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DTSTART;TZID=America/Halifax:20250508T190000
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DTSTAMP:20260513T042403
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SUMMARY:In True Colour: A Celebration of Black Canadian Animators
DESCRIPTION:Presented in partnership with the Animation Festival of Halifax\nThis 50-minute collection of short films by Black animators imagines new worlds and reflects creatively on this one. These artists bring us a richness of approaches and voices. \nIn classics and in new work by emerging artists\, we see handmade and computer-generated images\, Afrofuturistic visions and animations deeply grounded in archival research\, abstract meditations and trenchant critiques. \nThe screening will be followed by a Q&A with ASL interpretation. \nSpecial Guests attending post-screening panel discussion via video-link: Sydnie Baynes (African American Express\, City Shock\, Unity in the Early Morning)\, Magalie Boutin (Head of Media Relations\, National Film Board)\, and Tara Taylor (Penny Candy). \nArtist Biographies\nSydnie Baynes\nSydnie Baynes is a visual artist and animator with a Film Animation degree from Concordia University\, blending traditional and digital mediums to explore Black history and femininity. Through her animated films\, she celebrates identity and heritage\, inspiring viewers to embrace their narratives and the richness of Black culture. More info: sydniebaynes.com \nTara Taylor\nTara Lynn Taylor is a playwright\, filmmaker\, multimedia artist\, singer\, and actress. She supports other artists through organizations\, including the Charles Taylor Theatre & Media Arts Association (of which she is Founder and Chair)\, which presents the Emerging Lens Cultural Film Festival and the Breaking Through the Screens and Black Above the Line film training program for African Canadians. She is also the owner/partner of A Cultural Explosion Television streaming network hosted on ROKU and APPLE TV\, the Inaugural Artist in Residence for the Halifax Public Libraries\, the 2021 Winner of the African Nova Scotian Music Awards Industry Development Award for presenting music for theatre and film\, and recipient of the 2024 Black Artist Recognition award. \nThis event is co-presented by Mayworks Kjipuktuk/Halifax and the Animation Festival of Halifax. With thanks to the Prismatic Arts Festival. \n \n\nFILMS\n \nT.V. Tango (1992\, dir. Martine Chartrand) – 4 min\nFour children who have picked up all sorts of annoying behaviour from watching television decide instead to create their own games. This animated film for five- to eight-year-olds is intended to awaken children’s critical sense regarding the media messages aimed at them. \n\n \nBlack Soul (Âme noire) (2000\, dir. Martine Chartrand) – 9 min\nMartine Chartrand’s animated short dives into the heart of Black culture with an exhilarating trip though history. Watch as a young boy traces his roots through the stories his grandmother shares with him about the events that shaped their cultural heritage. \n\n \nMacPherson (2013\, dir. Martine Chartrand) – 11 min\nThis animated film by Martine Chartrand (Black Soul) recounts the friendship between a young Félix Leclerc and Frank Randolph Macpherson\, a Jamaican chemical engineer and university graduate who worked for a pulp and paper company. An inveterate jazz fan\, Macpherson inspired Leclerc\, who wrote a song about the log drives and entitled it “MacPherson” in honour of his friend. Paint-on-glass animation shot with a 35mm camera. \n\n \nBy Winds and Tides (2022\, dir. Bogdan Anifrani Fedach) – 3 min\nExploring the conscious\, the unconscious and the self\, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape\, how it is released. An allegorical quest\, the film combines images and words into a singular sigh. \n\n \nBreakthrough ( 2024\, dir. Mide Kadiri) – 4 min\nA 2D hand drawn short leading us on an abstract journey through spacetime. \n\n \n100 Ghosts (2022\, dir. Noncedo Khumalo) – 1 min\nA woman awakes to mysterious sounds—and confronts an astonishing surreal world summoned forth by her innermost fears. \n\n \nCity Shock (2024\, dir. Sydnie Baynes) – 1 min\nInspired by the energetic German film\, Run Lola Run\, City Shocks delves into the chaos of urban life through a series of interconnected vignettes\, while following a character navigating the bustling streets of a sprawling metropolis. \n\n \nAfrican American Express (2024\, dir. Sydnie Baynes) – 3 min\nAfrican American Express is an abstract animation exploring the impact of consumerism in the Black community. Told in the style of Soviet Propaganda\, this animated short dissects the pattern of excessive materialism and consumption prevalent within the Black population. \n\n \nGovernance (2020\, dir. Ho Che Anderson) – 3 min\nCriminologist and community activist Munira Abukar believes justice and equity begin in your own home and heart. Embracing the uncomfortable awakening that 2020 has brought about\, she debunks the