revue JEU  \n \n\n\n\n\n\n\nMAYDAY\nTiohtià:ke/Montreal – Kanien’kehá:Ka Territory\n\n\n\n\nNovember 14th & 15th\, 2025. 7:30PM  \nAlderney Landing Theatre\nGeneral Seating – $65.00 Dance Advocate; $45.00 Adults; $35.00 Seniors; $20.00 Students / Arts Worker; Group Discounts Available \nRun Time – 75 Minutes \nContent Warning: Nudity\, 18+ suggested. An Active Listener will be available on site if needed.\nThis show tackles experiences of racism\, sexual violation\, and living in an aging body\, as well as the power of transformation. It contains nudity and mature content. \nTraffic Note: The Parade of Lights is taking place on Nov 15th at 5pm. Please allow time for potential traffic on your way to the show. \n\n\n\n\nIts title serving as a promise\, Confession Publique explores ambiguity and paradox\, probes the noble and the vulgar\, oscillates between grace and brutality. Choreographer Mélanie Demers turns her trusted collaborator Angélique Willkie into her muse. Together\, these two kindred spirits explore the act of telling others about yourself without reserve. The result is a hard-hitting solo show\, where anecdotes become painful secrets and the body reveals as much as words\, if not more. \nIn this work\, the protagonist concentrates on the margins as she takes a deep dive into herself and ourselves. The connection is intimate\, intimidating. The performance becomes the setting for questions asked a thousand times over: our relationship to the world\, how the environment holds our destinies in its hands\, and the power others have to dictate and dominate our life-choices. \n \nMAYDAY \nSince its foundation in 2007\, an array of charismatic and eclectic artists working with Mélanie Demers has been drawn to MAYDAY as a hub for creative exchange and reflection. Each MAYDAY work is thus the fruit of a collective effort. And not only between the artists: the public enters into the creative process as well\, since the physicality\, imagery\, and sense of rhythm characteristic of MAYDAY’s unique approach only come together as a coherent whole before an audience. Drawing on creative energies from around the world\, MAYDAY’s unique works testify to both a spirit of artistic freedom and a deep-seated concern for contemporary issues. Demers’ fascination and the relationship between words and gestures crystallizes in WOULD\, a work which won the Prix du CALQ for Best Choreography at the Prix de la danse de Montréal in 2015. WOULD will be followed by the choreographic relay Danse Mutante in 2019\, then in 2021 by La Goddam Voie Lactée\, MAMA and Confession Publique\, and finally in 2022 by Cabaret Noir. Mélanie Demers won the GRAND PRIX de la danse de Montréal\, which recognizes her unique mark on her era. MAYDAY tours frequently and has collaborated with many international partners. It is proud to be one of the few Canadian companies to have performed in both North America\, Europe\, Asia\, and Africa. \nMAYDAY tours frequently and has collaborated with many international partners. It is proud to be one of the few Canadian companies to have performed in both North America\, Europe\, Asia\, and Africa. \n \n\nCredits\n\n\n\nIdeation\, Direction and Choreography\nMélanie Demers \n\n\n\n\n\nPerformers\nAngélique Willkie with the participation of Anne-Marie Jourdenais \n\n\n\n\n\nDirection of Rehearsals\nAnne-Marie Jourdenais \n\n\n\n\n\nDramaturgy\nAngélique Willkie \n\n\n\n\n\nSet Design\nOdile Gamache \n\n\n\n\n\nSound Composition\nFrannie Holder \n\n\n\n\n\nAdditional Music\nExcerpt from The Fairy Queen\, composed by Henry Purcell and sung by Angelique Willkie \n\n\n\n\n\nLighting Design\nClaire Seyller \n\n\n\n\n\nTechnical Director\nEmmanuel Bossé-Messier \n\n\n\n\n\nCostume Design\nElen Ewing \n\n\n\n\n\nProduction Management\nAlec Arsenault \n\n\n\n\n\nSpecial Notes of Thanks\nÉléonore Loiselle \n\n\n\n\n\nTeaser Production\nStefan Verna \n\n\n\n\n\nCo Presented By
URL:https://mayworkskjipuktukhfx.ca/event/mayday-confession-publique/2025-11-14/
LOCATION:Alderney Landing Theatre\, 2 Ochterloney St\, Dartmouth\, Nova Scotia\, B2Y 4W1\, Canada
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/09/ConfessionPubliqueSlide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20251115T193000
DTEND;TZID=America/Halifax:20251115T204500
DTSTAMP:20260422T213152
CREATED:20250903T185211Z
LAST-MODIFIED:20251104T155607Z
UID:10000371-1763235000-1763239500@mayworkskjipuktukhfx.ca
SUMMARY:MAYDAY: Confession Publique