cozy narrative of social equality and puts her finger on the key issues needing change. \n\n \nHome (2022\, dir. Bria Miller) – 6 min \nThis tribute to Bria Miller’s beloved Nan\, Marion Miller\, explores childhood\, comfort\, responsibility\, nostalgia\, and climate concerns. It was made with mentorship from animator Becka Marker and inspired by the late animator Helen Hill for the 2022 Halifax Animation Festival. \n\n \nUnity In the Early Morning (2017\, dir. Sydnie Baynes) – 2 min\nThe interaction between two individuals is often forgotten. With the displays of soothing cultural sounds\, one can easily be reminded of the original state and meaning within a conversation based on likeness and emotion. This piece is a stop-motion cut-out animation made for the Distorted Storytelling exhibition project for S.P.A.C.E. (Sciences Participating with Arts and Culture in Education)\, presented at Dawson College in Montréal. \n\n \nPenny Candy (2025\, dir. Tara Taylor) – 3 min \nThis musical from Afromations Media Productions captures the delights of penny candy – the excitement of the expedition to the shop\, the dazzling colours\, and the joy of sharing with loved ones. \n\n Closed captions will be provided for each film. \n ASL interpretation will be provided for this event. \n         Childcare will be provided for this event. Please use this REGISTRATION FORM. \n\n \nBanner image: Still image from African American Express (Sydnie Baynes\, 2024)
URL:https://mayworkskjipuktukhfx.ca/event/in-true-colour-a-celebration-of-black-canadian-animators/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Film
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DTSTART;TZID=America/Halifax:20230513T163000
DTEND;TZID=America/Halifax:20230513T173000
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SUMMARY:Being Present: Spotlight on Martins Madumere
DESCRIPTION:Presented by AFX – Animation Festival of Halifax\n \nSaturday\, May 13th @ 4:30pm \nLocation: Museum of Natural History (1747 Summer St) \nDuration: 60 mins \nFREE \nCheck out the full AFX Schedule \nMultidisciplinary artist Martins Madumere practises animation as he practises life – with an inspiring balance of self-discipline and openness. In this artist spotlight\, we will see Martins’s animated short films; we will hear about his journey as a self-taught animator and his cultural experiences in his native Nigeria and current home of Epekwitk (colonially known as Prince Edward Island); and we will learn how he flourishes in a full life of visual arts\, writing\, study\, athletics\, and community. This event is the world premiere of his new animated short\, Being Present\, which was commissioned by the Animation Festival of Halifax in Kjipuktuk for the BIPOC Animator Film Commission and Mentoring Program. This project is funded by the Government of Canada. \nThe screening will be followed by a recorded Q&A between Martins Madumere and Sobaz Benjamin.
URL:https://mayworkskjipuktukhfx.ca/event/being-present-spotlight-on-martins-madumere/
LOCATION:Museum of Natural History\, 1747 Summer Street\, Halifax\, Nova Scotia\, Canada
CATEGORIES:Film
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DTSTART;TZID=America/Halifax:20220507T160000
DTEND;TZID=America/Halifax:20220507T173000
DTSTAMP:20260513T042403
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SUMMARY:How the Animation Industry Works: Globalization\, Integration\, Unionization
DESCRIPTION:Saturday\, May 7th\n4:00 PM – 5:30 PM\nMuseum of Natural History\, Auditorium (1747 Summer St) \nTickets available at www.anifx.ca\nAre you new to the animation industry? Trying to get into it? Just curious? \nHere’s a chance to find out about how financial policies and practices shape the animation workplace. We’ll discuss how international studios outsource animation work to Kjipuktuk-Halifax\, how that relates to public funding for commercial film production\, the effects of studios’ ownership of distribution and exhibition networks (vertical integration\, like Disney Studios and Disney+)\, and current movements towards unionization in the industry. Featuring people at different career stages\, the panel will ask what it’s like to be a freelancer in the animation world and what it’s like to support your “passion projects” by working in the industry. \n 
URL:https://mayworkskjipuktukhfx.ca/event/how-the-animation-industry-works-globalization-integration-unionization/
LOCATION:Museum of Natural History\, 1747 Summer Street\, Halifax\, Nova Scotia\, Canada
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DTSTART;VALUE=DATE:20220505
DTEND;VALUE=DATE:20220516
DTSTAMP:20260513T042403
CREATED:20220405T131731Z
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SUMMARY:The Work We Do: An Animation Retrospective
DESCRIPTION:Online stream at www.anifx.ca until May 15th \nTickets to Online Screening at www.anifx.ca\nPresented in partnership with the Animation Festival of Halifax (AFX) \nCraft. Labour. Practice. Drudgery. Vocation. We work every day\, sometimes with joy and a sense of fulfillment\, sometimes with loathing and a sense of alienation. We labour for pay\, for free\, or for barter; we exert ourselves for overlords\, for ourselves\, or for our communities. These animated films from across the country and across the decades reflect on the ups and downs of our experiences as beings who toil and strive. And what medium could be more fitting than the labour-intensive delight of animation? \nTotal running time: 65 minutes. \n  \n \n \n\nSeeing Her (Lindsay McIntyre\, 2020) 3:30 \nWe begin with Lindsay McIntyre’s homage to the skill and love of work her great-grandmother\ndid on her amauti\, animated through Super-16 cinematography. \n\nGet a Job! (Brad Caslour\, 1985) 10:30 \nWith a turn to the ironic\, this 1980’s classic is an ironic riff on classic cartoons\, peppered with pop culture references. \n\nCurtailment of Civilian Industries (Philip Ragan\, 1943) 2:00 \nFrom the vaults: World War II propaganda paints a picture of labour and consumerism. \n\nYou Are Pretty Much On Your Own… The Two Disasters of Homelessness and The Pandemic ( Jeff Karabanow\, Katrin Doll\, Catherine Levitan-Reid\, Jean Hughes and Haorui Wu\, 2021) 7:45 \nResearchers team up with Animator Shannon Long to create an animated short  exploring the homelessness sector in two Nova Scotian communities during the early phases of COVID. It is based on the SSHRC-funded 2021 study entitled “COVID-19  and Homelessness: Promoting Disaster Preparedness\, Response\, and Recovery in Two Communities in Nova Scotia” by Jeff  Karabanow\, Kaitrin Doll\, Catherine Levitan-Reid\, Jean Hughes and Haorui Wu. \n\nThe Housewife (Cathy Bennett\, 1975) 6:00 \nThe Housewife provides a 1970’s look a “women’s” work and a quiet celebration of the women who do it. \n\nBistro Girls (Jenna Marks\, 2020) 5:00 \nJenna Marks’s stop-motion animation brings out the sparkle of documentary interviews with Zoe Leger and Foxy Roxy as they reflect on their work as performers. \n\nMacpherson (Martine Chartrand\, 2012) 11:00 \nMartine Chartrand’s exquisite paint-on-glass animation celebrates a range of work and labourers in this true story of Frank Randolph Macpherson\, a Jamaican chemical engineer working in the pulp and paper industry\, who inspired Félix Leclerc to write his song about the log drives. \n\nBiidaaban (The Dawn Comes) (Amanda Strong\, 2017) 19:15 \nIndigenous people have harvested sap for thousands of years. In Biidaaban\, a young genderfluid person and a shape-shifter continue this work in an urban setting. \n\nDOWNLOAD OUR PROGRAM APP FOR ALL EVENT  DETAILS & UPDATES\n   \n 
URL:https://mayworkskjipuktukhfx.ca/event/the-work-we-do-an-animation-retrospective/
LOCATION:The Bus Stop Theatre Coop\, 2203 Gottingen St\, Halifax\, NS\, Canada
CATEGORIES:Film
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DTSTART;VALUE=DATE:20210506
DTEND;VALUE=DATE:20210509
DTSTAMP:20260513T042403
CREATED:20210405T105445Z
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SUMMARY:AFX
DESCRIPTION:We’re partnering with the Halifax Animation Festival (AFX) to bring you two exciting events!\n \nCOVID UPDATE:\nAll AFX events are presented online and are not impacted by the current provincial lock down.\n \nFULL DETAILS at www.anifx.ca \nDOWNLOAD OUR PROGRAM APP FOR ALL EVENT & TICKET UPDATES\n   \n\n\nThis World’s Not Done (films by Helen Hill)\nCurated by Becka Barker \nMay 6\, 5:00PM – WATCH HERE\nExperimental animator Helen Hill was known for the bright hand-crafted aesthetic she brought to so much of her work and life. Her films blend an exuberance for life and care for others with personal stories and themes of mortality. This program embraces the whimsy\, the sadness\, the fun\, and the contemplation in Hill’s films as intertwining threads that encourage us to cushion our pain with love\, and celebrate the brevity of our time on earth by demonstrating love and care to one another and our communities. Join us in celebrating and remembering an icon of our local film and animation community! \n\nAnimating our stories: Exploring LGBTQ2S History through Animation\nMay 7\, 3:00PM – Watch Here\nHistory is not the past\, it is the present. We carry our history with us.\nWe are our history.\n– James Baldwin \nThe first live action feature documentary was Robert Flaherty’s Nanook of the North in 1922. 85 years later\, the world saw its first animated feature documentary with Marjane Satrapi’s Persepolis in 2007. \nWhat happened? Can animation document as well as live action? Does it tell stories differently? Inspired by Quickdraw Animation Society’s (QAS) On LGBTQ2S+ Animation Project*\, this panel features special guests Mike Hooves\, member of the project’s organizing collective\, along with award-winning Toronto-based queer artists Lauren Hortie and Sonya Reynolds. The panel is moderated by Sam Decoste\, independent animator and one of the essayists for On LGBTQ2S+ Animation. \n*On LGBTQ2S+ Animation is a collection of essays\, comics\, and other works exploring queerness\, identity and representation in animation.