DESCRIPTION:Confession Publique\n\n\n\n\n“ A sensually complex work\, Confession Publique leaves us enthralled before Angélique Willkie’s breadth of talent and her fruitful encounter with Demers’ world.” –  Alexie Legendre\, Revue JEU  \n \n\n\n\n\n\n\nMAYDAY\nTiohtià:ke/Montreal – Kanien’kehá:Ka Territory\n\n\n\n\nNovember 14th & 15th\, 2025. 7:30PM  \nAlderney Landing Theatre\nGeneral Seating – $65.00 Dance Advocate; $45.00 Adults; $35.00 Seniors; $20.00 Students / Arts Worker; Group Discounts Available \nRun Time – 75 Minutes \nContent Warning: Nudity\, 18+ suggested. An Active Listener will be available on site if needed.\nThis show tackles experiences of racism\, sexual violation\, and living in an aging body\, as well as the power of transformation. It contains nudity and mature content. \nTraffic Note: The Parade of Lights is taking place on Nov 15th at 5pm. Please allow time for potential traffic on your way to the show. \n\n\n\n\nIts title serving as a promise\, Confession Publique explores ambiguity and paradox\, probes the noble and the vulgar\, oscillates between grace and brutality. Choreographer Mélanie Demers turns her trusted collaborator Angélique Willkie into her muse. Together\, these two kindred spirits explore the act of telling others about yourself without reserve. The result is a hard-hitting solo show\, where anecdotes become painful secrets and the body reveals as much as words\, if not more. \nIn this work\, the protagonist concentrates on the margins as she takes a deep dive into herself and ourselves. The connection is intimate\, intimidating. The performance becomes the setting for questions asked a thousand times over: our relationship to the world\, how the environment holds our destinies in its hands\, and the power others have to dictate and dominate our life-choices. \n \nMAYDAY \nSince its foundation in 2007\, an array of charismatic and eclectic artists working with Mélanie Demers has been drawn to MAYDAY as a hub for creative exchange and reflection. Each MAYDAY work is thus the fruit of a collective effort. And not only between the artists: the public enters into the creative process as well\, since the physicality\, imagery\, and sense of rhythm characteristic of MAYDAY’s unique approach only come together as a coherent whole before an audience. Drawing on creative energies from around the world\, MAYDAY’s unique works testify to both a spirit of artistic freedom and a deep-seated concern for contemporary issues. Demers’ fascination and the relationship between words and gestures crystallizes in WOULD\, a work which won the Prix du CALQ for Best Choreography at the Prix de la danse de Montréal in 2015. WOULD will be followed by the choreographic relay Danse Mutante in 2019\, then in 2021 by La Goddam Voie Lactée\, MAMA and Confession Publique\, and finally in 2022 by Cabaret Noir. Mélanie Demers won the GRAND PRIX de la danse de Montréal\, which recognizes her unique mark on her era. MAYDAY tours frequently and has collaborated with many international partners. It is proud to be one of the few Canadian companies to have performed in both North America\, Europe\, Asia\, and Africa. \nMAYDAY tours frequently and has collaborated with many international partners. It is proud to be one of the few Canadian companies to have performed in both North America\, Europe\, Asia\, and Africa. \n \n\nCredits\n\n\n\nIdeation\, Direction and Choreography\nMélanie Demers \n\n\n\n\n\nPerformers\nAngélique Willkie with the participation of Anne-Marie Jourdenais \n\n\n\n\n\nDirection of Rehearsals\nAnne-Marie Jourdenais \n\n\n\n\n\nDramaturgy\nAngélique Willkie \n\n\n\n\n\nSet Design\nOdile Gamache \n\n\n\n\n\nSound Composition\nFrannie Holder \n\n\n\n\n\nAdditional Music\nExcerpt from The Fairy Queen\, composed by Henry Purcell and sung by Angelique Willkie \n\n\n\n\n\nLighting Design\nClaire Seyller \n\n\n\n\n\nTechnical Director\nEmmanuel Bossé-Messier \n\n\n\n\n\nCostume Design\nElen Ewing \n\n\n\n\n\nProduction Management\nAlec Arsenault \n\n\n\n\n\nSpecial Notes of Thanks\nÉléonore Loiselle \n\n\n\n\n\nTeaser Production\nStefan Verna \n\n\n\n\n\nCo Presented By
URL:https://mayworkskjipuktukhfx.ca/event/mayday-confession-publique/2025-11-15/
LOCATION:Alderney Landing Theatre\, 2 Ochterloney St\, Dartmouth\, Nova Scotia\, B2Y 4W1\, Canada
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2025/09/ConfessionPubliqueSlide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20251127T190000
DTEND;TZID=America/Halifax:20251127T203000
DTSTAMP:20260422T213152
CREATED:20251022T120209Z
LAST-MODIFIED:20251121T123048Z
UID:10000375-1764270000-1764275400@mayworkskjipuktukhfx.ca