URL:https://mayworkskjipuktukhfx.ca/event/afx/
CATEGORIES:Film
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DTSTART;TZID=America/Halifax:20190511T170000
DTEND;TZID=America/Halifax:20190511T180000
DTSTAMP:20260513T042403
CREATED:20190409T032459Z
LAST-MODIFIED:20190416T005019Z
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SUMMARY:The Big Picture: Working Conditions of Independent Animators
DESCRIPTION:What is it like to be an independent animator? What challenges do independent Animators face finding funding for their work\, conveying their visions to producers\, and scrounging for the vast amount of time needed to make films frame by frame? What supports are available from arts organizations? And how can we put our heads together to improve living and working conditions for these independent artists? \nThis panel features special guests Michael Fukushima (Executive Producer of the National Film Board’s English Animation Studio)\, laura jeanne lefave (Program Officer at the Canada Council for the Arts)\, and award-winning independent animators Steve Woloshen and Sam Decoste. \nIt is for aspiring independent animators\, commercial animators who want to know how the other half lives\, and members of the public who would like to see behind the curtain on the process that has brought us some of the greatest Canadian films ever made. \nBiographies:\nSam Decoste is an independent animator\, curator\, and educator who believes in the power of stories. Decoste directed and animated the documentary short Mary & Myself (National Film Board prod. Annette Clarke 2013)\, which was nominated for a 2014 Best Short Documentary Canadian Screen Award and won the Shelagh MacKenzie Award for Excellence in Filmmaking from the Nova Scotia Talent Trust. Their installation\, Cahun: Framed (2015)\, was featured at the Animation Festival of Halifax last year. This year Decoste is the curator and mentor of the four- person installation project entitled Under the Rug. \nMichael Fukushima is the head of the National Film Board of Canada’s world-renowned Animation Studio\, in Montreal. He has been making films since 1984\, which is a lot of water under the bridge. Fukushima joined the NFB Animation Studio in 1990 as a filmmaker\, then became a studio producer\, and is now executive producer and studio head\, with a lot of films (and some awards) under his belt. He now mostly produces the producers and offers up sagacity and wise-cracking bon mots. \nlaura jeanne lefave is Program Officer for the Explore and Create program of the Canada Council for the Arts. The Canada Council is the national funder for the arts which supports individual artists and arts organizations through grants\, services\, prizes\, and payments. Lefave is herself a dedicated champion of the arts who assists artists\, curators\, and organizations with specific advice through information sessions and grant-writing workshops across the country and by responding to individual questions. \nSteven Woloshen has created over 50 abstract films and time-based installations for festivals\, galleries and museums. His accolades include the 2016 René Jodoin and 2015 Wiesbaden  Lifetime Achievement Awards and two Governor General’s award nominations. Woloshen is a teacher\, film conservationist\, animator\, craftsman and the author of Recipes for Reconstruction: The Cookbook for the Frugal Filmmaker (2010)\, a hands-on manual for handmade\, analogue film techniques\, and Scratch\, Crackle & Pop! A Whole Grains Approach to Making Films without a Camera (2015). As Scratchatopia\, Woloshen has hosted solo retrospectives and workshops in Europe\, North America and Northern Africa. \n\nUnder the Rug: The Invisibility of Art Labour\nUnder the Rug is an animation exhibition that reflects on the often laborious process of creating art\, and the disconnect between art’s consumption and creation. \nThe show features the work of performance and multimedia artist Annie Onyi Cheung\, visual artist Angela Henderson\, film and theatre artist Tara Taylor and interdisciplinary artist Tom Elliott. Each artist has created an animated response to the theme through the lens of their respective practice. \nTheir individual installations can be seen throughout the festival grounds: in the board room\, the hallway\, the coat room and the screening room\, making the exhibition a part of instead of an addition to the festival. \nDedicated viewing times: Launch 5pm-6:30 Thursday May 9\, & Installations Cocktail Social 5pm-7 Friday May 10\n  \nPresented in partnership with
URL:https://mayworkskjipuktukhfx.ca/event/the-big-picture-working-conditions-of-independent-animators/
CATEGORIES:Spoken
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