SUMMARY:Canadian Labour International Film Festival
DESCRIPTION:Mayworks Momentum presents selections from the Canadian Labour International Film Festival.\nThe Canadian Labour International Film Festival (CLIFF) is in its 17th edition and Mayworks will again present a local satellite screening of short films chosen from this year’s CLIFF selections. \nCLIFF selects films from across the globe that give voice to workers and their struggles for better lives. \nTotal program runtime: 91 minutes \n \n\nFilm Program:\n\nNola\nby Natalie Remplakowski & Aisha Evelyna (Canada: English) – 10 min \n \nA Black woman working as a sous-chef navigates toxic restaurant culture and her wavering mental health\, until a chance encounter changes her. \n\nYour Own Boss\nby Álvaro Guzmán Bastida (Spain: Spanish) – 18 min \n \nA food delivery worker struggles to juggle his responsibilities as a young father with the impossible demands of an algorithm that pushes him to the limit. \n\nWorking For Freedom \nby Conor Devries (Canada: English) – 11 min \n \nWorking for Freedom is a short documentary that follows an Ottawa-based woman through her experiences of prison labour at the Ottawa-Carleton Detention Centre. Author of Solidarity behind bars\, Jordan House\, provides us with an overview of the frameworks that allow these exploitative practices to continue today. \n\nShadow Work\nby Gillian McKercher (Canada: English) – 3 min \n \n\n\nThis short documentary looks at “shadow work”: tasks that are not part of an employee’s official job description\, but are necessary for the organization to function\, and may be unpaid and unseen. \nUnpaid labour\, shadow work\, glue work\, organizational citizenship. Whatever you name it\, organizations benefit from it. \n\n\n\nLimerent Pittsburgh\nby Anne Ciecko (USA: English) – 3 min \n \nA videopoem revisiting the rust belt city is a site of rekindling of memories and mythologies of labour and family. \n\nMotown South\nby Samuel George (USA: English) – 20 min \n \n\n\nThe electric vehicle industry is booming in the American South\, so much so that the region has earned the nickname the “Battery Belt”. \nBut why are producers setting up shop in states such as Georgia\, Alabama and Tennessee? In part\, the trend stems from a historic lack of union representation there. But workers – and labor organizers – have noticed. And they are starting to push back. How this emerging dynamic plays out could transform the future of American industry. \n\n\n\nGhost Workers\nby Lisette Olsthoorn (Netherlands: English) – 26 min \n \n\n\nIn a film set in which their home offices have been recreated\, six European microworkers share experiences with the filmmaker and with each other\, offering an affecting critique on changing labour conditions. \nGhost Workers is a cinematic research project into the people conducting the often hidden labor necessary to make artificial intelligence work. Working from home\, not being recognized as a worker by the platforms that they work for and being misunderstood by family and friends all together creates strong feelings of isolation. Therefore\, the filmmaker invited six workers from across Europe to share their work experiences with her and with each other. Focusing on the theme of isolation and recognition as a ‘real worker\,’ the film engages in a collective conversation about this type of work. \n\n\n 
URL:https://mayworkskjipuktukhfx.ca/event/canadian-labour-international-film-festival-8/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://mayworkskjipuktukhfx.ca/app/uploads/2025/10/2025-CLIFF-Slide-1242-x-766-px.png
GEO:44.6532534;-63.5849615
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bus Stop Theatre Coop 2203 Gottingen St Halifax NS Canada;X-APPLE-RADIUS=500;X-TITLE=2203 Gottingen St:geo:-63.5849615,44.6532534
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260402T183000
DTEND;TZID=America/Halifax:20260402T210000
DTSTAMP:20260422T213152
CREATED:20260307T201614Z
LAST-MODIFIED:20260317T171852Z
UID:10000377-1775154600-1775163600@mayworkskjipuktukhfx.ca
SUMMARY:"Reimagining Safety" at Carbon Arc Cinema
DESCRIPTION:Matthew Solomon | Canada | 2023 | 83m – followed by a post-film conversation with director Matthew Solomon and El Jones \nThe film will be captioned and an ASL interpreter will be present for the Q&A segment. \n \n \n \n\n\nWorldwide protests following the 2020 murder of George Floyd included calls to defund or abolish the police until a sharp rise in crime gave politicians and police supporters the fuel they needed to suppress the movement. Unfortunately\, a detailed conversation about transforming public safety was never had. In this film (shot on iPhone)\, 10 experts discuss how policing and incarceration create more harm than good\, why the system persists\, and what changes can be made to make everyone safe. \nIn the early months of the COVID-19 pandemic\, director Matthew Solomon returned to school to earn a master’s degree in Public Administration in order to better position himself to use his privilege and access to help work towards positive social change. In his MPA program\, Matthew began applying the coursework regarding sustainability and workable societies to the issues with policing and incarceration. He thought this would be a step away from filmmaking\, however\, his academic advisors suggested he create a documentary film for his thesis project. Reimagining Safety is that film. \nThe film was named Best Film by Evident Change’s Media for a Just Society Award\, Best Documentary Feature at the Los Angeles Independent Film Festival\, Best Cinematography at The People’s Film Festival in Harlem\, and has received a powerful endorsement by The Black Panther Party WA who has added it to their political education curriculum. \nIn Reimagining Safety\, ten experts (including LA County District Attorney George Gascón\, USC Law Professor Dr. Jody Armour\, Law Enforcement Expert Alex S Vitale\, and Halifax Professor Dr. El Jones) discuss the false premise that more police and prisons make us safer while providing practical and actionable solutions toward achieving systems of safety that work for everyone. \n\n\n\n\n\n\n\n\n\n\nIn Attendance for Q&A following the screening\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMatthew Solomon is an innovative and award-winning director whose interview and storytelling styles elicit deep\, emotional responses while educating and inspiring audiences. \nHis first documentary\, Reimagining Safety\, built an enormous grassroots following\, having been screened at more than 100 community events across the US. His new documentary\, Seeds for Liberation\, has been premiering to sold-out audiences while just beginning its national and international tour. Utilizing iPhone cameras to achieve a great sense of immediacy\, Matthew not only combines art and activism in his personal work but also mentors up-and-comers in doing the same. \nIn addition to filmmaking\, Matthew is a conflict resolution facilitator\, adjunct professor\, and is working towards a PhD in Transformative Social Change. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAuthor\, poet\, journalist\, educator\, and advocate. Dr. El Jones is all these things and more\, an outspoken activist\, thinker and writer whose strengths converge in her spoken word performances. \nA respected poet\, Dr. Jones was two-time National Slam champion in 2007 and 2008\, Poet Laureate of Halifax in 2013-2015\, resident of the International Writing Program at University of Iowa in 2015\, and poet in residence at University of Toronto Scarborough in 2021. \nWhat defines her achievements is a commitment to activism and community advocacy to highlight inequities and redress injustices. The recognition of her performances\, teaching and political commitment testifies to the exceptional influence she has exercised during the Black Lives Matter movement and the expansion of Black scholarship in Canadian academia. \nCurrently an Assistant Professor in the Department of Political and Canadian Studies at Mount Saint Vincent University\, Dr. Jones has taught at Dalhousie University\, Nova Scotia Community College\, and Saint Mary’s University. \n\n\n\n\n\n\n\n\n\n\n\nTickets $12.65 ($12 at the door if available)\nPWYC available! To reserve\, please email info@mayworkskjipuktukhfx.ca
URL:https://mayworkskjipuktukhfx.ca/event/reimagining-safety-at-carbon-arc-cinema/
LOCATION:Carbon Arc Cinema\, 1747 Summer Street\, Halifax\, Nova Scotia\, B3H 3A6\, Canada
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2026/03/Reimagining-Safety-Poster-Lanscape.jpg
ORGANIZER;CN="Carbon Arc Cinema":MAILTO:movies@carbonarc.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T183000
DTEND;TZID=America/Halifax:20260403T210000
DTSTAMP:20260422T213152
CREATED:20260307T202030Z
LAST-MODIFIED:20260317T171347Z
UID:10000378-1775241000-1775250000@mayworkskjipuktukhfx.ca
SUMMARY:"Seeds For Liberation" at Carbon Arc Cinema
DESCRIPTION:Matthew Solomon | USA | 2026 | 92m – followed by a post-film conversation with director Matthew Solomon\, Yara Jamal and Waseem Hijazi \nThe film will be captioned and an ASL interpreter will be present for the Q&A segment. \n \n \n \n\n\nSeeds for Liberation was born out of a deep urgency — not just to document\, but to connect. The events of October 7\, 2023\, became a global flashpoint\, but for many\, they marked a continuation of a struggle nearly eight decades in the making. As a filmmaker\, Director Matthew Solomon wanted to center Palestinian voices while also situating their liberation within a broader legacy of anti-imperialist and decolonial movements — from Black resistance in the U.S. to Chicano activism and beyond. In a world saturated with filtered narratives and state-sponsored erasure\, social media has cracked open a window — giving us raw\, direct access to the truths on the ground. This film asks: What does solidarity truly look like? And how do our struggles for justice — across geography\, race\, and history — grow from the same seed? \nSeeds for Liberation explores Palestinian resistance through emotional and impactful interviews with historians\, activists\, legal scholars\, and experts. The documentary demonstrates how social media has exposed daily life in Gaza and the West Bank\, challenging dominant Western narratives and bringing the Free Palestine movement into global consciousness. Featuring some of the biggest names in the movement\, including human rights attorney Dr. Noura Erakat\, investigative journalist Abby Martin\, justice journalist Chuck Modiano\, emergency medicine physician Dr. Mimi Syed\, and members of the Black Liberation Army\, La Raza Unida\, and Stop Cop City – the film spans decades of solidarity and shows how the fight for collective liberation is interconnected. Seeds for Liberation is a call to action\, encouraging audiences to mobilize and join the fight for humanity. \n\n\n\n\n\n\n\n\nIn Attendance for Q&A following the screening\n\n\n\n\n\n\n\n\n\n\nMatthew Solomon is an innovative and award-winning director whose interview and storytelling styles elicit deep\, emotional responses while educating and inspiring audiences. \nHis first documentary\, Reimagining Safety\, built an enormous grassroots following\, having been screened at more than 100 community events across the US. His new documentary\, Seeds for Liberation\, has been premiering to sold-out audiences while just beginning its national and international tour. Utilizing iPhone cameras to achieve a great sense of immediacy\, Matthew not only combines art and activism in his personal work but also mentors up-and-comers in doing the same. \nIn addition to filmmaking\, Matthew is a conflict resolution facilitator\, adjunct professor\, and is working towards a PhD in Transformative Social Change. \n\n\n\n\n\n\n\n\n\n(Attending virtually)\n\n\n\n\n\n\n\n\nYara Jamal is an award-winning Palestinian journalist and writer. She is the founder of Free Palestine Kjipuktuk (Halifax)\, the largest grassroots organization in Atlantic Canada\, advocating for Palestinian self-determination\, sovereignty\, and the right of return. \nHer reporting on the Eskasoni Fish and Wildlife Commission and Indigenous Protected and Conserved Areas (IPCAs) earned her a Gold award from the Canadian Online Publishing Awards. \nJamal’s work focuses on Middle Eastern politics\, structural racism\, with a focus on amplifying the voices of marginalized communities \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWaseem Hijazi is a Palestinian vegan content creator and recipe developer (@plantbasedarab) with a background in finance studies. His work focuses on  preserving food heritage from the Arab cuisine\, while highlighting the cultural significance to the land. He educates the vegan and animal rights community about the oppression of Palestinians\, exposes israel’s veganwashing propaganda\, and emphasizes the importance of boycotting plant-based food-tech companies that are complicit in the occupation and genocide\, in order to better advocate for the liberation of Palestine. \n\n\n\n\n\n\n\n\n\n\n\nTickets $12.65 ($12 at the door if available)\nPWYC available! To reserve\, please email info@mayworkskjipuktukhfx.ca  \n \n \n 
URL:https://mayworkskjipuktukhfx.ca/event/seeds-for-liberation-at-carbon-arc-cinema/
LOCATION:Carbon Arc Cinema\, 1747 Summer Street\, Halifax\, Nova Scotia\, B3H 3A6\, Canada
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://mayworkskjipuktukhfx.ca/app/uploads/2026/03/Seeds-for-Liberation-Landscape-Poster_1920x1005.jpg
ORGANIZER;CN="Carbon Arc Cinema":MAILTO:movies@carbonarc.ca
END:VEVENT
END:VCALENDAR